The Townhouse Bar, midtown, July 1992: The piano player seems to know every song ever written, and a man standing nearby is drinking a Scotch and water. The man strikes the piano player as forgettable. He looks bland and inconspicuous. Not at all what you think a serial killer looks like. But that’s what he is, and tonight he has his sights set on a gray-haired man. He will not be his first victim. Nor will he be his last. The Last Call Killer preyed upon gay men in New York in the ’80s and ’90s. Yet because of the sexuality of his victims, the sky-high murder rates and the AIDS epidemic, his murders have been almost entirely forgotten. LAST CALL tells the story of the Last Call Killer and the decades-long chase to find him.

Bored, restless and lonely, Ali never expected her life would change as dramatically as it did the day she walked into the local Stop & Shop. But she’s never met anyone like Justine, the store’s cashier. Ali applies for a job on the spot, securing a place for herself in Justine’s glittering vicinity. As Justine takes Ali under her wing, Ali learns how best to bag groceries, what foods to eat (and not to eat), how to shoplift, who to admire, and who she can become outside of her cold home, where her inattentive grandmother hardly notices the changes in her. Ali becomes more and more fixated on Justine, reshaping herself in her new idol’s image, leading to a series of events that spiral from superficial to seismic.

Growing up on Cape Cod in the 1960s, Liza Rodman was a lonely little girl. During the summers, while her mother worked days in a local motel and danced most nights in the Provincetown bars, her babysitter --- the kind, handsome handyman at the motel where her mother worked --- took her and her sister on adventures in his truck. To Liza, he was one of the few kind and understanding adults in her life. But there was one thing she didn’t know: their babysitter was a serial killer. Though Tony Costa’s gruesome case made screaming headlines in 1969 and beyond, Liza never made the connection between her friendly babysitter and the infamous killer of numerous women until decades later.

In the 15 years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer’s in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation. With the family’s annual bonfire approaching, Maria attempts to call the family together from their physical and emotional distances once more. But as the bonfire draws near, each of them feels a strange blurring of the boundary between normal life and the spirit world.

Rachel is 24, a lapsed Jew who has made calorie restriction her religion. By day, she maintains an illusion of existential control, through obsessive food rituals, while working as an underling at a Los Angeles talent management agency. At night, she pedals nowhere on the elliptical machine. Rachel is content to carry on subsisting --- until her therapist encourages her to take a 90-day communication detox from her mother, who raised her in the tradition of calorie counting. Rachel soon meets Miriam, a zaftig young Orthodox Jewish woman who works at her favorite frozen yogurt shop and is intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam, and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk and honey.

The morning of January 12, 1888, was unusually mild, following a punishing cold spell. It was warm enough for the homesteaders of the Dakota Territory to venture out again, and for their children to return to school without their heavy coats --- leaving them unprepared when disaster struck. At the hour when most prairie schools were letting out for the day, a terrifying, fast-moving blizzard blew in without warning. Schoolteachers as young as 16 were suddenly faced with life and death decisions: Keep the children inside, to risk freezing to death when fuel ran out, or send them home, praying they wouldn’t get lost in the storm.

Thirteen-year-old Michael Parsons is dealing with a lot. His father's sudden death; his mother's new husband, Glen, who he loathes; his two younger siblings, who he looks after more and more now that his mother works extra shifts. And then one day, Michael wakes up and his mother is gone. In her place is an exact, duplicate mother. The “other mother.” No one else seems to notice that the real version is missing. His brother, his sister and even Glen act as if everything is normal. But Michael knows in his heart that this mother is not his. And he begins to panic.

They rarely speak to each other, but they take notice --- watching from the safety of their cabins, making judgments from what little they know of their temporary neighbors. At daylight, a mother races up the mountain, fleeing into her precious dose of solitude. A retired man studies her return as he reminisces about the park’s better days. A young woman wonders about his politics as she sees him head for a drive with his wife. A teenage boy escapes the scrutiny of his family, braving the dark waters of the loch in a kayak. This cascade of perspective shows each wrapped up in personal concerns as they begin to notice one particular family that doesn’t seem to belong. Tensions rise, until nightfall brings an irrevocable turn.

Kids have imaginary friends. Rachel knows this. So when her young son, Billy, miraculously recovers from a horrible flu that has proven fatal for many, she thinks nothing of Delfy, his new invisible friend. After all, her family is healthy and that's all that matters. But soon Delfy is telling Billy what to do, and the boy is acting up and lashing out in ways he never has before. As Delfy's influence is growing stranger and more sinister by the day, and rising tensions threaten to tear Rachel's family apart, she clings to one purpose: to protect her children at any cost --- even from themselves.

Ronan Szepessy promised himself he’d never return to Hudson. The sleepy upstate town was no place for a restless gay photographer. But his father is ill, and New York City’s distractions have become too much for him. He hopes that a quick visit will help him recharge. Ronan reconnects with two friends from high school: Dom, his first love, and Dom’s wife, Attalah. The three former misfits mourn what their town has become --- overrun by gentrifiers and corporate interests. With friends and neighbors getting evicted en masse and a mayoral election coming up, Ronan and Attalah craft a plan to rattle the newcomers and expose their true motives. But in doing so, they unleash something far more mysterious and uncontainable.