After a traumatic accident that almost cost him his life, Jordan is finally starting to feel normal again. Well, maybe not normal. Everything tastes like ash, and when he looks at the people around him, their faces start to melt. His friends are doing their best to get him back on his feet and maybe even find someone to take his mind off his last failed relationship. Then he meets Lilith. The two share an instant connection, but after a wild and passionate night together, she ghosts him. Jordan searches the city for Lilith, desperate to see her again. But when a woman claiming to be Lilith shows up, wearing a different face but knowing intimate details about Jordan, he worries he’s losing his grip on reality. As he grows closer to this mysterious woman, he discovers that happily ever afters sometimes come at a cost.

A father returns from serving in Vietnam with a strange and terrifying addiction; a man removes something horrifying from his fireplace and becomes desperate to return it; and a right-wing news channel has its hooks in people in more ways than one. From department store Santas to ghost boyfriends and salamander-worshipping nuns; from the claustrophobia of the COVID-19 pandemic to small-town Chesapeake USA, Clay McLeod Chapman takes universal fears of parenthood, addiction and political divisions and makes them uniquely his own.

At 66 years old, Winston Kemper has always been a nonentity. No one notices him. His simple existence barely registers for those who come into contact with him. Winston is a collector of voices, and his magnum opus --- The Butterfly Girls --- is a sprawling epic of untapped imagination. It has no single canvas, no particular frame. It is everywhere: scribbled on the walls, the floor and countless notebooks. Winston is creating a fantasia that exists in words, images and blood. As part of his “art,” he has been murdering forgotten women. Poor souls who slip through the cracks of society, who no one is looking for. Winston takes their lives, their voices. But now he can hear them. They whisper to him. They talk of revenge. Winston might not believe in ghosts, but he is about to learn they are very real. And they are very, very angry.

Noah has been losing his polite Southern parents to far-right cable news for years. So when his mother leaves him a voicemail warning him that the “Great Reawakening” is here, he assumes it’s related to one of her many conspiracy theories. But when his phone calls go unanswered, Noah makes the drive from Brooklyn to Richmond, Virginia. There, he discovers his childhood home in shambles and his parents locked in a terrifying trancelike state in front of the TV. Panicked, Noah attempts to snap them out of it. Then Noah’s mother brutally attacks him. But Noah isn’t the only person to be attacked by a loved one. Families across the country are tearing each other apart --- literally --- as people succumb to a form of possession that gets worse the more time they spend glued to a screen.

After striking out on her own as a teen mom, Madi Price is forced to return to her hometown of Brandywine, Virginia, with her 17-year-old daughter. With nothing to her name, she scrapes together a living as a palm reader at the local farmers market. It’s there that she connects with old high school flame Henry McCabe, now a reclusive local fisherman whose infant son, Skyler, went missing five years ago. Everyone in town is sure Skyler is dead, but when Madi reads Henry’s palm, she’s haunted by strange and disturbing visions that suggest otherwise. As she follows the thread of these visions, Madi discovers a terrifying nightmare waiting at the center of the labyrinth --- and it’s coming for everyone she holds dear.

Erin hasn’t been able to set a single boundary with her charismatic but reckless college ex-boyfriend, Silas. When he asks her to bail him out of rehab --- again --- she knows she needs to cut him off. But days after he gets out, Silas turns up dead of an overdose in their hometown of Richmond, Virginia, and Erin’s world falls apart. Then a friend tells her about Ghost, a new drug that allows users to see the dead. Wanna get haunted? he asks. Grieving and desperate for closure with Silas, Erin agrees to a pill-popping “séance.” But the drug has unfathomable side effects --- and once you take it, you can never go back.