Glenn Frankel’s SHOOTING MIDNIGHT COWBOY tells the story of a modern classic that, by all accounts, should never have become one in the first place. The film’s boundary-pushing subject matter --- homosexuality, prostitution, sexual assault --- earned it an X rating when it first appeared in cinemas in 1969. For Midnight Cowboy, director John Schlesinger enlisted Jerome Hellman, a producer coming off his own recent flop and smarting from a failed marriage, and Waldo Salt, a formerly blacklisted screenwriter with a tortured past. The decision to shoot on location in New York, at a time when the city was approaching its gritty nadir, backfired when a sanitation strike filled Manhattan with garbage fires and fears of dysentery.

It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon achieved instant box-office and critical success. Yet what has been often overlooked is that the movie was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance.

In 1836 in East Texas, nine-year-old Cynthia Ann Parker was kidnapped by Comanches. She was raised by the tribe and eventually became the wife of a warrior. Twenty-four years after her capture, she was reclaimed by the U.S. cavalry and the Texas Rangers and restored to her white family, to die in misery and obscurity. Cynthia Ann's story has been told and retold over generations to become a foundational American tale.