Latest Reviews
Jane Jackson spent her adolescence as "Poor Janey Jakes," the punch line on America's fifth-favorite sitcom. Now she’s trying to be taken seriously as a Hollywood studio executive. Desperate to get her first project greenlit and riled up by pompous cinematographer and one-time crush Dan Finnegan, she claimed that she could get mega popstar Jack Quinlan to write a song for the movie. Jack may have been her first kiss --- and greatest source of shame --- but she hasn’t spoken to him in 20 years. Now Jane must turn to the last man she’d ever want to owe: Dan Finnegan. Because Jack is playing a festival in Dan’s hometown, and Dan has an in. A week in close quarters with Dan as she faces down her past is Jane's idea of hell, but he just might surprise her.
“There is no good way to say this,” Yiyun Li writes at the beginning of this book. “There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.” There is no good way to say this --- because words fall short. It takes only an instant for death to become fact, “a single point in a timeline.” Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: “doing the things that work,” including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death.
1942. Everywhere around the world, the Allies are losing the war. Nowhere is this felt more completely than in the Pacific, where Japanese sea and ground forces claim victory after victory. Meanwhile, in Honolulu, a brilliant young naval officer is determined to break Japan's top secret codes. Lt. Commander Joseph Rochefort is inches away from cracking the code by April but is startled to learn that the Japanese are planning yet another major invasion somewhere in the Pacific. What ensues is the cat-and-mouse adventure that will become the epic fight known as the Battle of Midway. The dramatic battle will involve strategy, luck, heartbreak --- and will change the course of World War II.
After an accident that nearly kills her, Emily and her husband, Freddie, move from London to a beautiful Dartmoor country house called Larkin Lodge. The house is gorgeous and striking, but something about it feels deeply wrong to Emily. Old boards creak at night, fires go out, and books fall from the shelves. But these things happen only when Emily is alone. Her postsepsis condition can cause hallucinatory side effects, which means she can’t fully trust her own senses. Although Freddie doesn’t notice anything odd, Emily starts to believe that the house is being haunted by someone who was murdered in it. As bizarre events pile up and her marriage starts to crumble, Emily becomes obsessed with discovering the truth about Larkin Lodge. But if the house has secrets, so do Emily and Freddie.
Etgar Keret is the world’s most famous living Israeli writer. His work explores life’s smallest, most unremarkable interactions in ways that are profound and unusual. The characters populating his fiction live in a world of ever-advancing technology, but it is always degraded by the baseness of human passions and brutality. A character’s partner is a reality show contestant from a parallel dimension. Another finds that the asteroid they paid to have named after their wife is scheduled to collide with earth. An elderly widow convinces a popular AI program to commit suicide. These stories speak to our current moment in time: the uncertainty and fragility --- full of misunderstandings and miscommunications --- while looking for reasons and the strength to find hope.
SKIPPER takes on an ambitious Moneyball-esque premise: a deep dive into the ongoing struggle for control that often takes place behind the scenes between Major League Baseball managers and the ownership groups, and now, their data analysts. In a culture still attempting to come to terms with the Digital Age, there’s a bigger story behind the evolution of authority of managing inside the major leagues. Packed with baseball history, interviews with dozens of MLB's current stars and veterans, and an exclusive, inside look at the day-to-day life of LA Dodgers manager Dave Roberts, SKIPPER is a fascinating look into the highs, the lows and the inner workings of the changing world of professional baseball.
When Nick Vincent, the producer of the true-crime show “Infamous,” hears about an explosive new angle on a high-profile case --- the 2016 murder of an eight-year-old girl in Oxford --- he leaps at the chance to send a researcher to verify the claims. Two months later, a dog walker discovers a woman’s body, bound and buried in a shallow grave in the woods. Forensic evidence links the corpse to the disappearance of that same child. DCI Adam Fawley, the original investigating officer, is called in to run the enquiry. He arrested the child’s mother for murder, which he now knows she didn’t commit. The investigation raises more questions than answers. What connects the two crimes? Where has the dead girl been all these years? How did she manage to disappear?
Bo knows she should go. Years of rain have drowned the city, and almost everyone else has fled. Her mother was carried away in a storm surge, and Bo has been alone ever since. She is stalled: an artist unable to make art, a daughter unable to give up the hope that her mother may still be alive. Half-heartedly, she allows her cousin to plan for her escape --- but as the departure day approaches, she finds a note slipped under her door from Mia, an elderly woman who lives in her building and wants to hire Bo to be her caregiver. Suddenly, Bo has a reason to stay. Mia can be prickly, but they forge a connection deeper than any Bo has had with a client. Then Mia’s health turns, and Bo determines to honor their disappearing world and this woman who has brought her back to it.
Thirty years old with a lifetime of dysphoria and irritating exes rattling around in her head, Max is plagued by a deep dissatisfaction. Shouldn't these be the best years of her life? Why doesn't it feel that way? After taking a spill down the stairs at a New Year’s Eve party, she decides to make some changes. First: a stab at good old-fashioned heteronormativity. Max thinks she’s found the answer in Vincent. While his corporate colleagues, trad friends and Chinese parents never pictured their son dating a trans woman, he cares for Max in a way she’d always dismissed as a foolish fantasy. But he is also carrying baggage of his own. When the fallout of a decades-old entanglement resurfaces, Max must decide what forgiveness really means.
At 21, Brenda Coffee surrendered herself to her marriage and became a woman who would do almost anything her charismatic and powerful older husband, Philip Ray, wanted. Regardless of whether it was dangerous, adventurous, sexual or illegal, she wanted to be the one woman he couldn’t live without. Brenda and Philip’s life together was a fairy tale until it wasn’t. Until Philip, the founder of two high-profile, groundbreaking public companies, began making real cocaine in their basement and became addicted. Until the Big Six tobacco companies threatened their lives for creating the first smokeless cigarette --- Brenda coined the terms vape and vaping --- and brutal Guatemalan military commandos forced her into the jungle at gunpoint.
