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Joan Didion opened THE WHITE ALBUM (1979) with what would become one of the most iconic lines in American literature: “We tell ourselves stories in order to live.” Today, this phrase is deployed inspirationally, printed on T-shirts and posters, used as a battle cry for artists and writers. In truth, Didion was describing something much less rosy: our human tendency to manufacture delusions that might ward away our anxieties when society seems to spin off its axis. Nowhere was this collective hallucination more effectively crafted than in Hollywood. In this riveting cultural biography, New York Times film critic Alissa Wilkinson examines Joan Didion’s influence through the lens of American mythmaking.
Something wicked is going on in the village of Ascension. A mother wasting away from cancer is suddenly up and about. A boy trampled by a milk cart walks away from the accident. A hanged man can still speak, broken neck and all. The dead are not dying. When Rabbit and Sadie Grace accompany their friend, Rose, to Ascension to help take care of her ailing cousin, they immediately notice that their new house, Bethany Hall, is occupied by dozens of ghosts. And something is waiting for them in the attic. The villagers of Ascension are unwelcoming and wary of their weird visitors. As the three women attempt to find out what’s happening in the town, they must be careful not to be found out. But a much larger --- and more dangerous --- force is galloping straight for them.
When wildlife biologist Alex Carter is tasked with locating jaguars on a vast desert preserve in New Mexico, she is ecstatic. While jaguars once roamed throughout the Southwest, they are now endangered, and Alex hopes that some of the sleek and elusive creatures have found their way to the protected sanctuary. Meanwhile, an archaeological team is excavating the gravesite of a 16th-century Spanish conquistador on a neighboring piece of land. While learning about their discoveries, Alex encounters a dangerous group of anti-immigrant vigilantes roaming the area, threatening the team and demanding they leave. And when the militants learn of Alex’s mission, they become bent on stopping her. And then there are the strange holes that keep appearing on the preserve. Who is digging them, and what are they looking for?
Antonia Scott has an unusually gifted forensic mind, whose ability to reconstruct crimes and solve baffling murders is legendary. She’s the linchpin of a top-secret project, Red Queen, created to work across borders and behind the scenes to solve the most devious and dangerous crimes. But the Red Queen project is under attack on all fronts. The mysterious Mr. White has been weaving a web around Antonia for a very long time. Jon Gutierrez, Antonia’s protector and the only person she trusts, has been kidnapped. Antonia’s husband has been killed, and her remaining family is in hiding. With Jon’s life at stake, Mr. White gives her a seemingly innocuous challenge: solve three crimes and bring the perpetrators to justice. The only way to keep Jon alive is to play Mr. White’s game. But can even Antonia win a game when she can only see part of the board?
Sanjana Satyananda is trying to recover her life. It’s been a year since she walked out on her husband, a struggling actor named Killian, at a commune in India, after a disagreement about whether to have children. Now, Sanjana is struggling to resurrect her busted anthropology dissertation and crashing at her annoyingly perfect sister’s while her well-adjusted peers obsess over marriages, mortgages and motherhood. Sanjana needs to move forward --- and finalize her divorce ASAP. There’s just one problem: Killian is missing. As Sanjana tries to track him down, she’s bombarded with unnerving calls from women seeking her advice on pregnancy and fertility. Soon, Sanjana comes face to face with what her life might have been if she’d chosen parenthood. And the road not taken turns out to be wilder, stranger and more tempting than she imagined.
Neighbors Gwen, Aimee and Lisa share more than playdates and coffee mornings on their tranquil street in East Bethesda. They confide their deepest secrets, navigate the challenges of motherhood together, and provide a support system that seems unbreakable. But when Gwen’s husband is found murdered after one of their weekly Friday night dinners, the peaceful quiet of their cul-de-sac shatters. As the police investigate, the veneer of friendship begins to crack, revealing hidden tensions, clandestine affairs, and long-buried jealousies among the three women. With suspicions mounting and the neighborhood gripped by fear, Gwen, Aimee and Lisa must confront the chilling truth about their husbands, and the sinister undercurrents in their own friendship.
Mortimer Angel --- call him Mort --- is on a case in northern Nevada when he comes across a girl being kidnapped. He saves her, then finds himself embroiled in a whirlwind of death and violence as he tries to keep one step ahead of a succession of thugs trying to grab the girl again. It's another typically dangerous and bawdy case for Mort as layers upon layers of complications unfold that could end up killing him and the girl he saved.
After more than a year of laying low, Billie, Helen, Mary Alice and Natalie are called back into action. When they receive a summons from the head of the elite assassin organization known as the Museum, they are ready to tackle the greatest challenge of their careers. Someone on the inside has compiled a list of important kills committed by Museum agents, connected to a single, shadowy figure, an Eastern European gangster with an iron fist, some serious criminal ambition, and a tendency to kill first and ask questions later. This new nemesis is murdering agents who got in the way of their power-hungry plans, and the aging quartet of killers is next. Together the foursome embark on a wild ride across the globe on the double mission of rooting out the Museum’s mole and hunting down the gangster who seems to know their next move before they make it.
Betty MacDonald was a 28-year-old reporter from Hawaii. Zuzka Lauwers grew up in a tiny Czechoslovakian village and knew five languages by the time she was 21. Jane Smith-Hutton was the wife of a naval attaché living in Tokyo. Marlene Dietrich, the German-American actress and singer, was one of the biggest stars of the 20th century. As members of the OSS during World War II, their task was to create a secret brand of propaganda produced with the sole aim to break the morale of Axis soldiers. Betty, Zuzka, Jane and Marlene forged letters and “official” military orders, wrote and produced entire newspapers, scripted radio broadcasts and songs, and even developed rumors for undercover spies and double agents to spread to the enemy. And outside of a small group of spies, no one knew they existed. Until now.
Ward D is the hospital's mental health unit, and as a medical student, Amy is required to gain experience on the floor. But little do her colleagues know that it may force her to confront a past she has fought hard to forget. The night starts. The countdown begins. As the hours tick by, Amy grows increasingly convinced that something terrible is happening within the ward's tightly secured walls. When patients and staff start to vanish without a trace, it becomes clear that everyone on the unit is in grave danger. Amy never wanted to spend the night on Ward D. Now she might not make it out alive.
