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Twenty-two years ago, Claire Campbell’s older sister, Natalie, disappeared shortly after her 18th birthday. Days later, her blood was found in a car, a man was arrested, and the case was swiftly closed. In the decades since, Claire has attempted to forget her traumatic past by moving to the city and climbing the ranks as an investigative journalist. Until an unexpected call from her father forces her to come back home and face it all anew. Claire decides on a whim to accept a seasonal job at Galloway Farm, a muscadine vineyard in coastal South Carolina. There, she stumbles across an old diary written by one of the vineyard's owners that describes details of various unsolved crimes. As the days stretch on, Claire starts to obsess over the diary's contents, as well as the lingering feeling that her own sister's disappearance may be somehow tied to it all.

Reeling from a breakup and overlooked at her job as a lighting designer, Iris Sunnegren finds herself stuck, disconnected and lonely in crowded New York City. Then a mysterious neighbor, an older Frenchwoman, makes her a gift: a bespoke perfume. One spritz, a dab behind the ears, and Iris feels like a different woman. Suddenly, she is the object of every man’s desire. She can cast off her inhibitions and use her newfound allure to dazzle the high-profile client, attract a man who excites her like no other, and access all the rarified spaces that once excluded her. Invigorated by the perfume, Iris embodies her maximum power --- a flower fully bloomed. But there is danger in connecting to our primal emotions. Scent awakens buried memories, and nightmares of the childhood house fire Iris barely survived return to haunt her.

When Roxie makes a tongue-in-cheek wish to live out the plot of her favorite author’s next novel, she has romance in mind --- namely, the sweet, safe, swoon-worthy storylines Anna Matthews is known for. It should be a dream come true when her wish is granted and she finds herself swept into a first date with a handsome stranger who seems designed to take her breath away. Except for one little hiccup: That handsome stranger tries to take her breath away. Literally. With a knife. Thrown into a perilous genre she’s never read, Roxie is desperate for help. So when her escape takes her straight into the path of Grant Hoffman, an anxious English professor with a convenient love of crime novels, she decides that kidnapping a grown man is a small price to pay for her own survival.

Anatol invites five of his oldest friends to his family home in the Wiltshire countryside to celebrate his 30th birthday. At his request, they play a game of his invention called Motive Method Death. The rules are simple: Everyone chooses two players at random, then writes a short story in which one kills the other. Points are awarded for making the murders feel real. Of course, it’s only natural for each friend to use what they know. But once they’ve put it in a story, each secret is out. It’s not long before the game reawakens old resentments and brings private matters into the light of day. With each fictional crime, someone new gets a very real motive. Can all six friends survive the weekend, or will truth turn out to be deadlier than fiction?

When her first-love-turned-close-friend, Gabe, dies unexpectedly at 29, 30-year-old Julia is launched into an intercontinental quest to recover his lost possessions. Her journey takes her from Los Angeles to London and into the murky realm of the past. It also sets Julia on a collision course with the last woman he loved, a guarded, self-possessed florist and restaurateur named Elizabeth, who insists on withholding Gabe’s beloved guitar --- one of the departed indie rock musician’s dearest belongings --- for reasons Julia can’t understand. Both women, it turns out, have something to hide and soon find themselves engaged in a complex dance of withholding and revelation.

A man and a woman walk into a restaurant. The woman expects a lovely night filled with endless plates of samosas. Instead, she finds out her husband is having an affair with a woman named Maggie. A short while after, her chest starts to ache. She walks into an examination room, where she finds out the pain in her breast isn’t just heartbreak --- it’s cancer. She decides to call the tumor Maggie. Unfolding in fragments over the course of the ensuing months, MAGGIE; OR, A MAN AND A WOMAN WALK INTO A BAR follows the narrator as she embarks on a journey of grief, healing and reclamation.

Most people don’t even notice them --- three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an aspiring artist herself, knows otherwise. Twenty-five years earlier, in a distant seaside town, a group of teenagers find refuge from their bruising home lives by spending long summer days on an abandoned pier, telling silly jokes, sharing secrets, and committing small acts of rebellion. Out of that summer emerges a transcendent work of art, a painting that unexpectedly will be placed into 18-year-old Louisa’s care. She embarks on a surprise-filled cross-country journey to learn how the painting came to be and to decide what to do with it.

Fred and Thea Morgan-Lane coauthor the wildly successful Death Takes a Holiday series, and they’ve been invited to the Italian castle where it all began for a mystery conference celebrating their first novel, Death Takes the Castle. But 20 years and 20 books after they met, Thea wants out. Shortly after their arrival at the beautiful Castellarosa, a shocking death takes place when the wrong person drinks a cocktail meant for Thea. Could someone be trying to kill her? When a second death occurs, a disturbing pattern emerges. These deaths aren’t random --- they’re following the murders in Death Takes a Castle exactly. In order to save the day --- and maybe even their marriage --- the unhappy couple will have to work together to figure out who is using their book as a blueprint for a killing spree.

As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity --- our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. Her fiction charts the rise and fall of the American project --- the nation’s transformation from a provincial backwater to a capitalist juggernaut (made possible by chattel slavery) to a bloated imperialist superpower on the verge of implosion. In POSITIVE OBSESSION, Susana M. Morris places Butler’s story firmly within the cultural, social and historical context that shaped her life.

