Adult

These 15 stories, written from the 1960s to the early 21st century --- and selected, revised and placed in order by the author himself shortly before he died in 2015 --- are a testament to the genius of E. L. Doctorow. In “A House on the Plains,” a mother has a plan for financial independence, which may include murder. “Jolene: A Life” follows a teenager who escapes her home for Hollywood on a perilous quest for success. “Heist,” the account of an Episcopal priest coping with a crisis of faith, was expanded into the bestseller CITY OF GOD. “The Water Works,” about the underbelly of 1870s New York, grew into a brilliant novel. “Liner Notes: The Songs of Billy Bathgate” is a corollary to the renowned novel and includes Doctorow’s revisions.

In a village at the edge of the wilderness of northern Russia, where the winds blow cold and the snow falls many months of the year, a stranger with piercing blue eyes presents a new father with a gift --- a precious jewel on a delicate chain, intended for his young daughter. Uncertain of its meaning, Pytor hides the gift away and Vasya grows up a wild, willful girl, to the chagrin of her family. But when mysterious forces threaten the happiness of their village, Vasya discovers that, armed only with the necklace, she may be the only one who can keep the darkness at bay.

Discovered on a freezing Moscow street by Russian billionaire Vladimir Stanislas, Natasha Leonova has lived for seven years under his protection, immersed in rarefied luxury, while he pursues his activities in a dark world that she guesses at but never sees. Theo Luca is the son of a brilliant, world famous and difficult artist, Lorenzo Luca, who left his wife and son with a fortune in artwork they refuse to sell. Lorenzo’s widow, Maylis, has transformed their home into a celebrated restaurant decorated with her late husband’s paintings. There, on a warm June evening, Theo first encounters Natasha, the most exquisite woman he has ever seen. And there, Vladimir lays eyes on Luca’s artwork. Two dangerous obsessions begin.

Piet Barol was a tutor before he came to South Africa, his wife, Stacey, an opera singer. In Cape Town they are living the high life, impersonating French aristocrats --- but their lies are catching up with them. The Barols’ furniture business is on the verge of collapse, and they need cheap, top-quality wood. Piet enlists two Xhosa men to lead him into a vast forest, in search of a fabled tree. He’s sure he’ll be able to buy what he needs for a few glass trinkets. But he’s underestimating the Xhosa, who believe the spirits of their ancestors live in this sacred forest. Battle lines are drawn. When Piet’s powers of persuasion fail him, he resorts to darker, more dangerous talents to get what he is determined to have.

The people in Tim Gautreaux’s latest collection of short stories wrestle with affairs of the heart, matters of faith, and the pros and cons of tight-knit communities. They are primarily of the working class, proud and knowledgeable about the natural or mechanical world. Their lives are marked by a prized stereo or a magical sewing machine retrieved from a locked safe, boats and card games and casinos, grandparents and grandchildren and those in between, their experiences leading them to the ridiculous or the scarifying or the sublime. Most of them are striving for what's right and good, others tearing off in the opposite direction.

Haris Abadi is a man in search of a cause. An Arab American with a conflicted past, he is now in Turkey, attempting to cross into Syria and join the fight against Bashar al-Assad's regime. But he is robbed before he can make it, and is taken in by Amir, a charismatic Syrian refugee and former revolutionary, and Amir's wife, Daphne, a sophisticated beauty haunted by grief. As it becomes clear that Daphne is also desperate to return to Syria, Haris' choices become ever more wrenching: Whose side is he really on? Is he a true radical or simply an idealist? And will he be able to bring meaning to a life of increasing frustration and helplessness?

The characters in Josh Barkan’s story collection --- chef, architect, nurse, high school teacher, painter, beauty queen, classical bass player, plastic surgeon, businessman, mime --- are simply trying to lead their lives and steer clear of violence. Yet, inevitably, crime has a way of intruding on their lives all the same. A surgeon finds himself forced into performing a risky procedure on a narco killer. A teacher struggles to protect lovestruck students whose forbidden romance has put them in mortal peril. A painter’s freewheeling ways land him in the back of a kidnapper’s car. Again and again, the walls between “ordinary life” and cartel violence are shown to be paper thin, and when they collapse the consequences are life-changing.

On a day like any other, on a rafting trip down Utah’s Green River, Stéphane Gerson’s eight-year-old son, Owen, drowned in a spot known as Disaster Falls. That same night, as darkness fell, Stéphane huddled in a tent with his wife, Alison, and their older son, Julian, trying to understand what seemed inconceivable. “It’s just the three of us now,” Alison said over the sounds of a light rain and, nearby, the rushing river. “We cannot do it alone. We have to stick together.” DISASTER FALLS chronicles the aftermath of that day and their shared determination to stay true to Alison’s resolution.

When a teenage boy dies suspiciously on Halloween night, Salem's chief of police, John Rafferty, who is now married to gifted lace reader Towner Whitney, wonders if there is a connection between his death and Salem’s most notorious cold case --- a triple homicide dubbed "The Goddess Murders," in which three young women, all descended from accused Salem witches, were slashed on Halloween night in 1989. He finds unexpected help in Callie Cahill, the daughter of one of the victims newly returned to town. Neither believes that the main suspect, respected local historian Rose Whelan, is guilty of murder or witchcraft. But exonerating Rose might mean crossing paths with a dangerous force.

In the midst of a violent student uprising in South Korea, a young boy named Dong-ho is shockingly killed. The story of this tragic episode unfolds in a sequence of interconnected chapters as the victims and the bereaved encounter suppression, denial and the echoing agony of the massacre. From Dong-ho’s best friend who meets his own fateful end; to an editor struggling against censorship; to a prisoner and a factory worker, each suffering from traumatic memories; and to Dong-ho's own grief-stricken mother; and through their collective heartbreak and acts of hope is the tale of a brutalized people in search of a voice.