Latest Reviews
Pasadena, 1903: Eighteen-year-old Ryunosuke “Ryui” Wada staggers off the boat from Yokohama, Japan, ready to reinvent himself after the untimely deaths of his parents. He does his best to settle into his work as an art dealer’s apprentice while adjusting to his new home. From his enigmatic photographer roommate, Jack, to the beautiful seamstress living downstairs, Ryui finds himself surrounded by colorful characters and unbelievable opportunities and is soon utterly swept up in all that “Crown City” has to offer. But tensions are seething under Pasadena’s bustling prosperity. Ryui is the victim of an anti-Japanese attack, and a painting is stolen from the studio of Toshio Aoki, Pasadena’s most successful Japanese artist, who then hires Ryui and Jack to investigate. It’s not long before their sleuthing leads them into real danger.
Detective Casey Duncan and her husband, Sheriff Eric Dalton, are entering a new chapter of life as parents to their six-month-old baby. Their family is hidden away in the sanctuary town of Haven's Rock where they can live safe and private lives. But when they encounter hikers too close to the borders of Haven's Rock, they realize they're in danger of being exposed. When they find one of the hikers dead the next day, they realize that their paranoia was justified, but they're no closer to finding out who these people were and what they were doing in the vicinity of Haven's Rock. Only by tracing the hikers' movements, as well as examining the recent behavior of their closest neighbors, the workers of a secretive mining camp, will they be able to figure out where the threat is coming from and shut it down.
Stranger is trapped in the dark, with only her imagination and the scribbles on the wall left by long-dead girls to keep her company. Nearly out of food and water, she makes one last attempt to escape. Audrey is a search-and-rescue expert who never stopped looking for her ex-best friend, Janie, who disappeared when they were teenagers. Janie used to love the local legend of a forest witch who saves girls from bad men, but Audrey knows now that for every one saved, there’s always another one lost. When she stumbles upon evidence in the forest that a teenage runaway might have actually been kidnapped from land belonging to the town’s most prominent family, she will have to dig through decades of secrets to reveal the biggest one of all: what happened to the girls before.
Nineteen-year-old Celia Dent keeps telling herself how lucky she is to be working at the phone company and to be married to Drew. Celia’s contentment with her little life is shattered, though, when a woman she knows from work is murdered in a love tryst gone awry. What would that be like, Celia wonders, to die for love --- or to kill for love? Before she knows it, her musings about love-and-death happenings are bleeding into daily life. Suddenly she’s playing hooky from work and searching for a love tryst of her very own. She’s practicing her marksmanship at a local gun range and thinking about how good it would feel to bury something sharp inside her domineering husband’s ear. It’s all pretend, though, until the night comes when Celia finally goes too far, and she and Drew are set on a deadly collision course.
Catharine West’s parents built a life that was simple and community-focused, an ethos that soon attracted others in need of a change. For a time, her magnetic father was enough to keep the farm thriving and temptation outside its gates. But as she grew older, the farm and family she was raised to love faded into something darker. It’s now been a decade since Catharine abandoned the farm, and she has done her best to reinvent her life, until an email from a charismatic journalist interrupts her peace. Her first instinct is to ignore the stranger’s prying questions. But when she realizes that the journalist knows far more than he’s letting on, she reconsiders. If Catharine can stay one step ahead of him, she may be able to find the one person she never wanted to leave behind --- her sister, Linna --- and make sure her own secrets remain buried.
In the farm country outside Sault Ste. Marie, Michigan --- a border town where life moves slow and dreams run fast --- most kids want out. Not Everett Lindt. He’s set on staying put, rebuilding his family’s sheep farm, and carving a future from the land he loves. Then he meets Mary, a new girl in town with restless energy and bigger plans. When their relationship reaches a crossroads, Everett sees a life together. Mary, however, is desperate to find a way out. Together, they make an impulsive choice --- one that could change everything.
Mavis broke from her parents’ congregation years ago, but she still hasn’t recovered. Their impossible expectations and soul-shredding critiques have dug deep into her mind, and she’s taunted by the knowledge that even when she’s done nothing wrong, she’ll never be right. Now Mavis is afraid she’s about to lose the only thing she has: her husband, Jerrod. No one thinks she deserves him --- not even after surviving the serial cheater they wanted her to stick by --- and soon they’ll all find out they were right. Mavis is already unraveling when a brush with death shows her what real fear looks like. Soon, she’s under constant attack from all directions. As the assaults turn increasingly vicious and bizarre, Mavis realizes that Hell isn’t reserved for the afterlife. And sinner or not, no one is coming to save her.
June 1960. Rough weather at sea leaves a group of strangers stranded on the idyllic Greek island of Utakos, all guests of the only local hotel. Edith Mander, a quiet British tourist, is found dead inside a beach cabana. What appears at first glance to be a clear suicide reveals possible signs of foul play to Ormond Basil, an out-of-work but still well-known actor who in his glory days portrayed the most celebrated detective of all time. Accustomed to seeing him display Sherlock Holmes’ amazing powers of deduction on the big screen, the other guests believe that the actor is the best equipped to uncover the truth. But when a second body is discovered, there is not a doubt in Basil’s mind: a murderer walks among them. What’s more, the killer is staging each crime as a performance, leaving complex clues that bear an eerie resemblance to those found in the pages of Arthur Conan Doyle stories.
All colonist Oliver Lewis ever wanted to do was run the family ranch with his sister and keep his family’s aging fleet of intelligent agriculture bots ticking as long as possible. He figures it will be a good thing when the transfer gate finally opens all the way and restores instant travel and full communication between Earth and his planet, New Sonora. Even though the settlers were promised they’d be left in peace, Earth’s government now has other plans. The colossal Apex Industries is hired to commence an “eviction action.” But maximizing profits will always be Apex’s number one priority. Why not charge bored Earthers for the opportunity to design their own war machines and remotely pilot them from the comfort of their homes? Oliver and his friends soon find themselves fighting for their lives against machines piloted by gamers who’ve paid a premium for the privilege.
On September 24, 2021, Rachel Eliza Griffiths married her husband, the novelist Salman Rushdie. On the same day, hundreds of miles away, Griffiths’ closest friend and chosen sister, the poet Kamilah Aisha Moon, who was expected to speak at the wedding, died suddenly. Eleven months later, as Griffiths attempted to piece together her life as a newlywed with heartbreak in one hand and immense love in the other, a brutal attack nearly killed her husband. As trauma compounded trauma, Griffiths realized that in order to survive her grief, she would need to mourn not only her friend, but the woman she had been on her wedding day, a woman who had also died that day.
