Darby, Mary Beth and Rhea are on personal quests to reclaim aspects of their identities subsumed by motherhood --- their careers, their sex lives, their bodies. Their children, though, disrupt their plans when an unsettling medical condition begins to go around the Little Academy preschool: the kids are craving blood. Then a young teacher is found dead, and the only potential witnesses are 10 adorable four-year-olds. Soon it becomes clear that the children are not just witnesses, but also suspects...and so are their mothers. As the police begin to look more closely, the children’s ability to bleed their parents dry becomes deadly serious.

In her debut short story collection, Mary Jones uses her distinctive voice to examine the painful and sometimes surreal ways we say goodbye. The stories --- which range from tender and heartbreaking to unsettling and darkly funny --- will push you out of your comfort zone and ignite intense emotions surrounding love and loss. A woman camps out on the porch of an ex-lover who has barricaded himself inside the house; a preteen girl caught shoplifting finds herself in grave danger; a Los Angeles real estate agent falls for a woman who helps him detach from years of dramatic plastic surgery; a man hires a professional mourner to ensure his wife’s funeral is a success. Again and again, Jones’ characters find themselves facing the ends of things: relationships, health and innocence.

Still grieving from the loss of her father, Nina discovers that she has inherited property in the British Virgin Islands --- a vacation home she had no idea existed, until now. The house is extraordinary: state-of-the-art, all glass and marble. How did her sensible father come into enough money for this? Why did he keep it from her? And what else was he hiding? Maria, once an ambitious medical student, is a nanny for the super-rich. Just one more gig, and she’ll be set. Finally, she’ll be secure. But when her wards never show, Maria begins to make herself at home, spending her days luxuriating by the pool and in the sauna. There’s just one rule: Don’t go in the basement. That room is off-limits. But her curiosity just might get the better of her. And soon, she’ll wish her only worry was not getting paid.

In a cottage overlooking the windswept Maine coast, Wilder Harlow has begun the last book he will ever write. It is the story about the sun-drenched summer days of his youth in Whistler Bay, and the blood-stained path of the killer who stalked his small vacation town. About the terrible secret he and his companions, Nat and Harper, discovered entombed in the coves off the bay. And how the pact they swore that day echoed down the decades, forever shaping their lives. But the more Wilder writes, the less he trusts himself and his memory. He starts to see things that can’t be real. Who, or what, is haunting him? No longer able to trust his own eyes, Wilder begins to fear that this will not only be his last book, but the last thing he ever does.

In the 1950s, Oscar Hammerstein is asked to write the lyrics to a musical based on the life of a woman named Maria von Trapp. As half of the famous Rodgers & Hammerstein duo, he knows it has big Broadway potential. Yet much of Maria’s life will have to be reinvented for the stage, and with the horrors of war still fresh in people’s minds, Hammerstein can’t let audiences see just how close the von Trapps came to losing their lives. But when Maria sees the script that is supposedly based on her life, she becomes so incensed that she sets off to confront Hammerstein in person. Told that he’s busy, she is asked to express her concerns to his secretary, Fran. The pair strike up an unlikely friendship as Maria tells Fran about her life, contradicting much of what eventually will appear in The Sound of Music.

In a tragic turn of events, ex-con PI Colleen Hayes’ daughter, Pam, has lost her baby. Meanwhile, a serial killer given the name “Night Candy” is targeting sex workers, both male and female. The situation doesn’t improve when Colleen’s friend and ally --- SFPD Inspector Owens --- is arrested for the murder of his ex-wife, who was found burned in a fire the same night the pair had tried to rekindle their love. Could Owens have really done what they say? Even Colleen has her doubts. But there are people depending on her: Owens, who needs help finding his ex-wife’s real killer, and a trio of sex workers Colleen keeps her eye on --- especially with Night Candy on the loose. Then, one of the three girls is next to disappear. If anything is to test Colleen’s resolve, December 1979 seems to be it.

For as long as she can remember, Everly Aprile has been obsessed with the Monterran royals, especially Queen Kat. As for Everly, her career as an event planner has stalled --- and so has her love life. Then a wealthy new client wants a sweet-16 party that’s fit for an American princess. Everly offers to bring it to life by immersing herself in everything Monterra. Call it intervento divino when she meets dizzyingly handsome and charismatic Max Colby, who’s relocated stateside from the Monterran kingdom of her dreams. If Everly promises to be his New York City guide, he’ll teach her the customs and culture of Monterra so her party gets a boost of authenticity. As their friendship grows, Everly starts falling --- but for what? Another unattainable obsession? Max is such a dreamboat that surely he sees her as just a friend.

