The Internet has revolutionized the way we learn and know, as well as how we interact with each other. And yet this explosion of technological innovation has also produced a curious paradox: even as we know more, we seem to understand less. Demonstrating that knowledge based on reason plays an essential role in society and that there is much more to “knowing” than just acquiring information, leading philosopher Michael Patrick Lynch shows how our digital way of life makes us overvalue some ways of processing information over others, and thus risks distorting what it means to be human.

Once-great war photographer Will Keller's days and nights are a haze of sex, drugs, booze and brawling in lawless Phnom Penh, Cambodia. That is, until he meets Kara Saito, a beautiful young woman who begs Will to help find her sister, June, who disappeared while interning at a local paper. Entering the dangerous Phnom Penh underworld, Will uses June’s diary --- an unsettling collection of experiences, memories and dreams --- on his search for the missing girl. However, when disturbing facts about June and her family history reveal themselves, Will realizes that the most dangerous thing in Cambodia may be June herself.

Once-great war photographer Will Keller's days and nights are a haze of sex, drugs, booze and brawling in lawless Phnom Penh, Cambodia. That is, until he meets Kara Saito, a beautiful young woman who begs Will to help find her sister, June, who disappeared while interning at a local paper. Entering the dangerous Phnom Penh underworld, Will uses June’s diary --- an unsettling collection of experiences, memories and dreams --- on his search for the missing girl. However, when disturbing facts about June and her family history reveal themselves, Will realizes that the most dangerous thing in Cambodia may be June herself.

A “sinuous, shattering thriller” (Booklist, starred review) with a heart-stopping conclusion about a mysterious American woman who disappears in to the Cambodian underworld, and the photojournalist who tracks her through the clues left in her diary, by an author whose “plotting and pacing are as sharp and original as his writing” (Nelson DeMille).

Phnom Penh, Cambodia: Lawless, drug-soaked, forgotten --- it’s where bad journalists go to die. For once-great war photographer Will Keller, that’s kind of a mission statement: he spends his days floating from one score to the next, taking any job that pays; his nights are a haze of sex, drugs, booze and brawling. But Will’s downward spiral is interrupted by Kara Saito, a beautiful young woman who shows up and begs Will to help find her sister, June, who disappeared during a stint as an intern at the local paper. So begins Will’s “journey to the heart of drug-fueled noirness” (New York Journal of Books).

There’s a world of bad things June could have got mixed up in: the Phnom Penh underworld is in an uproar after a huge drug bust; a local reporter has been murdered in what looks like a political hit; and the government and opposition are locked in a standoff that could throw the country into chaos at any moment. Will’s best clue is her diary: an unsettled collection of experiences, memories, and dreams, reflecting a young woman at once repelled and fascinated by the chaos of Cambodia. As Will digs deeper into June’s past, he uncovers one disturbing fact after another about the missing girl and her bloody family history. In the end, the most dangerous thing in Cambodia may be June herself.

Propulsive, electric and exotically enthralling, CAMBODIA NOIR “has it all: sex, drugs, and mystery” (MetroUS). Debut author Nick Seeley “impresses on every count,” (BookPage, Top Mystery Pick) exploring what happens when we venture into dark places…when we get in over our heads…when we get lost. “If ever a case was made for place as character in a novel, Seeley makes it here with scene after nightmarish scene…This is distinctive work” (Kirkus Reviews).

Audiobook available, narrated by Kate Rudd

Multinationals and nations compete for the oil and gas reserves of the Caspian Sea and for control of the pipelines. Yet “Stanland” is still, to many, a terra incognita, a geographical blank. Beginning in the mid-1990s, academic and journalist David Mould’s career took him to the region on Fulbright Fellowships and contracts as a media trainer and consultant for UNESCO and USAID, among others. In POSTCARDS FROM STANLAND, he takes readers along with him on his encounters with the people, landscapes and customs of the diverse countries --- Kazakhstan, Kyrgyzstan, Tajikistan and Uzbekistan --- he came to love.

Multinationals and nations compete for the oil and gas reserves of the Caspian Sea and for control of the pipelines. Yet “Stanland” is still, to many, a terra incognita, a geographical blank. Beginning in the mid-1990s, academic and journalist David Mould’s career took him to the region on Fulbright Fellowships and contracts as a media trainer and consultant for UNESCO and USAID, among others. In POSTCARDS FROM STANLAND, he takes readers along with him on his encounters with the people, landscapes and customs of the diverse countries --- Kazakhstan, Kyrgyzstan, Tajikistan and Uzbekistan --- he came to love.

Central Asia has long stood at the crossroads of history. It was the staging ground for the armies of the Mongol Empire, for the 19th-century struggle between the Russian and British empires, and for the NATO campaign in Afghanistan. Today, multinationals and nations compete for the oil and gas reserves of the Caspian Sea and for control of the pipelines. Yet “Stanland” is still, to many, a terra incognita, a geographical blank.

Beginning in the mid-1990s, academic and journalist David Mould’s career took him to the region on Fulbright Fellowships and contracts as a media trainer and consultant for UNESCO and USAID, among others. In POSTCARDS FROM STANLAND, he takes readers along with him on his encounters with the people, landscapes and customs of the diverse countries --- Kazakhstan, Kyrgyzstan, Tajikistan and Uzbekistan --- he came to love. He talks with teachers, students, politicians, environmental activists, bloggers, cab drivers, merchants, Peace Corps volunteers and more.

Until now, few books for a nonspecialist readership have been written on the region, and while Mould brings his own considerable expertise to bear on his account --- for example, he is one of the few scholars to have conducted research on post-Soviet media in the region --- the book is above all a tapestry of place and a valuable contribution to our understanding of the post-Soviet world.