Adult

“The afternoon of September first, dishwater-gray and rainy, a man named Dale Figgo picked up a hitchhiker on Gus Grissom Boulevard in Tangelo Shores, Florida. The hitchhiker, who reminded Figgo of Danny DeVito, asked for a lift to the interstate. Figgo said he’d take him there after finishing an errand.” Thus begins FEVER BEACH, with an errand that leads --- in pure Carl Hiaasen style --- into the depths of Florida at its most Floridian: a sun-soaked bastion of right-wing extremism, white power, greed and corruption.

Thirty years ago, Laura’s mother, Viola, went missing. She left behind her purse, her keys, and her mysterious paintings of a red house. Laura, an artist herself, held on to the paintings. On the back of each work, her mother scrawled in Italian, “I will not be here forever.” The family never understood what Viola meant. Decades later, Laura returns to Italy, where her parents met after World War II. Laura spent the earliest years of her childhood there before the family moved to New Jersey and settled into an American dream that eventually became a nightmare. Viola, who claimed to be an orphan, staunchly refused to speak of her life before marriage. In Italy, Laura finds herself on a strange scavenger hunt to solve the puzzle of her mother’s lost years.

Growing up in the Southeast D.C. projects with a drug dealer for a father, Curtis Wilson is a cello prodigy who rises to unimagined heights in the classical music world. But then his life suddenly disintegrates. His father, Zippy, turns state’s evidence, implicating his old bosses. Now the family must enter the witness protection program if they want to survive. This means that Curtis must give up the very thing he loves the most. When Zippy’s bosses prove too elusive for law enforcement, Curtis, Zippy, and Zippy’s girlfriend, Larissa, realize that their only chance of survival is to take on the criminals themselves. They must create new identities and draw on their unique talents, including Curtis’ musical ability, to go after the people who want them dead.

Here are the soldiers and doctors and veterans, wives and lovers and children, who have been affected in ways both subtle and profound by the cataclysms of our times. In the aftermath of World War II, a young Jewish private, stationed in Germany, seeks the truth about lost family members. In the 1960s, a father focuses on his daughter’s wedding even as the Cuban Missile Crisis approaches the brink of global disaster. On September 11th, a maid working for U.S. Embassy staff in London wonders if her birth on the day of the Kennedy assassination determined the course of her life. And at the height of the pandemic lockdown, a respiratory disease specialist comes out of retirement and is faced with a formative childhood memory.

Bo knows she should go. Years of rain have drowned the city, and almost everyone else has fled. Her mother was carried away in a storm surge, and Bo has been alone ever since. She is stalled: an artist unable to make art, a daughter unable to give up the hope that her mother may still be alive. Half-heartedly, she allows her cousin to plan for her escape --- but as the departure day approaches, she finds a note slipped under her door from Mia, an elderly woman who lives in her building and wants to hire Bo to be her caregiver. Suddenly, Bo has a reason to stay. Mia can be prickly, but they forge a connection deeper than any Bo has had with a client. Then Mia’s health turns, and Bo determines to honor their disappearing world and this woman who has brought her back to it.

In 2018, Zoe Rosenzweig is reeling after the loss of her beloved grandfather, a Holocaust survivor. She becomes obsessed with finding out what really happened to her family during the war. Vienna, 1946: Chana Rosenzweig has endured the horrors of war to find herself, her mother and her younger brother finally free in Vienna. But freedom doesn’t look like they’d imagined it would, as they struggle to make a living and stay safe. Despite the danger, Chana sneaks out most nights to return to the hotel kitchen where she works as a dishwasher, using the quiet nighttime hours to bake her late father’s recipes. Soon, Chana finds herself caught in a dangerous love triangle, torn between the black-market dealer who has offered marriage and protection, and the apprentice baker who shares her passions. How will Chana balance her love of baking against her family’s need for security?

Living with her parents and grandmother in a single-room flat in working-class Bedok, Genevieve Yang is saddled with an unexpected sibling when Arin appears. As the two girls grow closer, they must navigate the intensity of life in a place where the urgent insistence on achievement demands constant sacrifice. Knowing that failure is not an option, the sisters learn to depend entirely on one another in pursuit of academic perfection and passage to a better future. When a stinging betrayal violently estranges Genevieve and Arin, Genevieve must weigh the value of ambition versus familial love, home versus the outside world, and allegiance to herself versus allegiance to the people who made her who she is.

After serving three years in prison for armed robbery, Nick Marshall wondered what kind of life he could lead as an ex-con. As he soon came to find, life on parole had its limits, but he was fortunate enough to have a salaried job, a roof over his head, and a car. Yet something still tugged at him: his yearning to be an artist. Aware of the immense time and effort it would take to fulfill such a dream, he gave up his safety net and took his place at the bottom of the totem pole in the hospitality industry. What Nick did not expect was for a series of jobs in bars and restaurants to catapult him into the exciting yet treacherous world of New York City nightlife. By connecting with all of the right movers, shakers, gatekeepers and the like, he began to blaze a new trail. Before he knew it, he was a power player who had it all. Or so he thought.

One afternoon in the autumn of 1972, a lonely widow in Mt. Gilead, Illinois, makes the impromptu decision to rent out a room in her house to a stranger who has come to town. It is risky; she doesn’t know anything about him. But Edith Green can no longer bear a life lived alone. And Henry Dees is haunted by the past he carries with him from another small town, particularly by the death of a little girl that some people think was his fault. And slowly, Henry and Edith's suspenseful dance between secrets and trust leads them to start revealing things to each other --- and themselves.

In DANCING ON COALS, Cynthia Moore describes a multi-decade, harebrained search for love in all the wrong places, starting when her narcissistic mother abandons her to a Swiss finishing school. Desperately seeking belonging, she leapfrogs from a polyamorous commune into a high-octane all-male performance group, dancing as if her life depends on it. When she finally quits the theater, earns a masters degree in psychology and develops her own therapeutic approach, she is able to heal herself and find the true belonging and peace she longs for. At times humorous and self-deprecating, at times poignant and heartbreaking, this is the story of one woman's path from abandonment to wholeness and authenticity.