A PLACE LIKE HOME is a collection of short stories by internationally bestselling author Rosamunde Pilcher, never before published in book form. It contains 15 stories, which range from “The Holiday,” in which a wife surprises her husband of 25 years with a holiday full of Mediterranean sunshine, red rocks and blue seas in an effort to rekindle the romance they had before children; “The Eye of Love,” which takes the reader to a village by the sea where old flames meet again; and “A Place Like Home,” where a lonely young woman goes to recuperate in the Scottish countryside after a brief illness. The fruit orchards and fresh sea air offer much-needed respite --- but not as much as the handsome, mysterious farmer she meets.

Having sent his much-beloved but deceitful young wife Katheryn Howard to her beheading, King Henry fixes his lonely eyes on a more mature woman: 30-year-old, twice-widowed Katharine Parr. She, however, is in love with Sir Thomas Seymour, brother to the late Queen Jane. Aware of his rival, Henry sends him abroad, leaving Katharine no choice but to become Henry’s sixth queen in 1543. The king is no longer in any condition to father a child, but Katharine is content to mother his three children: Mary, Elizabeth, and the longed-for male heir, Edward. Four years into the marriage, Henry dies, leaving England’s throne to nine-year-old Edward, and Katharine's life takes a more complicated turn.

Required to have a college education, speak two languages and possess the political savvy of a Foreign Service officer, a jet-age stewardess serving on iconic Pan Am between 1966 and 1975 also had to be between 5′3" and 5′9", between 105 and 140 pounds, and under 26 years of age at the time of hire. Julia Cooke’s intimate storytelling weaves together the real-life stories of a memorable cast of characters --- from small-town girl Lynne Totten, a science major who decided life in a lab was not for her, to Hazel Bowie, one of the relatively few Black stewardesses of the era --- as they embraced the liberation of their new jet-set life.

Rachel Kushner gathers a selection of her writing from over the course of the last 20 years that addresses the most pressing political, artistic and cultural issues of our times --- and illuminates the themes and real-life terrain that underpin her fiction. In 19 razor-sharp essays, THE HARD CROWD spans literary journalism, memoir, cultural criticism and writing about art and literature, including pieces on Jeff Koons, Denis Johnson and Marguerite Duras. Kushner takes us on a journey through a Palestinian refugee camp, an illegal motorcycle race down the Baja Peninsula, 1970s wildcat strikes in Fiat factories, her love of classic cars, and her young life in the music scene of her hometown, San Francisco.

The Plantagenet queens of England played a role in some of the most dramatic events in our history. Crusading queens, queens in rebellion against their king, seductive queens, learned queens, queens in battle, queens who enlivened England with the romantic culture of southern Europe --- these determined women often broke through medieval constraints to exercise power and influence, for good and sometimes for ill. This second volume of Alison Weir’s history of the queens of medieval England now moves into a period of even higher drama, from 1154 to 1291: years of chivalry and courtly love, dynastic ambition, conflict between church and throne, baronial wars, and the ruthless interplay between the rival monarchs of Britain and France.

Land --- whether meadow or mountainside, desert or peat bog, parkland or pasture, suburb or city --- is central to our existence. It quite literally underlies and underpins everything. In LAND, Simon Winchester examines what we human beings are doing --- and have done --- with the billions of acres that together make up the solid surface of our planet. The book examines in depth how we acquire land, how we steward it, how and why we fight over it, and finally, how we can, and on occasion do, come to share it. Ultimately, Winchester confronts the essential question: Who actually owns the world’s land --- and why does it matter?

At the earliest ages, it was apparent that Wolfgang Mozart’s singular imagination was at work in every direction. He hated to be bored or idle, and through his life he responded to these threats with a repertoire of antidotes mental and physical. Whether in his rabidly obscene mode or not, Mozart was always hilarious. He went at every piece of his life, and perhaps most notably his social life, with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun. MOZART is the complete exhumation of a genius in his life and ours: a man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music.

In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, “I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.” This collection of 20 reviews, essays and pieces of memoir from the next three decades tells the story of what happened next. Her subjects range far and wide: Robespierre and Danton, the Hite report, Saudi Arabia where she lived for four years in the 1980s, the Bulger case, John Osborne and the Virgin Mary. There are essays about Jane Boleyn, Charles Brandon, Christopher Marlowe and Margaret Pole, which display the astonishing insight into the Tudor mind we are familiar with from the bestselling Wolf Hall Trilogy.

In 26 intimate, brilliant and funny essays, Claire Messud reflects on a childhood move from her Connecticut home to Australia; the complex relationship between her modern Canadian mother and a fiercely single French Catholic aunt; and a trip to Beirut, where her pied-noir father had once lived, while he was dying. She meditates on contemporary classics from Kazuo Ishiguro, Teju Cole, Rachel Cusk and Valeria Luiselli; examines three facets of Albert Camus and THE STRANGER; and tours her favorite paintings at Boston’s Museum of Fine Arts. In the luminous title essay, she explores her drive to write, born of the magic of sharing language and the transformative powers of “a single successful sentence.”

To the world, George and Barbara Bush were America’s powerful president and influential first lady. To Jenna Bush Hager, they were her beloved Gampy and Ganny, who taught her about respect, humility, kindness, and living a life of passion and meaning. Now the mother of three young children, Jenna pays homage to her grandparents in this collection of heartwarming, intimate personal essays. She reflects on the single year in which she and her family lost Barbara and George H. W. Bush, and her maternal grandmother, Jenna Welch. At the same time, she reveals how they navigated this difficult period with grace, faith and nostalgic humor, uplifted by their grandparents’ sage advice and incomparable spirits.