Adult

Can one person know another person? How do we live through other people? Is it possible to fill the gap between people? If not, can art fill that gap? Grappling with these questions, David Shields gives us a book that is something of a revelation: 70-plus essays, written over the last 35 years, reconceived and recombined to form neither a miscellany nor a memoir but a sustained meditation on otherness. The book is divided into five sections: Men, Women, Athletes, Performers, Alter Egos. Shields' sustained, piercing focus is on the multiplicity of perspectives informing any situation, on the irreducible log jam of human information, and on the possibilities --- and impossibilities --- for human connection.

In a little dive in a small Israeli city, Dov Greenstein, a comedian a bit past his prime, is doing a night of standup. In the audience is a district court justice, Avishai Lazar, whom Dov knew as a boy, along with a few others who remember Dov as the awkward, scrawny kid who walked on his hands to confound the neighborhood bullies. Gradually, teetering between hilarity and hysteria, Dov's patter becomes a kind of memoir, taking us back into the terrors of his childhood. Finally, recalling his week at a military camp for youth --- where Lazar witnessed what became the central event of Dov's childhood --- Dov describes the indescribable while Lazar wrestles with his own part in the comedian's story of loss and survival.

Autumn. Season of mists and mellow fruitfulness. Two old friends --- Daniel, a centenarian, and Elisabeth, born in 1984 --- look to both the future and the past as the United Kingdom stands divided by a historic, once-in-a-generation summer. Love is won, love is lost. Hope is hand-in-hand with hopelessness. The seasons roll round, as ever. A luminous meditation on the meaning of richness and harvest and worth, AUTUMN is the first installment of Ali Smith’s Seasonal quartet, and it casts an eye over our own time: Who are we? What are we made of?

Yiyun Li grew up in China and has spent her adult life as an immigrant in a country not her own. She has been a scientist, an author, a mother, a daughter --- and through it all she has been sustained by a profound connection with the writers and books she loves. From William Trevor and Katherine Mansfield to Søren Kierkegaard and Philip Larkin, DEAR FRIEND is a journey through the deepest themes that bind these writers together.

When Kate Bishop unexpectedly finds herself in the middle of a police investigation into a brutal murder, she makes a shocking discovery: she has the ability to identify killers just by looking into their eyes. Jack Raines, a mysterious author with shadowy connections to those who share her ability, tells Kate that her unique vision also makes her a target, and only he can help her. Now, hot on Jack and Kate’s heels are a force of super-predators, vicious and bloodthirsty killers who will stop at nothing until Kate is dead. But even as she fights for her life, Kate still isn’t sure if Jack is really her salvation, or another killer coming to slaughter her.

Usually clear-headed editor Samantha Clair stumbles through her post-book-party morning with the hangover to end all hangovers. But before the ibuprofen has even kicked in, she finds herself entangled in an elaborate saga of missing neighbors, suspected arson and strange men offering free tattoos. By the time the grisly news breaks that the fire has claimed a victim, Sam is already in pursuit. Never has comedy been so deadly as she faces down a pair from Thugs ’R’ Us, aided by nothing more than a Scotland Yard boyfriend, a stalwart Goth assistant, and an unnerving knowledge of London’s best farmer’s markets.

All their lives, Alice Stanhope and her daughter, Zoe, have been a family of two. Zoe has always struggled with crippling social anxiety, and her mother has been her constant and fierce protector. With no family to speak of, and the identity of Zoe’s father shrouded in mystery, their team of two works until it doesn’t. Until Alice gets sick and needs to fight for her life. Desperate to find stability for Zoe, Alice reaches out to two women who are practically strangers, but who are her only hope: Kate, a nurse, and Sonja, a social worker. As the four of them come together, they must confront their sharpest fears and secrets about abandonment, abuse, estrangement and the deepest longing for family.

It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon achieved instant box-office and critical success. Yet what has been often overlooked is that the movie was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance.

Aldis hates her job working in a juvenile detention center in rural Iceland. The boys are difficult, the owners are unpleasant, and there are mysterious noises at night. And then two of the boys go astray. Decades later, single father Odinn is looking into alleged abuse at the center. The more he finds out, though, the more it seems the odd events of the 1970s are linked to the accident that killed his ex-wife. Was her death something more sinister?

At 400 pounds, Billy Brennan can always count on food. Food has always made everything better, until the day Billy’s beloved son, Michael, takes his own life. Billy determines to make a difference in Michael's memory and undertakes a public weight-loss campaign, to raise money for suicide prevention --- his first step in an ambitious plan to save himself and others. However, Billy's dramatic crusade appalls his family, who want to simply try to go on, quietly and privately. Despite his crushing detractors, Billy gains welcome allies, including his community-at-large and a co-worker who lost his father to suicide. But it is only if Billy can confront the truth of the suffering and brokenness within and around him that he and others will be able to realize the recovery they need.