Daphne Maritch doesn't quite know what to make of the heavily annotated high school yearbook she inherits from her mother. The late June Winter Maritch was the teacher to whom the class of '68 had dedicated its yearbook, and in turn she went on to attend every reunion, scribbling notes and observations after each one --- not always charitably --- and noting who overstepped boundaries of many kinds. In a fit of decluttering, she discards it when she moves to a small New York City apartment. But when it's found in the recycling bin by a busybody neighbor/documentary filmmaker, the yearbook's mysteries --- not to mention her own family's --- take on a whole new urgency, and Daphne finds herself entangled in a series of events both poignant and absurd.

At 32, Faith Frankel has returned to her claustro-suburban hometown, where she writes institutional thank-you notes for her alma mater. It's a peaceful life, and surely with her recent purchase of a sweet bungalow on Turpentine Lane, her life is finally on track. Never mind that her fiancé is off on a crowdfunded cross-country walk, too busy to return her texts (but not too busy to post photos of himself with a different woman in every state). And never mind her witless boss, or a mother who lives too close, or a philandering father who thinks he's Chagall. When she finds some mysterious artifacts in the attic of her new home, she wonders whether anything in her life is as it seems.

Unexpectedly widowed Gwen-Laura Schmidt is still mourning her husband when her older sister Margot invites her to join forces as roommates in Margot’s luxurious Village apartment. Gwen also brings on a third boarder, the handsome, cupcake-baking Anthony. As the three swap money-making schemes and timid Gwen ventures back out into the dating world, the arrival of Margot’s paroled ex in the efficiency apartment downstairs creates not just complications but the chance for all sorts of unexpected forgiveness.

In her two decades of writing, Elinor Lipman has populated her fictional universe with characters so utterly real that we feel like they’re old friends. Now she shares an even more intimate world with us --- her own --- in essays that offer a candid, charming take on modern life. Looking back and forging ahead, she considers the subjects that matter most: childhood and condiments, long marriage and solo living, career and politics.

Meet Alice Thrift, surgical intern in a Boston hospital, high of I.Q. but low in social graces. She doesn’t mean to be acerbic, clinical, or blunt, but where was she the day they taught Bedside Manner 101? Into Alice’s workaholic and wallflower life comes Ray Russo, a slick traveling fudge salesman in search of a nose job and well-heeled companionship, but not necessarily in that order. Is he a conman or a sincere suitor? Good guy or bad?