Adult

It’s 1974 in the Cherokee Nation of Oklahoma, and 15-year-old Justine grows up in a family of tough, complicated and loyal women presided over by her mother, Lula, and Granny. After Justine’s father abandoned the family, Lula became a devout member of the Holiness Church --- a community that Justine at times finds stifling and terrifying. But Justine does her best as a devoted daughter until an act of violence sends her on a different path forever. CROOKED HALLELUJAH tells the stories of Justine --- a mixed-blood Cherokee woman --- and her daughter, Reney, as they move from Eastern Oklahoma’s Indian Country in the hopes of starting a new, more stable life in Texas amid the oil bust of the 1980s.

After multiple women go missing, Agent Melina Shepard of the Tennessee Bureau of Investigation makes the impulsive decision to go undercover as a prostitute. While working the street, she narrowly avoids becoming a serial killer’s latest victim; as much as it pains her to admit, she needs backup. Enter lone wolf FBI agent Jerrod Ramsey. Stonewalled by a lack of leads, he and Melina investigate a scene where a little girl has been found abandoned in a crashed vehicle. They open the trunk to reveal a horror show and quickly realize they’re dealing with two serial killers with very different MOs. The whole situation brings back memories for Melina. Why does this particular case feel so connected to her painful past?

Blackwood Bay. An ordinary place, home to ordinary people. It used to be a buzzing seaside destination. But now, ravaged by the effects of dwindling tourism and economic downturn, it’s a ghost town --- and the perfect place for filmmaker Alex to shoot her new documentary. But the community is deeply suspicious of her intentions. After all, nothing exciting ever happens in Blackwood Bay. Or does it?

In the courtyards of Trinity College, Dublin, in 1978, aspiring actress Maeve meets pottery student Murtagh Moone. As their relationship progresses, marriage and motherhood come in quick succession, but for Maeve, with the joy of children also comes the struggle to hold on to the truest parts of herself. Decades later, on a small Irish island, the Moone family are poised for celebration but instead are struck by tragedy. Each family member must find solace in their own separate way, until one dazzling truth brings them back together. But as the Moone family confront the past, they also journey toward a future that none of them could have predicted. Except perhaps Maeve herself.

A broken engagement only gave Molly Montgomery additional incentive to follow her dream job. Now, as Little Bridge Island Public Library’s head of children’s services, Molly hopes the messiest thing in her life will be her sticky-note-covered desk. But fate --- in the form of a newborn left in the restroom --- has other ideas. So does the sheriff who comes to investigate the “abandonment.” When John Hartwell insists that whoever left the baby is a criminal, Molly begs to differ and asks what he’s doing about the Island’s real crime wave. Not the best of starts, but the man’s arrogance is almost as distracting as his blue eyes. John would be pretty irritated if one of his deputies had a desk as disorderly as Molly’s. Good thing she doesn’t work for him, considering how attracted he is to her.

Despite vowing never to return to New Orleans when she left for college, Rosemary quickly finds herself back in her hometown --- kicked out of school, at odds with her best friend, and desperate to lose herself in a bright, kaleidoscopic nightlife of dive bars and burlesque dancing. This night, though, is different. An unlikely companion, a secret sorrow and an unexpected visitor force Rosemary to break free. From the burlesque stage in the French Quarter, strip clubs to strangers’ beds, a secret garden in Jackson Square, and ending at a raucous masquerade party, this night becomes a journey for Rosemary to come to grips with her past, grieve for those she has lost, and maybe --- finally --- acknowledge that she too deserves redemption.

One September afternoon in 1999, teenagers Matthew, Zoe and Duncan Lang discover a boy lying in a field, bloody and unconscious. Thanks to their intervention, the boy’s life is saved. In the aftermath, all three siblings are irrevocably changed. Matthew becomes obsessed with tracking down the assailant, secretly searching the local town with the victim’s brother. Zoe wanders the streets of Oxford, looking at men, and one of them, a visiting American graduate student, looks back. Duncan, who has seldom thought about being adopted, suddenly decides he wants to find his birth mother. Overshadowing all three is the awareness that something is amiss in their parents’ marriage.

You might as well know this going in: Lawrence Block's new novel is not for everyone. It's recounted in journal form by its protagonist, and begins when he walks into a roadhouse outside of Bakersfield, California, and walks out with a woman. And rapes and murders her. But, um, not in that order. Right. But it's what he does with the rest of his life that's really interesting.

Bea’s five-year-old daughter, Agnes, is slowly wasting away, consumed by the smog and pollution of the overdeveloped metropolis that most of the population now calls home. If they stay in the city, Agnes will die. There is only one alternative: the Wilderness State, the last swath of untouched, protected land, where people have always been forbidden. Until now. Bea, Agnes and 18 others volunteer to live in the Wilderness State, guinea pigs in an experiment to see if humans can exist in nature without destroying it. But as Agnes embraces the wild freedom of this new existence, Bea realizes that saving her daughter’s life means losing her in a different way. The farther they get from civilization, the more their bond is tested in astonishing and heartbreaking ways.

In the Before, humankind is created with a hole in its heart, the designers not realizing their mistake --- if it was a mistake --- until too late. Elliot Chance is just a boy and knows nothing of this. All he knows is that he doesn’t feel at home in this world, and his desire for escape becomes more urgent as he grows into adulthood. Desperate and lost, he stumbles upon a support group on the edge of Manhattan. There he meets Sasha, who leaves coded messages in the copy she writes for advertising campaigns, and Bannor, whose detailed depictions of the future make Elliot think he may have actually been there. With these two unlikely allies, Elliot launches into the business of life, determined to be happy in spite of himself. Yet the hole in the heart is not so easily filled.