It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper --- and cousin by marriage --- of a once-famous novelist, William Ainsworth, with whom she has lived for 30 years. Mrs. Touchet suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems. The “Tichborne Trial” --- wherein a lower-class butcher from Australia claimed he was in fact the rightful heir of a sizable estate and title --- captivates Mrs. Touchet and all of England. Is Sir Roger Tichborne really who he says he is? Or is he a fraud?

In her first short story collection, Zadie Smith combines her power of observation and her inimitable voice to mine the fraught and complex experience of life in the modern world. Interweaving 11 completely new and unpublished stories with some of her best-loved pieces from The New Yorker and elsewhere, Smith presents a dizzyingly rich and varied collection of fiction. Moving exhilaratingly across genres and perspectives, from the historic to the vividly current to the slyly dystopian, GRAND UNION is a sharply alert and prescient collection about time and place, identity and rebirth, the persistent legacies that haunt our present selves, and the uncanny futures that rush up to meet us.

Written during the early months of lockdown, INTIMATIONS explores ideas and questions prompted by an unprecedented situation. What does it mean to submit to a new reality --- or to resist it? How do we compare relative sufferings? What is the relationship between time and work? In our isolation, what do other people mean to us? How do we think about them? What is the ratio of contempt to compassion in a crisis? When an unfamiliar world arrives, what does it reveal about the world that came before it? Zadie Smith clears a generous space for thought, open enough for each reader to reflect on what has happened --- and what should come next.

Arranged into five sections --- In the World, In the Audience, In the Gallery, On the Bookshelf, and Feel Free --- Zadie Smith’s new collection poses questions we immediately recognize. What is The Social Network --- and Facebook itself --- really about? Why do we love libraries? What will we tell our granddaughters about our collective failure to address global warming? Gathering in one place for the first time previously unpublished work, as well as already classic essays such as "Joy" and "Find Your Beach," FEEL FREE offers a survey of important recent events in culture and politics, as well as Smith's own life.

Two brown girls dream of being dancers, but only one, Tracey, has talent. The other has ideas: about rhythm and time, about black bodies and black music, what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early 20s. Tracey makes it to the chorus line but struggles with adult life, while her friend travels the world as an assistant to a famous singer, Aimee, observing close up how the one percent live. But when Aimee develops grand philanthropic ambitions, the story moves from London to West Africa, where the origins of a profound inequality are not a matter of distant history, but a present dance to the music of time.

Zadie Smith’s new novel follows four Londoners as they try to make adult lives outside of Caldwell, the council estate of their childhood. From private houses to public parks, at work and at play, their London is a complicated place, as beautiful as it is brutal, where the thoroughfares hide the back alleys and taking the high road can sometimes lead you to a dead end.