Adult

Uprooted by circumstance from city to deep countryside, a woman lives in temporary limbo, visited by memories of all she’s left behind. The most insistent are those of Xavier, who has always been certain he knows her better than anyone, better than she knows herself. Xavier, whom she still loves but no longer desires, a displacement he has been unable to accept. An unexpected letter from an old acquaintance brings back a torrent of others she’s loved or wanted. The ephemera left by their passage --- a spilled coffee, an unwanted bouquet, a mind-blowing kiss --- make up a cabinet of curiosity she inventories, trying to divine the essence of intimacy. What does it mean to connect with another person? What impels us to touch someone, to be touched by them, to stay in touch? How do we let them go?

New York simmers with heat and unrest as Wyeth, a painter, finds himself at an impasse in his own work. After attending a dubious show put on by a collective of careerist artists, he retreats to a bar in the West Village where he meets Keating, a former seminarian. Over the long summer, as the two get to know each another, they talk and argue about God, sex and art. Meanwhile, at his job working for an art restorer, Wyeth begins to investigate the life and career of a forgotten, minor Black artist. His search yields potential answers to questions that Wyeth is only now beginning to ask about what it means to be a Black artist making Black art amid the mess and beauty of life itself.

In this eagerly awaited new collection, Zadie Smith brings her unique skills as an essayist to bear on a range of subjects that have captured her attention in recent years. She takes an exhilaratingly close look at artists Toyin Ojih Odutola, Kara Walker and Celia Paul. She invites us along to the movies, to see and to think about Tár, and to New York to reflect on the spontaneous moments that connect us. She takes us on a walk down Kilburn High Road in her beloved North-West London and welcomes us to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. She considers changes of government on both sides of the Atlantic --- and the meaning of "the commons" in all our lives.

Milwaukee, 1932. The Great Depression is going full blast, the repeal of Prohibition is just around the corner, Al Capone is in the federal pen, and the private investigation business shifts from labor-management relations to the more domestic kind. Hicks McTaggart, a onetime strikebreaker turned private eye, thinks he’s found job security until he gets sent out on what should be a routine case: locating and bringing back the heiress of a Wisconsin cheese fortune who’s taken a mind to go wandering. Before he knows it, he’s been shanghaied onto a transoceanic liner, eventually ending up in Hungary. By the time Hicks catches up with the runaway heiress, he will find himself entangled with Nazis, Soviet agents, British counterspies, swing musicians, practitioners of the paranormal, outlaw motorcyclists, and the troubles that come with each of them.

Urbana, Ohio, was not a utopia when Beth Macy grew up there in the ’70s and ’80s. Her dad was known as the town drunk, which hurt, as did their poverty. But Urbana had a healthy economy and thriving schools, and Macy had middle-class schoolmates whose families became her role models. But as her mother’s health declined in 2020, she couldn’t shake the feeling that her town had dramatically hardened. Macy had grown up as the paper girl, delivering the local newspaper, which was the community’s civic glue. Now she found scant local news and precious little civic glue. This was not an assignment Macy had ever imagined taking on, but after her mother’s death, she decided to figure out what happened to Urbana in the 40 years since she’d left. The result is an astonishing book that brings into focus our most urgent set of national issues.

The bodies of three teenage girls are found in central Minnesota --- each with her mouth fixed in a ghoulish grin. But authorities eventually close and forget the curious case, dubbed the Laughing Dead. Decades later, cold case agent Evangeline “Van” Reed is called to the scene of a crime where the victim wears that same horror-movie smile. But this time someone seems to be sending a message: Van’s police ID has turned up at the scene, making her the prime suspect. It’s not that outlandish, considering her secrets --- ones she’s never even told her partner, forensic scientist Harry Steinbeck. As she feels others closing in, Van reopens the mystery of the Laughing Dead, hoping to find a connection to clear her name. But the more she digs backward in time, the closer she comes to a terrible truth: Everything she has spent her life trying to hide is returning to haunt her.

November 2001: Chloe Harlow wakes up late, with hazy memories of the party the night before but no recollection of how she got back to her Brooklyn apartment. When she finally arrives at the exclusive Upper East Side art gallery where she works, she is immediately called into her boss’s office. A pair of NYPD detectives greet her, also very curious to know how her evening ended…because the host of the party, a rising painter and the gallery’s newest artist, is dead. Navigating both the sophisticated high-stakes art world and her personal life in burgeoning Williamsburg, Chloe struggles to piece together a complete picture of that lost night. As she digs deeper, inconsistencies emerge between what she remembers and what people tell her actually happened, and more questions are raised.

In the fall of her senior year of college, our narrator meets two star students from her 17th-Century Lit class: Sam and Yash. The boys invite her into their intoxicating world of academic fervor, rapid-fire banter and raucous card games. They nickname her Jordan, and she quickly discovers the pleasures of friendship, love and her own intellectual ambition. But youthful passion is unpredictable, and soon she finds herself at the center of a charged and intricate triangle. As graduation comes and goes, choices made will alter these three lives forever. Decades later, the vulnerable days of Jordan's youth seem comfortably behind her. But when a surprise visit and unexpected news bring the past crashing into the present, she returns to a world she left behind and must confront the decisions and deceptions of her younger self.

Over 20 years ago, a young hunting guide in rural Kentucky was driving his boat in the early morning mist when his peaceful cruise was cut short by a scene so disturbing, he packed up and moved away. Nine women died early that morning, but it was linked to a similar crime in Texas, so the locals quickly wrote it off as having nothing to do with them. Now, all these years later, when everyone has nearly forgotten about that grisly part of their past, one man's accidental death will bring everything back up to the surface. The locals who knew better can no longer claim it had nothing to do with them, and one woman, desperate to do whatever it takes to save her mother's life, will learn that nearly everyone in her life has been lying to her.

Eloran is a world of imperious elves, fractious human realms, and the hated, skeletal kaul. When Latanna Forgrym’s despised father tries to betroth her to the youngest son of a powerful, manipulative family, she forges a new path by instead marrying a man she respects but doesn’t love. A chance encounter with a pair of mercenaries leads Latanna to a lost crown, a relic of forces the world has tried desperately to forget, and gives her the means to break free from her corrupt family --- but at a terrible price. A kaul mercenary travels through the human realms with a companion of no nation, identifiable species or memories. Latanna’s crown sets the warrior on the path to recovering first his name --- Vorykas --- and then fragments of his past. When a forbidden book resurfaces, threatening to reveal the knowledge Vorykas seeks, enemy forces move to conceal the book and any hint of its contents.