When Margaret and her husband, Hal, bought the large Victorian house on Hawthorn Street, they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. But after four years Hal can’t take it anymore, and he leaves abruptly. Now, he’s not returning calls, and their daughter Katherine --- who knows nothing about the hauntings --- arrives, intent on looking for her missing father. September has just begun, and with every attempt Margaret and Katherine make at finding Hal, the hauntings grow more harrowing, because there are some secrets the house needs to keep.

A creep can be a singular figure, a villain who makes things go bump in the night. Yet creep is also what the fog does --- it lurks into place to do its dirty work, muffling screams, obscuring the truth, and providing cover for those prowling within it. CREEP is Myriam Gurba’s informal sociology of creeps, a deep dive into the dark recesses of the toxic traditions that plague the United States and create the abusers who haunt our books, schools and homes. Gurba studies the ways in which oppression is collectively enacted, sustaining ecosystems that unfairly distribute suffering and premature death to our most vulnerable. She also examines how we as individuals, communities and institutions can challenge creeps and rid ourselves of the fog that seeks to blind us.

Annie, Edward and their young daughter, Rose, live in a cramped apartment. One night, without warning, they find a beautiful terrace hidden in their closet. It wasn’t there before, and it seems to only appear when their friend Stephanie visits. But every extra bit of space has a hidden cost, and the terrace sets off a seismic chain of events, forever changing the shape of their tiny home, and the shape of the world. TERRACE STORY follows the characters who suffer these repercussions and reverberations. How far can the mind travel when it’s looking for something that is gone? Where do we put our loneliness, longing and desire? What do we do with the emotions that seem to stretch beyond the body, beyond the boundaries of life and death?

In a cottage overlooking the windswept Maine coast, Wilder Harlow has begun the last book he will ever write. It is the story about the sun-drenched summer days of his youth in Whistler Bay, and the blood-stained path of the killer who stalked his small vacation town. About the terrible secret he and his companions, Nat and Harper, discovered entombed in the coves off the bay. And how the pact they swore that day echoed down the decades, forever shaping their lives. But the more Wilder writes, the less he trusts himself and his memory. He starts to see things that can’t be real. Who, or what, is haunting him? No longer able to trust his own eyes, Wilder begins to fear that this will not only be his last book, but the last thing he ever does.

Ursa can travel through memory and revisit her past. After she flees her hometown for the counterculture glory of 1950s California, the intoxicating potential of her unique ability eventually draws a group of women into her orbit and into a ramshackle Victorian mansion. Soon this cultish community of sisterhood takes an ominous turn, prompting Ursa’s son, Ray, and his pregnant lover, Cherry, to flee their home and reinvent themselves far from her insidious influence. But a series of mysterious events forces Cherry to abandon their baby, leaving Ray to raise Opal alone. Now a teenager and still heartbroken over the abandonment of the mother she never knew, Opal must journey into her own past to reveal the generations of secrets that gave rise to the shimmering source of her family's painful legacy.

Jillian Lauren had no idea what she was getting into when she wrote her first letter to prolific serial killer Samuel Little. All she knew was her research had led her to believe he was good for far more murders than the three for which he had been convicted. While the two exchanged dozens of letters and embarked on hundreds of hours of interviews, Lauren gained the trust of a monster. After maintaining his innocence for decades, Little confessed to the murders of 93 women. How could one man evade justice, manipulating the system for over four decades? More than a deep dive into Little's actions, Lauren's riveting and emotional accounts reveal the women who were lost to cold files, giving his victims a chance to have their stories heard for the first time.

True crime, as an entertainment genre, has always prioritized clear narrative arcs: victims wronged, police detectives in pursuit, suspects apprehended, justice delivered. But what stories have been ignored? In EVIDENCE OF THINGS SEEN, 14 of the most innovative crime writers working today cast a light on the cases that give crucial insight into our society. Wesley Lowery writes about a lynching left unsolved for decades by an indifferent police force and a family’s quest for answers. Justine van der Leun reports on the thousands of women in prison for defending themselves from abuse. May Jeong reveals how the Atlanta spa shootings tell a story of America. This anthology pulls back the curtain on how crime itself is a by-product of America’s systemic harms and inequalities.

Amber Kivinen is moving to Mars. Or at least she will be if she wins a chance to join "MarsNow." She and 23 reality TV contestants from around the world are competing for two seats on the first human-led mission to Mars, sponsored by billionaire Geoff Task. Meanwhile, Amber’s boyfriend, Kevin, was content going nowhere until Amber left him --- and their hydroponic weed business --- behind. As he tends to (and smokes) the plants growing in their basement apartment, Kevin tunes in to find out why the love of his life is so determined to leave the planet with somebody else. On screen, Amber competes in globe-trotting, “Survivor”-meets-“Star Trek” challenges and seems like she might be falling for fellow contestant Adam. But is that real, or is it just a tactic to keep from being voted off?

It’s the holy month of Ramadan, and twin sisters Amira and Lina are about to graduate high school in Bay Ridge, Brooklyn. On the precipice of adulthood, they plan to embark on a summer of teenage revelry, trying on new identities, and testing the limits of what they can get away with while still under their parents’ roof. But the twins' expectations of a summer of freedom collide with their older brother's return from prison, whose mysterious behavior threatens to undo the delicate family balance. Meanwhile, a storm is brewing in Bay Ridge. A raid on a local business sparks a protest that brings the Arab community together, and a senseless act of violence threatens to tear them apart. Everyone’s motives are called into question as an alarming sense of disquiet pervades the neighborhood.

A few years from now, in a world similar to ours, there exists a sort of “depression plague” that people refer to simply as “The Grey.” No one can predict whom it will afflict, or how, but once infected, there’s no coming back. A young Hong Kong-based scientist, Lily Barnes, is trying to maintain her inner light in an increasingly dark world. The human race is dwindling, and people fighting to push forward are increasingly rare. One day, Lily comes across something that seems to be addressing her directly, calling to her, asking her to follow a path to whatever lies at its end. Is this the Endless Vessel to happiness? She leaves her life behind and sets out through time and space to find out.