Adult

It’s autumn in Maine, and the town lawyer Bob Burgess has become enmeshed in an unfolding murder investigation, defending a lonely, isolated man accused of killing his mother. He also has fallen into a deep and abiding friendship with the acclaimed writer Lucy Barton, who lives down the road in a house by the sea with her ex-husband, William. Together, Lucy and Bob go on walks and talk about their lives, their fears and regrets, and what might have been. Lucy, meanwhile, is finally introduced to the iconic Olive Kitteridge, now living in a retirement community on the edge of town. They spend afternoons together in Olive’s apartment, telling each other stories. Stories about people they have known --- “unrecorded lives,” Olive calls them --- reanimating them, and, in the process, imbuing their lives with meaning.

Flavia de Luce has taken on the mentorship of her odious moon-faced cousin Undine, who has come to live at Buckshaw following the death of her mother. When Major Greyleigh, a local recluse and former hangman, is found dead after a breakfast of poisonous mushrooms, suspicion falls on the de Luce family’s longtime cook, Mrs. Mullet. After all, wasn’t it she who’d picked the mushrooms, cooked the omelet and served it to Greyleigh moments before his death? But Flavia knows she is innocent. Together with Dogger, estate gardener and partner-in-crime, and the obnoxious Undine, Flavia sets out to find the real killer and clear Mrs. Mullet’s good name. Little does she know that following the case’s twists and turns will lead her to a most surprising discovery --- one with the power to upend her entire life.

The three Blue sisters are exceptional --- and exceptionally different. Avery, the eldest and a recovering heroin addict turned strait-laced lawyer, lives with her wife in London; Bonnie, a former boxer, works as a bouncer in Los Angeles following a devastating defeat; and Lucky, the youngest, models in Paris while trying to outrun her hard-partying ways. They also had a fourth sister, Nicky, whose unexpected death left the family reeling. A year later, as they each navigate grief, addiction and ambition, they find they must return to New York to stop the sale of the apartment in which they were raised. As the sisters reckon with the disappointments of their childhood and the loss of the only person who held them together, they realize that the greatest secrets they’ve been keeping might not have been from one another but from themselves.

A newly divorced Brynn thought she had found her happy ending. But now she’s living with a roommate, Josh, to afford her mortgage, and she’s trying to adjust to her new single life. At least she has “Carson’s Cove,” her beloved 2000s teenage soap, to binge. The show ended on a cliffhanger after five seasons, and the two main characters, Sloan and Spencer, never got to declare their love for each other. When a birthday cake surprisingly shows up on her and Josh’s doorstep, Brynn makes a wish for the one thing she’s always wanted: a happily ever after. The next morning, she doesn’t wake up in her apartment. She’s in Carson’s Cove, and Josh is there too. Everyone seems to know them, except they’re not Brynn and Josh. They’re Sloan, the sweetheart of Carson’s Cove, and Fletch, the town’s bad boy.

Hitler's invasion of Poland launched a momentous period of decision-making for the United States. With fascism rampant abroad, should America take responsibility for its defeat? For Charles Lindbergh, saying no to another world war only 20 years after the first was the obvious answer. Lindbergh had become famous and adored around the world after his historic first flight over the Atlantic. In the years since, he had emerged as a vocal critic of American involvement overseas, rallying Americans against foreign war as the leading spokesman for the America First Committee. While Hitler advanced across Europe and threatened the British Isles, President Franklin Delano Roosevelt struggled to turn the tide of public opinion. Aided by secret British disinformation efforts in America, he readied the country for war.

For wedding singer Mel Hart, the holidays have always retained a certain magic. Her mother, Connie, always managed to pull off spectacular Santa hijinx that convinced Mel to keep believing in Santa way longer than other kids. Those moments meant everything to Mel as life was unpredictable because of her mother’s alcohol use. But two weeks before Christmas, Mel gets a call from the hospital: her mother has died. Then a woman shows up on Mel's doorstep, claiming to be Connie's estranged best friend and promising to tell Mel a different narrative --- one in which Connie was almost a famous country music star, if only a man hadn't gotten in the way. As Christmas approaches, Mel reckons with how little she knew about her mother's past while reexamining her own future.

Everyone on the small island of St. Colibri is sleeping peacefully. Everyone except Sora Tanaka, a young pan player lying under the cannonball tree. Sora, a professional musician, had been visiting St. Colibri to take part in the island’s famous steel pan competition. But Sora isn’t asleep; she’s dead --- brutally murdered and still in her costume. And as the women of this island know all too well, Sora is far from the first woman to be killed, and she probably won’t be the last. In PASSIONTIDE, Sora’s death is the last straw and the beginning of something much larger, a "revolution" some are calling it. The event draws together four women who have never before seen each other as allies: a friend of the victim, the organizer of a sex workers’ collective, a local activist, and the prime minister’s wife.

Alice, the daughter of a wealthy innkeeper in Kilkenny, grows up watching her mother wither under the constraints of family responsibilities --- and she vows that she will never suffer the same fate. In time, she discovers she has a flair for making money and takes her father's flourishing business to new heights. But as her riches and stature grow, so too do rumors about her private life. By the time she marries her fourth husband --- the three earlier are dead --- a storm of local gossip and resentment culminates in a life-threatening accusation.

Dead women should not show up in photos 14 years beyond the grave. But if anyone is likely to recognize Claire Lidman, it's her husband, Samuel. He brings the photo to Hans Rekke and Micaela Vargas. Their initial skepticism gives way to cautious belief. But where will this case lead them? Meanwhile, Rekke's daughter, Julia, has a new boyfriend she's determined to keep secret. When word gets out, Micaela's world collapses around her, and Rekke is forced to confront a nemesis from his youth. Plunging us back into the political upheaval and financial crisis of the 1990s, as the Iron Curtain is finally lifted, the second Rekke and Vargas investigation sees our heroes grapple with a fiendish case that affects them both in profoundly personal ways.

Ex-detective Jackson Brodie is staving off a bad case of mid-life malaise when he is called to a sleepy Yorkshire town and the seemingly tedious matter of a stolen painting. But Jackson soon uncovers a string of unsolved art thefts that lead him down a dizzying spiral of disguise and deceit to Burton Makepeace, a formerly magnificent estate now partially converted into a hotel hosting Murder Mystery weekends. As paying guests, impecunious aristocrats and old friends collide, we are treated to Kate Atkinson’s most charming and fiendishly clever mystery yet, one that pays homage to the masters of the genre --- from Agatha Christie and Dorothy Sayers to the modern era of Knives Out and "Only Murders in the Building."