Time slips. Doomsday scenarios. Killer butterflies. C. J. Tudor’s novels are widely acclaimed for their dark, twisty suspense plots, but with A SLIVER OF DARKNESS, she pulls us even further into her dizzying imagination. In “The Lion at the Gate,” a strange piece of graffiti leads to a terrifying encounter for four school friends. In “Final Course,” the world has descended into darkness, but a group of old friends make time for one last dinner party. In “Runaway Blues,” thwarted love, revenge and something very nasty stowed in a hat box converge. In “Gloria,” a strange girl at a service station endears herself to a coldhearted killer, but can a leopard really change its spots? And in “I’m Not Ted,” a case of mistaken identity has unforeseen fatal consequences.

Time slips. Doomsday scenarios. Killer butterflies. C. J. Tudor’s novels are widely acclaimed for their dark, twisty suspense plots, but with A SLIVER OF DARKNESS, she pulls us even further into her dizzying imagination. In “The Lion at the Gate,” a strange piece of graffiti leads to a terrifying encounter for four school friends. In “Final Course,” the world has descended into darkness, but a group of old friends make time for one last dinner party. In “Runaway Blues,” thwarted love, revenge and something very nasty stowed in a hat box converge. In “Gloria,” a strange girl at a service station endears herself to a coldhearted killer, but can a leopard really change its spots? And in “I’m Not Ted,” a case of mistaken identity has unforeseen fatal consequences.

The debut short story collection from the acclaimed author of THE CHALK MAN, hailed as “Britain’s female Stephen King” (Daily Mail), featuring 11 bone-chilling and mind-bending tales.

Time slips. Doomsday scenarios. Killer butterflies. C.J. Tudor’s novels are widely acclaimed for their dark, twisty suspense plots, but with A SLIVER OF DARKNESS, she pulls us even further into her dizzying imagination.

In “The Lion at the Gate,” a strange piece of graffiti leads to a terrifying encounter for four school friends. In “Final Course,” the world has descended into darkness, but a group of old friends make time for one last dinner party. In “Runaway Blues,” thwarted love, revenge and something very nasty stowed in a hat box converge. In “Gloria,” a strange girl at a service station endears herself to a coldhearted killer, but can a leopard really change its spots? And in “I’m Not Ted,” a case of mistaken identity has unforeseen fatal consequences.

Riveting, macabre and explosively original, A SLIVER OF DARKNESS is C.J. Tudor at her most wicked and uninhibited.

Audiobook available; read by Richie Campbell, Dakota Blue Richards, Roy McMillan, Richard Armitage and Adam Sims

While checking on a former patient at her isolated Victorian house, Dr. Amy Winslow discovers in the cellar a secret, cobweb-covered 1899 electrochemical laboratory containing a Jules Verne-esque steam-punk sarcophagus out of which springs a wild-eyed, half-mummified, crypt-keeper-like man. He claims to be a real-life Victorian master chemist and detective named Holmes, who allowed Conan Doyle to write stories based on his cases. Holmes and his reluctant new Watson, Amy, find themselves unexpectedly attracted to each other while perilously involved in reclaiming his proof of identity. It’s all connected to a horrific death-by-tiger, only the first of several bizarre, mystifying murders being committed by an exquisitely fiendish descendant of Holmes’ Victorian archenemy, Professor Moriarty.

While checking on a former patient at her isolated Victorian house, Dr. Amy Winslow discovers in the cellar a secret, cobweb-covered 1899 electrochemical laboratory containing a Jules Verne-esque steam-punk sarcophagus out of which springs a wild-eyed, half-mummified, crypt-keeper-like man. He claims to be a real-life Victorian master chemist and detective named Holmes, who allowed Conan Doyle to write stories based on his cases. Holmes and his reluctant new Watson, Amy, find themselves unexpectedly attracted to each other while perilously involved in reclaiming his proof of identity. It’s all connected to a horrific death-by-tiger, only the first of several bizarre, mystifying murders being committed by an exquisitely fiendish descendant of Holmes’ Victorian archenemy, Professor Moriarty.

Dr. Amy Winslow tells the story: in foggy, nighttime San Francisco, a jogging SFPD captain is savagely attacked by a Bengal tiger, which then vanishes. In her ER, Amy labors unsuccessfully to save the captain’s life, then consoles his aggrieved closest friend, Lt. Luis Ortega. Neither suspects their lives will intertwine in a life-or-death mystery.

The next day, checking on former patient Mrs. Hudson at her Victorian house isolated in Marin County’s forest, Amy discovers in the cellar a secret, cobweb-covered 1899 electrochemical laboratory containing a Jules Verne-esque steam-punk sarcophagus out of which springs a wild-eyed, half-mummified, crypt-keeper-like man who injects himself with something before falling dead at her feet. Amy barely revives him.

He claims to be a real-life Victorian master chemist and detective named Holmes, who allowed Conan Doyle to write stories based on his cases, though was slightly annoyed when Doyle changed his real first name to the catchier Sherlock. Becoming uninspired by 1890s crime, Holmes devised this method to hibernate for a century to investigate future mysteries.

Amy assumes he’s a lunatic. His Scotland Yard identity papers were stolen while he slept, so it takes her a while to realize his amazing story is true.

