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England, 1685. Decades after the end of the English Civil War, the country is once again divided when Charles II's illegitimate son, the Protestant Duke of Monmouth, arrives in Dorset to incite rebellion against his Catholic uncle. Armed only with pitchforks, Monmouth's army is quickly defeated by King James II's superior forces and charged with high treason. Those found guilty will be hanged, drawn and quartered. As Dorset braces for carnage, the formidable Lady Jayne Harrier and her enigmatic son, assisted by the reclusive daughter of a local magistrate, contrive ways to save men from the gallows.
On a December night in 1978, Courtney Lund O’Neil’s mother, teenager Kim Byers, saw her friend, Rob Piest, alive for the last time. At the end of his shift at the pharmacy where they both worked, 15-year-old Rob went outside to speak to a contractor named John Wayne Gacy about a possible job. That night, Rob became Gacy’s final victim; his body was later found in the Des Plaines River. Kim’s testimony --- along with a receipt belonging to her found in Gacy’s house, proving that Rob had been there --- would be pivotal in convicting the serial killer who assaulted and killed over 30 young men and boys. Though she grew up far from Des Plaines, Courtney has lived in the shadow of that nightmare, keenly aware of its impact on her mother. In search of deeper understanding and closure, Courtney and Kim travel back to Illinois.
In 11 stories, THE WORLD WITH ITS MOUTH OPEN follows the inner lives of people in Kashmir as they walk the uncertain terrain of their days, fractured from years of war. From a shopkeeper’s encounter with a mannequin, to an expectant mother walking on a precarious road, to a young boy wavering between dreams and reality, to two dogs wandering the city, these stories weave in larger, devastating themes of loss, grief, violence, longing and injustice with the threads of smaller, everyday realities that confront the characters’ lives in profound ways. Although the stories circle the darker aspects of life, they are --- at the same time --- an attempt to run into life, into humor, into beauty, into another person who can offer refuge, if momentarily.
Following the death of her father, Keyanna “Key” MacKay finds herself thrust into the world he’d always refused to speak of. With just a childhood bedtime story about a monster that saved her father’s life and the name of her estranged grandmother to go off of, Key has no idea what she’ll find in Scotland. Lachlan Greer has his own secrets to keep, especially from the bonnie lass he pulls to safety from the slippery shore. He’s looking for answers as well, and Key’s presence on the grounds they both now occupy presents a real problem. It’s even more troublesome when he gets a front row seat to the lukewarm welcome Key receives from her family and the strange powers she begins to develop. When their secrets collide, it becomes clear that Lachlan could hold the answers Keyanna is after --- and that she also might be the key to uncovering his.
When the homeless camps spread throughout the city of Sacramento fall victim to a string of devastating arson attacks, Detective Emily Hunter and her partner, Javier Medina, dive into the investigation and become acquainted with the real people whose lives have been destroyed. The attacks only begin to draw attention when two of the victims are identified as the city’s former anti-homeless mayor and a camp social worker. But rather than strengthening the push for justice, the movement to completely abolish the camps intensifies. The investigation becomes politically charged when Emily discovers who stands to gain from burning the homeless out of their shelters. It uncovers an unlikely suspect and a reluctant witness standing between Emily and the shocking truth.
WOO WOO follows Sabine, a conceptual artist on the verge of a photo exhibition she hopes will be pivotal, as she plunges deeper into her neuroses and seeks validation in relationships --- with her frustratingly rational chef husband, her horde of devoted Gen Z TikTok followers, and even a mysterious, potentially violent stalker. Accompanying her throughout are Sabine’s strange alter egos, from hyperrealistic puppets of her as a baby to the ghost of conceptual artist Carolee Schneemann, who shows up with inscrutable yet sage life advice.
First glimpsed riding on the back of a boy’s motorcycle, 14-year-old Czeslawa comes to life in this mesmerizing novel by Lily Tuck, who imagines her upbringing in a small Polish village before her world imploded in late 1942. Stripped of her modest belongings, shorn, and tattooed number 26947 on arriving at Auschwitz, Czeslawa is then photographed. Three months later, she is dead. How did this happen to an ordinary Polish citizen? This is the question that Tuck grapples with in THE REST IS MEMORY, which frames Czeslawa’s story within the epic tragedy of six million Poles who perished during the German occupation.
Twenty-three-year-old Michael “Mitt” Fuller starts his surgical residency with great anticipation at the iconic Bellevue Hospital, following in the footsteps of four previous, celebrated Fuller generations. To his advantage he’s always had a secret sixth sense, a sensitivity to the nonphysical. But quickly one patient after another assigned to his care begin to die from mysterious causes. As he tries to juggle these inexplicable deaths with the demands of being a first-year resident, things rapidly spiral out of control. Visions begin to plague Mitt --- visions of a little girl in a bloodstained dress, bloodcurdling screams in the distance, and worse. As bodies mount, he finds himself drawn to the abandoned Bellevue Psychopathic Hospital building and discovers that he’s more closely tied to the sins of the past than he ever thought possible.
Despite what Scarface might lead one to believe, violence was not the dominant characteristic of the cocaine business. It was corruption: the dirty cops, agents, lawyers, judges and politicians who made the drug world go round. And no one managed that carousel of dangerous players better than Willy Falcon. Los Muchachos, the syndicate founded by Falcon, thrived as a major cocaine distribution network in the US from the late 1970s into the early 1990s. At their height, Los Muchachos made more than a hundred million dollars a year. T. J. English has been granted unprecedented access to the inner workings of Los Muchachos, sitting down with Willy Falcon and his associates for many lengthy interviews, and revealing never-before-understood details about drug trafficking.
The stupendous publication of Edna Ferber's GIANT in 1952 set off a storm of protest over the novel's portrayal of Texas manners, money and mores, with oil-rich Texans threatening to shoot, lynch or ban Ferber from ever entering the state again. In GIANT LOVE, Julie Gilbert writes of the internationally bestselling Ferber, one of the most widely read writers in the first half of the 20th century --- her evolution from mid-west maverick girl-reporter to Pulitzer Prize-winning, beloved American novelist, from her want-to-be actress days to becoming Broadway's acclaimed prize-winning playwright whose collaborators were, along with Ferber herself, the most successful playwrights of their time. Here is the making of an American classic novel and the film that followed in its wake.