Adult

Henry Winkler, who was launched into prominence as “The Fonz” in “Happy Days,” has transcended the role that made him who he is. In this achingly vulnerable memoir, Henry shares the disheartening truth of his childhood, the difficulties of a life with severe dyslexia, the pressures of a role that takes on a life of its own, and the path forward once your wildest dream seems behind you. Since the glorious era of “Happy Days” fame, Henry has endeared himself to a new generation with roles in such adored shows as “Arrested Development,” “Parks and Recreation” and “Barry,” where he’s been revealed as an actor with immense depth and pathos, a departure from the period of his life when he was so distinctly typecast as The Fonz, he could hardly find work.

Ancient Greeks, modern seers, Freud, Jung, neurologists, poets, artists, shamans. Humanity has never ceased trying to decipher one of the strangest unexplained phenomena we all experience: dreaming. Now, in her new book, Roz Chast illustrates her own dream world, a place that is sometimes creepy but always hilarious, accompanied by an illustrated tour through “Dream-Theory Land” guided by insights from poets, philosophers and psychoanalysts alike. Illuminating, surprising, funny and often profound, I MUST BE DREAMING explores Chast's newest subject of fascination --- and promises to make it yours, too.

In the midst of World War II, English musician Norah Chambers places her eight-year-old daughter, Sally, on a ship leaving Singapore, desperate to keep her safe from the Japanese army. Sister Nesta James, a Welsh Australian nurse, has enlisted to tend to Allied troops. But as Singapore falls to the Japanese, she joins the terrified cargo of people, including the heartbroken Norah, crammed aboard the Vyner Brooke merchant ship. Only two days later, they are bombarded from the air off the coast of Indonesia. After surviving a brutal 24 hours in the sea, Norah and Nesta are captured by the Japanese and held in one of their notorious POW camps. These sisters in arms fight side by side every day, discovering in themselves and each other extraordinary reserves of courage, resourcefulness and determination.

What if achieving your professional dreams comes at too high a personal cost? That’s what screenwriter Patty Lin started to ask herself after years in the cutthroat TV industry. One minute she was a tourist, begging her way into the audience of “Late Night with David Letterman.” Just a few years later, she was an insider who --- through relentless hard work and sacrifice --- had earned a seat in the writers’ rooms of the hottest TV shows of all time. While writing for “Friends,” “Freaks and Geeks,” “Desperate Housewives” and “Breaking Bad,” Patty steeled herself against the indignities of a chaotic, abusive, male-dominated work culture, not just as one of the few women in the room, but as the only Asian person.

1310, Berwick-upon-Tweed, England. Edward II knights Frederick Kohl for his bravery fighting the Scots. But Sir Frederick is not the man the king believes him to be; instead, it is his sister, Christina, who assumes her dead brother's identity. Still posing as Frederick, Christina escorts Lady Cecily, a young noblewoman joining Queen Isabella's court at Westminster Palace, to London. Unexpectedly, Christina and Cecily fall in love. But the wife of one of the wealthiest and most influential men in the city is Christina's bitter enemy. Katharine Volker, whose lascivious advances Christina rejects, goads her into voyaging from her London home to the Baltic waters of her birthplace. Christina journeys not to engage in trade. She sails for a far deadlier purpose --- to exact revenge on the pirates who killed her father and brother.

Stephanie Plum, Trenton’s hardest working, most underappreciated bounty hunter, is offered a freelance assignment that seems simple enough. Local jeweler Martin Rabner wants her to locate his former security guard, Andy Manley (aka Nutsy), who he is convinced stole a fortune in diamonds out of his safe. Stephanie is also looking for another troubled man, Duncan Dugan, a fugitive from justice arrested for robbing the same jewelry store on the same day. As the body count rises and witnesses start to disappear, it won’t be easy for Stephanie to keep herself clean when everyone else is playing dirty. It’s a good thing Stephanie isn’t afraid of getting a little dirty, too.

The Christmas season has arrived in Lower Lockwood, and the Fairway Players are busy rehearsing their festive holiday production of “Jack and the Beanstalk” to raise money for a new church roof. But despite the season, goodwill is distinctly lacking among the amateur theater enthusiasts with petty rivalries, a possibly asbestos-filled beanstalk, and some perennially absent players behind the scenes. Of course, there’s also the matter of the dead body onstage. Who possibly could have had the victim on their naughty list? Join lawyers Femi and Charlotte as they investigate Christmas letters, examine emails and pore over police transcripts to identify both the victim and killer before the curtain closes on their holiday production --- for good.

Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote. Now, acclaimed Beatles biographer Philip Norman examines Harrison through the lens of his numerous self-contradictions. This rich biography captures him at his most multifaceted: devoted friend, loyal son, master guitar player, brilliant songwriter, cocaine addict, serial philanderer, global philanthropist, student of Indian mysticism, self-deprecating comedian, and, ultimately, iconic artist and man beloved by millions.

LET US DESCEND is a reimagining of American slavery --- a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation. Annis, sold south by the white enslaver who fathered her, is the reader’s guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take.

Christine Coulson spent 25 years writing for the Metropolitan Museum of Art. Her final project was to write wall labels for the museum’s new British Galleries. During that time, she dreamt of using The Met’s strict label format to describe people as intricate works of art. The result is this bullet of a novel that imagines a privileged 20th-century woman as an artifact --- an object prized, collected and critiqued. ONE WOMAN SHOW revolves around the life of Kitty Whitaker as she is defined by her potential for display and moved from collection to collection through multiple marriages. Coulson precisely distills each stage of this sprawling life, every brief snapshot in time a wry reflection on womanhood, ownership, value and power.