Respectably handsome when cleaned up, Holmes is still the same brash, egoistic, uber-English, cocaine-addicted, non-feminist genius --- but now a century out of sync --- so his still-brilliant deductions are sometimes laughingly or dangerously wrong. Holmes and his reluctant new Watson, Amy, find themselves unexpectedly attracted to each other while perilously involved in reclaiming his proof of identity, aided by cybersavvy street teen Zapper. It’s all connected to the horrific death-by-tiger, only the first of several bizarre, mystifying murders being committed by an exquisitely fiendish descendant of Holmes’ Victorian archenemy, Professor Moriarty.

The tone is classic Holmes --- plus a refreshing twist of fish-out-of-water humor with a surprising spark of real romance.

Audiobook available; read by Francesca Ling, Rory Barnett, Jenny Gago, Thom Rivera and Cary Hite

The year is 1975. Danny Jacobs is an ambitious, young American journalist who’s just arrived in Bombay for a new assignment. He’s soon caught up in the chaos of Prime Minister Indira Gandhi’s domestic “Emergency.” Willy Smets is Danny’s enigmatic expat neighbor. He’s a charming man but with suspicious connections. As a monsoon drenches Bombay, Danny falls hard for Sushmita, Smets’ beguiling and clever lover --- and the infatuation is mutual. "The Emergency," a virtual coup by the prime minister, is only the first twist in the high-stakes drama of Danny’s new life in India. The assassination of a police officer by a Marxist extremist, as well as Danny’s obsession with the inscrutable Sushmita, conspire to put his career --- and life --- in jeopardy.

The year is 1975. Danny Jacobs is an ambitious, young American journalist who’s just arrived in Bombay for a new assignment. He’s soon caught up in the chaos of Prime Minister Indira Gandhi’s domestic “Emergency.” Willy Smets is Danny’s enigmatic expat neighbor. He’s a charming man but with suspicious connections. As a monsoon drenches Bombay, Danny falls hard for Sushmita, Smets’ beguiling and clever lover --- and the infatuation is mutual. "The Emergency," a virtual coup by the prime minister, is only the first twist in the high-stakes drama of Danny’s new life in India. The assassination of a police officer by a Marxist extremist, as well as Danny’s obsession with the inscrutable Sushmita, conspire to put his career --- and life --- in jeopardy.

The last thing Danny wants to see published is his obituary.

The year is 1975. Danny Jacobs is an ambitious, young American journalist who’s just arrived in Bombay for a new assignment. He’s soon caught up in the chaos of Prime Minister Indira Gandhi’s domestic “Emergency.”

Willy Smets is Danny’s enigmatic expat neighbor. He’s a charming man, but with suspicious connections. As a monsoon drenches Bombay, Danny falls hard for Sushmita, Smets’ beguiling and clever lover --- and the infatuation is mutual.

"The Emergency," a virtual coup by the prime minister, is only the first twist in the high-stakes drama of Danny’s new life in India. The assassination of a police officer by a Marxist extremist, as well as Danny’s obsession with the inscrutable Sushmita, conspire to put his career --- and life --- in jeopardy. And, of course, the temptations of Willy Smets’s seductive personality sit squarely at the heart of the matter.

Democracy is fragile, and the lines of loyalty and betrayal often cross and cannot be untangled.

As Frank Costello looks back over his life as head of the most powerful crime family in America, he doesn't focus on the triumphs of his bootlegging empire, his nationwide gambling network, or his de facto control of Tammany Hall. Instead, Costello --- the politically connected "Prime Minister of the Underworld" --- remembers the lies he's told, the mistakes he's made, and his fateful decision to testify before the televised Kefauver hearings investigating organized crime in America. The novel reaches its climax as Costello --- in a naïve attempt to preserve the patina of respectability he's spent his life creating --- tries to defend himself before senators out to expose the full extent of the Mafia's reach. The result is a humiliating, very public lesson about who holds the real power in America.

As Frank Costello looks back over his life as head of the most powerful crime family in America, he doesn't focus on the triumphs of his bootlegging empire, his nationwide gambling network, or his de facto control of Tammany Hall. Instead, Costello --- the politically connected "Prime Minister of the Underworld" --- remembers the lies he's told, the mistakes he's made, and his fateful decision to testify before the televised Kefauver hearings investigating organized crime in America. The novel reaches its climax as Costello --- in a naïve attempt to preserve the patina of respectability he's spent his life creating --- tries to defend himself before senators out to expose the full extent of the Mafia's reach. The result is a humiliating, very public lesson about who holds the real power in America.

As Frank Costello looks back over his life as head of the most powerful crime family in America, he doesn't focus on the triumphs of his bootlegging empire, his nationwide gambling network, or his de facto control of Tammany Hall. Instead, Costello --- the politically connected "Prime Minister of the Underworld" --- remembers the lies he's told, the mistakes he's made, and his fateful decision to testify before the televised Kefauver hearings investigating organized crime in America.

The novel reaches its climax as Costello --- in a naïve attempt to preserve the patina of respectability he's spent his life creating --- tries to defend himself before senators out to expose the full extent of the Mafia's reach. The result is a humiliating, very public lesson about who holds the real power in America. This is a historically accurate work of fiction told in Costello's imagined, bitter, street-wise voice.