Harmony, North Carolina is a typical town --- full of saints and sinners you can’t tell apart. Its history echoes with lynchings and shootings, mob violence and vigilante justice. But those are just whispers of a past lost to time. The summer of 2000 was different. Iggy in the Baptist church. Gasoline and a match. Twenty-five people dead. Told in a kaleidoscope of timelines and voices, Michael Bible examines every dimension of a tragic but all-too-American story in THE ANCIENT HOURS. The victims, witnesses, perpetrators and condemned comingle and evolve as the passage of time works its way through their lives. What emerges is a fable of the American South in the highest tradition: soaring, tragic and eternally striving for redemption.

Teddy Fay is back in Hollywood and caught in two tricky situations. First, a rising star at Centurion becomes the target of malicious gossip, and Teddy must find and neutralize the source before the situation gets out of hand --- or becomes violent. At the same time, Teddy finds himself targeted by a criminal thug bearing a grudge. It's a lot of knives to juggle, even for a former-CIA-operative-turned-movie-producer accustomed to hazardous working conditions. This time Teddy will need to leverage every bit of his undercover skills and fearless daring to stay one step ahead of his foes…or he will find himself one foot in the grave.

Gen is on the verge of a divorce from her cheating husband. When her sister, Meg, has a convention to attend in the Big Apple, she invites Gen along to celebrate her newly found freedom. But the perfect sisters’ getaway quickly goes awry when a tipsy Gen defiantly throws her wedding ring off the hotel room’s balcony. Then, wanting some fresh air, she decides to take a late-evening walk alone and vanishes without a trace. The investigation that follows uncovers secrets --- and betrayals --- between sisters and spouses that will twist the truth in on itself until nothing is clear. What really happened to Gen, and who, besides Meg, was the last to see her?

Reality star Erin Easton's "Wedding of the Century" may have a cable crew documenting every extravagant bridal detail, but when "Airhead Easton" disappears from the reception, it's no diva turn. Her dressing room is empty but for a blood-spattered wedding gown and signs of a struggle. Detective Kylie MacDonald of NYPD Red, already on-scene as a plus-one, loops in her partner, Detective Zach Jordan, to activate Level One mobilization for this PR nightmare. But when Erin's "proof of life" video makes it to air --- rather than to evidence --- every A-lister on the guest list becomes a target of suspicion...or just a target.

In REVOLUTION, Peter Ackroyd takes readers from William of Orange's accession following the Glorious Revolution to the Regency, when the flamboyant Prince of Wales ruled in the stead of his mad father, George III, and England was --- again --- at war with France, a war that would end with the defeat of Napoleon at Waterloo.

Twelve conspirators meticulously plan to throw open all the gates to the prison that contains them, so that more than a thousand convicts may escape and pour into the nearby small town. The newly freed prisoners rape, murder and destroy the town. An immense search ensues, but the 12 who plotted it all get away. After two years, all efforts by the local and federal police agencies have been in vain. Leah Hawkins, a former star basketball player and resident good cop, is placed on sabbatical so that she can tour the country learning advanced police procedures. The sabbatical is merely a ruse, however, as her real job is to track the infamous 12 and kill them. Soon, the surviving fugitives realize what she is up to, and a race to kill or be killed ensues.

Born and raised in a Malaysian fishing village, Ah Hock favors stability above all, a preference at odds with his rapidly modernizing surroundings. So what brings him to kill a man? This question leads a young, privileged journalist to Ah Hock’s door. While the victim has been mourned and the killer has served time for the crime, Ah Hock's motive remains unclear, even to himself. His vivid confession unfurls over extensive interviews with the journalist, herself a local whose life has taken a very different course. The process forces both the speaker and his listener to reckon with systems of power, race and class in a place where success is promised to all yet delivered only to its lucky heirs.