It is 1940. France has fallen, and only a narrow strip of sea lies between Great Britain and invasion. The war could go either way, and everyone must do their bit. Young copy writer Catrin Cole is drafted into the Ministry of Information to help “write women” into propaganda films --- something that the men aren’t very good at. She is quickly seconded to the Ministry’s latest endeavor: a heartwarming tale of bravery and rescue at Dunkirk. It’s all completely fabricated, of course, but what does that matter when the nation’s morale is at stake? Since call-up has stripped the industry of its brightest and best, it is the callow, the jaded and the utterly unsuitable who must make up the numbers.

Autumn. Season of mists and mellow fruitfulness. Two old friends --- Daniel, a centenarian, and Elisabeth, born in 1984 --- look to both the future and the past as the United Kingdom stands divided by a historic, once-in-a-generation summer. Love is won, love is lost. Hope is hand-in-hand with hopelessness. The seasons roll round, as ever. A luminous meditation on the meaning of richness and harvest and worth, AUTUMN is the first installment of Ali Smith’s Seasonal quartet, and it casts an eye over our own time: Who are we? What are we made of?

Hortensia James and Marion Agostino are neighbors. One is black, the other white. Both are successful women with impressive careers. Both have recently been widowed, and are living with questions, disappointments and secrets that have brought them shame. And each has something that the woman next door deeply desires. Sworn enemies, the two share a hedge and a deliberate hostility, which they maintain with a zeal that belies their age. But, one day, an unexpected event forces Hortensia and Marion together. As the physical barriers between them collapse, their bickering gradually softens into conversation and eventually the two discover common ground. But are these sparks of connection enough to ignite a friendship, or is it too late to expect these women to change?

In the male-dominated field of animation, Mel Vaught and Sharon Kisses are a dynamic duo: Sharon is quietly ambitious but self-doubting, Mel is brash and unapologetic, always the life of a party. They spent their 20s ensconced in a gritty Brooklyn studio. Now, after a decade of striving, the two are finally celebrating the release of their first full-length feature and stand at the cusp of making it big. But with their success comes doubt and destruction, cracks in their relationship threatening the delicate balance of their partnership. When the only other partner Sharon has ever truly known --- her troubled, charismatic childhood best friend, Teddy --- reappears, long-buried resentments rise to the surface, hastening a reckoning no one sees coming.

This is Claude. He’s five years old, the youngest of five brothers, and loves peanut butter sandwiches. He also loves wearing a dress and dreams of being a princess. When he grows up, Claude says, he wants to be a girl. Rosie and Penn want Claude to be whoever Claude wants to be. They’re just not sure they’re ready to share that with the world. Soon the entire family is keeping Claude’s secret. Until one day it explodes.

She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid advertising woman in the country. Now it’s the last night of 1984 and Lillian, 85 years old but just as sharp and savvy as ever, is on her way to a party. It’s chilly enough out for her mink coat, and Manhattan is grittier now, but the quick-tongued poetess has never been one to scare easily. On a walk that takes her over 10 miles around the city, she meets bartenders, bodega clerks, security guards, criminals, children, parents and parents-to-be, while reviewing a life of excitement and adversity, passion and heartbreak, illuminating all the ways New York has changed --- and has not.

A house is burning, threatening the existence of its six tenants --- including a failed priest; a naturalist; a neurosurgeon; an invalid dreaming of his anxious boyhood; and their landlord, whose relationship to the tenants is both intimate and shadowy. In NIGHT OF FIRE, the passions and obsessions in a dying house loom and shift, from those of the hallucinating drug addict in the basement to the landlord training his rooftop telescope on the night skies. As the novel progresses, the tenants’ diverse stories take us through an African refugee camp, Greek Orthodox monasteries, and the cremation grounds of India. Haunting the edges of their lives are memories. Will these remembrances be consumed forever by the flames? Or can they survive in some form?

Soli, a young undocumented Mexican woman in Berkeley, CA, finds that motherhood offers her an identity in a world where she's otherwise invisible. When she is placed in immigrant detention, her son comes under the care of Kavya, an Indian-American wife overwhelmed by her own impossible desire to have a child. As Soli fights for her son, Kavya builds her love on a fault line, her heart wrapped around someone else's child.

The wealthy enclaves north of San Francisco are not the paradise they appear to be, and nobody knows this better than the students of a local high school. Despite being raised with all the opportunities money can buy, these vulnerable kids are navigating a treacherous adolescence in which every action, every rumor and every feeling is potentially postable, shareable and viral. Lindsey Lee Johnson’s kaleidoscopic narrative exposes at every turn the real human beings beneath the high school stereotypes.

On her first day at a new school, Lily befriends Eva and her sisters Beatrice and Heloise, daughters of the infamous avant-garde painter Evan Trentham. An only child from an unremarkable, working-class family, Lily has never experienced a household like the Trenthams' --- a community of like-minded artists Evan and his wife have created, all living and working together to escape the stifling conservatism of 1930s Australia. And Lily has never met anyone like Eva, whose unabashed confidence and worldly knowledge immediately draw her in. But as seductive as the artists' utopian vision appears, behind it lies both darkness and dysfunction. And the further the girls are pulled in, the greater the consequences become.