On a dark midwinter’s night in an ancient inn on the river Thames, an extraordinary event takes place. The regulars are telling stories to while away the dark hours, when the door bursts open on a grievously wounded stranger. In his arms is the lifeless body of a small child. Hours later, the girl stirs, takes a breath and returns to life. Is it a miracle? Is it magic? Or can science provide an explanation? These questions have many answers, some of them quite dark indeed. Those who dwell on the river bank apply all their ingenuity to solving the puzzle of the girl who died and lived again, yet as the days pass the mystery only deepens.

Jessie Sloane is on the path to rebuilding her life, renting a new apartment and applying for college. But when the college informs her that her social security number has raised a red flag, Jessie discovers a shocking detail that causes her to doubt everything she’s ever known. Finding herself suddenly at the center of a bizarre mystery, Jessie tumbles down a rabbit hole, which is only exacerbated by grief and a relentless lack of sleep. She begins to see things until she can no longer tell the difference between what’s real and what she’s only imagined. Meanwhile, 20 years earlier and 250 miles away, another woman’s split-second decision may hold the key to Jessie’s secret past. Has Jessie’s whole life been a lie, or have her delusions gotten the best of her?

In the depths of a 19th-century winter, a little girl is abandoned on the streets of Victorian London. She grows up to become in turn a thief, an artist’s muse and a lover. In the summer of 1862, shortly after her 18th birthday, she travels with a group of artists to a beautiful house on a bend of the Upper Thames. Tensions simmer, and one hot afternoon a gunshot rings out. A woman is killed, another disappears, and the truth of what happened slips through the cracks of time. It is not until over a century later, when another young woman is drawn to Birchwood Manor, that its secrets are finally revealed.

The Carls just appeared. Coming home from work at 3am, 23-year-old April May stumbles across a giant sculpture. Delighted by its appearance and craftsmanship, April and her friend Andy make a video with it, which Andy uploads to YouTube. The next day April wakes up to a viral video and a new life. News quickly spreads that there are Carls in dozens of cities around the world, and April, as their first documentarian, finds herself at the center of an intense international media spotlight. Now April has to deal with the pressure on her relationships, her identity and her safety that this new position brings, all while being on the front lines of the quest to find out not just what the Carls are, but what they want from us.

There are three rules of Blackheath House: 1) Evelyn Hardcastle will be murdered at 11:00pm; 2) There are eight days, and eight witnesses for you to inhabit; 3) We will only let you escape once you tell us the name of the killer. Understood? Then let's begin. Evelyn Hardcastle will die. She will die every day until Aiden Bishop can identify her killer and break the cycle. But every time the day begins again, Aiden wakes up in the body of a different guest. Some of his hosts are helpful, and others only operate on a need-to-know basis.

At one point or another, we’ve all been asked to name five people, living or dead, with whom we’d like to have dinner. Why do we choose the people we do? And what if that dinner was to actually happen? These are the questions Rebecca Serle contends with in her novel, THE DINNER LIST. When Sabrina arrives at her 30th birthday dinner, she finds at the table not just her best friend, but also three significant people from her past…and Audrey Hepburn. As the appetizers are served, wine poured and dinner table conversation begins, it becomes clear that there’s a reason these six people have been gathered together.

One morning, Kim Brooks made a split-second decision to leave her four-year-old son in the car while she ran into a store. What happened would consume the next several years of her life and spur her to investigate the broader role America’s culture of fear plays in parenthood. In SMALL ANIMALS, Brooks asks: Of all the emotions inherent in parenting, is there any more universal or profound than fear? Why have our notions of what it means to be a good parent changed so radically? In what ways do these changes impact the lives of parents, children and the structure of society at large? And what, in the end, does the rise of fearful parenting tell us about ourselves?

Frances Metcalfe is struggling to stay afloat. A stay-at-home mom whose troubled son is her full-time job, she thought that the day he got accepted into the elite Forrester Academy would be the day she started living her life. Overweight, insecure and lonely, she is desperate to fit into Forrester’s world. But after a disturbing incident at the school leads the other children and their families to ostracize the Metcalfes, she feels more alone than ever before. Until she meets Kate Randolph. As the two bond over their disdain of the Forrester snobs and the fierce love they have for their sons, a startling secret threatens to tear them apart. Because one of these women is not who she seems. Her real name is Amber Kunik. And she’s a murderer.

Twenty-five-year-old Lacey Whitman is blindsided when she’s diagnosed with the BCRA1 gene mutation: the “breast cancer” gene. Her high hereditary risk forces a decision: increased surveillance or the more radical step of a preventative double mastectomy. Small-town Lacey is not so in touch with her sexuality: she doesn’t want to sacrifice her breasts before she’s had the chance to give them their heyday. To help her make her choice, she (and her friends) creates a “boob bucket list”: everything she wants do with and for her boobs before a possible surgery. This kicks off a year of sensual exploration and sexual entertainment for the quick-witted Lacey Whitman.

As an Indian wedding gathers a family back together, parents Rafiq and Layla must reckon with the choices their children have made. There is Hadia: their headstrong, eldest daughter, whose marriage is a match of love and not tradition. Huda, the middle child, determined to follow in her sister’s footsteps. And lastly, their estranged son, Amar, who returns to the family fold for the first time in three years to take his place as brother of the bride. What secrets and betrayals have caused this close-knit family to fracture? Can Amar find his way back to the people who know and love him best?