Editorial Content for Looking Glass Sound
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Reviewer (text)
As she has demonstrated in her previous books, Catriona Ward is a master of atmosphere. Her latest gothic thriller, LOOKING GLASS SOUND, uses place to great effect. Her young protagonist is dropped into a beachy yet ominous locale, a place of dread and beauty that comes to stand for longing, desire, fear and loss for the rest of his life. But the “rest of his life” grows increasingly hard to pin down as the novel progresses and Ward upends --- then upends again --- her narrative, resulting in a sense of unease for readers and characters alike. The story, Ward insists, can be manipulated in the telling.
"LOOKING GLASS SOUND is a complex, dark, surprising, confident and crafty novel from a writer who continues to produce bold and curious books."
Wilder Harlow is in high school the first time he visits his late Uncle Vernon’s house in Whistler Bay. The lovely seaside town is marred only by the crimes of the Dagger Man the summer before. This summer promises to be one of continued loneliness for Wilder, as well as the ongoing marital strife of his parents. Before he can spend too much time pondering his mysterious uncle, where his father disappears to, or what life will be like back at school next year, Wilder meets local kid Nat and summer resident Harper. They are as lovely and compelling as any literary teens --- strange, attractive and enigmatic.
Nat and Harper take Wilder under their wings and introduce him to the shore, the sea, and the folktales and lore of the town. They tell Wilder about the Dagger Man and the threatening Polaroids he took of sleeping children. They also fill him in on Rebecca, the ghost of a drowned woman who haunts a cave on the edge of the ocean, pining for her daughter and exacting secrets. Wilder comes to love Whistler Bay, apart from one particularly unsettling meadow, and enjoys spending time with his new friends. Their friendship gets him through the school year, but things have changed by the following summer.
When Wilder returns to Whistler Bay, Harper is sober, Nat is distant, and things are worse with his parents. A shocking discovery horrifies the town and brings the three of them all too close to a serial killer. Everything Wilder thought he knew about the town, his friends, his family and himself is called into question. By the time he goes to college, his world is thrown out of whack. And this is where LOOKING GLASS SOUND turns upside down as well.
In processing the trauma he witnessed and experienced, Wilder writes an autobiography. That text is stolen and published, and his trust is destroyed. Ward nests story within story, weaving the narrative into cloth that is inventive but often confusing. Are these ghosts? Or ghost stories? And if storytelling makes it real, what is the distinction between the two? Where does the truth lie, and whose account is most accurate? Can Wilder rely on memory? Or has pain and deceit destroyed even the truth?
This is a psychologically chilling read that requires a lot of work on the part of the reader. There is no settling in here; Ward shifts and upsets, rattles and rebuilds the plotlines a handful of times, creating tension and uncertainty. Some will revel in following the threads and puzzling out the realities, while others may find that kind of reading tedious or baffling. Yet there is no doubt that LOOKING GLASS SOUND is a complex, dark, surprising, confident and crafty novel from a writer who continues to produce bold and curious books.
Teaser
In a cottage overlooking the windswept Maine coast, Wilder Harlow has begun the last book he will ever write. It is the story about the sun-drenched summer days of his youth in Whistler Bay, and the blood-stained path of the killer who stalked his small vacation town. About the terrible secret he and his companions, Nat and Harper, discovered entombed in the coves off the bay. And how the pact they swore that day echoed down the decades, forever shaping their lives. But the more Wilder writes, the less he trusts himself and his memory. He starts to see things that can’t be real. Who, or what, is haunting him? No longer able to trust his own eyes, Wilder begins to fear that this will not only be his last book, but the last thing he ever does.
Promo
In a cottage overlooking the windswept Maine coast, Wilder Harlow has begun the last book he will ever write. It is the story about the sun-drenched summer days of his youth in Whistler Bay, and the blood-stained path of the killer who stalked his small vacation town. About the terrible secret he and his companions, Nat and Harper, discovered entombed in the coves off the bay. And how the pact they swore that day echoed down the decades, forever shaping their lives. But the more Wilder writes, the less he trusts himself and his memory. He starts to see things that can’t be real. Who, or what, is haunting him? No longer able to trust his own eyes, Wilder begins to fear that this will not only be his last book, but the last thing he ever does.
About the Book
The author of THE LAST HOUSE ON NEEDLESS STREET, Catriona Ward, delivers a masterful story about friendship and betrayal, dark obsessions and the impossibility of escaping your own story.
In a cottage overlooking the windswept Maine coast, Wilder Harlow has begun the last book he will ever write.
It is the story about the sun-drenched summer days of his youth in Whistler Bay, and the blood-stained path of the killer that stalked his small vacation town. About the terrible secret he and his companions, Nat and Harper, discovered entombed in the coves off the bay. And how the pact they swore that day echoed down the decades, forever shaping their lives.
But the more Wilder writes, the less he trusts himself and his memory. He starts to see things that can’t be real --- notes hidden in the cabin, from an old friend now dead; a woman with dark hair drowning in the icy waters below, calling for help; entire chapters he doesn’t recall typing, appearing overnight. Who, or what, is haunting Wilder?
No longer able to trust his own eyes, Wilder begins to fear that this will not only be his last book, but the last thing he ever does.
Audiobook available, read by Christopher Ragland and Katherine Fenton