At the Frank family’s annual clambake, Peter Frank plans to charm every woman on the guest list. They include Maya, his tennis star girlfriend; Catherine, his high school sweetheart turned wedding planner and influencer; and Leanne, the fiercely protective aunt and legal guardian of his only son. When Maya, Catherine and Leanne arrive, they’re lured into a room together by a mysterious text to find Peter and...Tilly. Tilly explains that she and Peter plan to get married that night, that Maya and Peter are through, that Peter will no longer be investing in Catherine’s company, and that Leanne must give up guardianship of her nephew. The enraged women attend the impromptu wedding, but when a chandelier falls and crushes the bride, suddenly they’re three likely suspects with three perfect motives. 

Agnes Corey, a junior editor at a small independent publisher, has been hired by enigmatic author Veronica St. Clair to transcribe the sequel to her 1993 hit phenomenon, The Secret of Wyldcliffe Heights. St. Clair has been a recluse since the publication of the JANE EYRE-esque book, which coincided with a terrible fire that blinded and scarred her. Agnes arrives in the Hudson Valley at her crumbling estate, which was once a psychiatric hospital for “wayward women.” As St. Clair dictates, Agnes realizes there are clues in the story that reveal the true --- and terrifying --- events three decades ago that inspired the original novel. The line between fact and fiction becomes increasingly blurred, and Agnes discovers terrible secrets about an unresolved murder from long ago, which have startling connections to her own life.

Reclusive Sally Diamond causes outrage by trying to incinerate her dead father. Now she’s the center of attention, not only from the hungry media and police detectives, but also from a sinister voice from a past she does not remember. As she begins to discover the horrors of her early childhood, Sally steps into the world for the first time, making new friends, big decisions, and learning that people don’t always mean what they say. But who is the man observing Sally from the other side of the world, and why does he call her Mary? And why does her new neighbor seem to be obsessed with her? Sally’s trust issues are about to be severely challenged.

It has been an eventful morning for Agnes Sharp and the other inhabitants of Sunset Hall, a house share for the old and unruly in the sleepy English countryside. Although they have had some issues (misplaced reading glasses, conflicting culinary tastes, decreasing mobility and gluttonous grandsons), nothing prepares them for an unexpected visit from a police officer. A body has been discovered next door. Everyone puts on a long face for show, but they are secretly relieved the body in question is not the one they’re currently hiding in the shed (sorry, Lillith). It seems the answer to their little problem with Lillith may have fallen right into their laps. All they have to do is find out who murdered their neighbor, so they can pin Lillith’s death on them, thus killing two (old) birds with one stone (cold killer).

Wes and Ivy are madly in love. It's the type of romance people write stories about. But what kind of story? When it's good, it's great. Flowers. Grand gestures. Deep meaningful conversations where the whole world disappears. When it's bad, it's really bad. Vengeful fights. Damaged property. Arrest warrants. But their vicious cycle of catastrophic breakups and head-over-heels reconciliations needs to end fast. Because suddenly, Wes and Ivy have a common enemy --- and she's a detective. There's something Wes and Ivy never talk about. The night of their worst breakup, when one of them took things too far, and someone ended up dead. If they can stick together, they can survive anything --- even the tightening net of a police investigation. Because one more breakup just might be their last.

In these 10 stories, each set in the changing landscapes of contemporary New York City, a range of characters --- from children to grandmothers to ghosts --- live through the responsibility of perceiving and the moral challenge of speaking up or taking action. Though they strive to connect, to remember, to stand up for, and to really see each other, they often fall short, and the structures they build around these ambitions and failures shape not only their own futures but the legacies and prospects of their families and their city. In its portraits of families and friendships lost and found, the paradox of intimacy, the long shadow of grief and the meaning of home, WITNESS enacts its own testimony.

Emilia Ward lives in suburban London with her husband, their young son, and a teenager from her first marriage. Emilia is an ordinary mom --- and she’s also the bestselling author of the Miranda Moody detective novels. But when writing her 10th --- and most difficult --- book, life takes a disturbing turn: an incident mimicking the plot of one of her novels occurs in real life. Just an unsettling coincidence, right? Until it happens again. And again. Then someone she knows dies in the same way as a victim in the book she's currently writing. Why is someone doing this? What do they want? How could they possibly know what she’s thinking --- and writing? Is Emilia and her family next?