When Savvy Summers first opened Essie's soul food café, she never expected her customer-favorite sweet potato pie to become the center of a murder investigation. But when Grandy Jaspers, the 75-year-old neighborhood womanizer, drops dead at table two, she suddenly has more to worry about than just maintaining Essie's reputation for the finest soul food in the Chicagoland area. Even as the police deem Grandy’s death an accident, Savvy quickly finds herself --- and her beloved café --- in the middle of an entire city’s worth of bad press. Desperate to clear her name and keep her business afloat, Savvy and her snooping assistant manager, Penny Lopés, take it upon themselves to find who really killed Grandy.

The human “oddities” in the Museum of the Strange are less wondrous than the gawking rubes had been promised. But Alida is something else. The real thing. Traveling Depression-era America from carnival midways to speakeasies, Alida is resigned to an exploited and lonely life on the road as the museum’s golden ticket. Until she’s rescued by two compassionate strangers. Franklin and Loretta Fairchild see in Alida a gifted and uncannily well-read girl in need of a loving touch and a family. With the openhearted couple and their three precociously imaginative children, Alida finds it. Yet despite everyone’s overwhelming generosity and acceptance, Alida knows she is still a very different kind of girl. Her dreams bear that out. They’re vivid, unsettling and threatening. Alida fears that they’re also warnings. And that it’s the Fairchilds who may need rescue from a bad, bad world.

The Hamptons on Long Island is known for its beautiful beaches, its luxury lifestyle --- and its exclusive legal advice. When Jane Smith takes on a famous celebrity client, she’s armed and ready: with brilliant arguments, hard evidence --- and two Glocks. Yet she is chased down and shot at, and she risks contempt of court. That’s when mounting a legal defense turns into self-defense. Knowing every day in court could be her last, she’s a survivor. For now.

Sue and Mal Eastwood run an isolated rural pub called The Case is Altered, where a weekly trivia game has revived its flagging fortunes --- that is, until a body is found in the nearby river. Soon after, a mysterious new team arrives and shakes up the diverse field of regulars by scoring top marks in every round...every week. Meanwhile, Sue and Mal have a secret of their own. Before arriving here, they were caught up in a secret police operation that meant they had to leave town --- and whatever happened back then seems to have finally caught up with them. Five years later, the pub lies derelict, and their nephew, Dominic, is determined to make a documentary about their story. What happened at this unassuming pub? And can a single question really kill?

In the aftermath of a tumultuous year, Fiona Winslow finds solace in the decaying grandeur of Wurimbirra, the rambling family estate she once called home. Intent on restoring it, she discovers the keys to more than just the dilapidated mansion. Beneath the crumbling plaster and dust are secrets that have been buried for a generation. When a curious book, The Midnight Estate, catches her attention in her late uncle’s library, Fiona is plunged into a tale that mirrors her own --- a story of love, loss and betrayal. But as the lines between fiction and reality blur, Fiona must ask herself: Is the true mystery the one hidden within the walls of her ancestral home, or is it within the pages of a book that chose her as much as she chose it?

The targeted murder of four officers is only the first in a series of attacks that leaves police scared, angry and, most disturbingly of all, vengeful. As Tom Thorne and Nicola Tanner dig into the reasons for the violence, a deeper darkness begins to emerge: the possibility that these murders are payback. The price paid for an unspeakable betrayal. To uncover the truth, Thorne will be forced to question everything he stands for. He can trust nobody, and the shocking secrets revealed by one terrible night will fracture his entire world.

War has taken everything from physicist Keizo Kan. His young daughter was killed in the Great Tokyo Air Raid, and now his Japanese American wife, Noriko, has been imprisoned by the brutal Thought Police. An American bomber, downed over Japan on the first day of August 1945, offers the scientist a surprising chance at salvation. The Imperial Army dispatches him to examine an unusual device recovered from the plane’s wreckage --- a bomb containing uranium --- and tells him that if he can unlock its mysteries, his wife will be released. Desperate to stave off Japan’s surrender to the Allies, the army will stop at nothing to harness the weapon’s unimaginable power. They order Kan to prepare the bomb for manual detonation over a target --- a suicide mission that will strike a devastating blow against the Americans.

For decades, Condé Nast and its glittering magazines defined how to live the good life in America. The brilliant, complicated, striving characters behind Vogue, Vanity Fair, The New Yorker, GQ, Architectural Digest and many other titles manufactured a vision of luxury and sophistication that shaped consumer habits, cultural trends, intellectual attitudes and political beliefs the world over. Condé’s billionaire owner, Si Newhouse, and his stable of star editors, photographers and writers were the gatekeepers who decided what and who mattered, and they offered those opinions to tens of millions of readers every month. EMPIRE OF THE ELITE is full of fresh behind-the-scenes reporting about a plethora of boldface names and sets out to explain how Condé Nast established itself as a de facto American aristocracy, anointing an elite and dictating the culture they presided over.

New York, 1972. A cloistered college student slips out of the dorms to attend a performance by a legendary experimental performance troupe. Within months, she has left campus life behind and joined the company, infatuated by its charismatic leader and his promises of absolute freedom. California, 1997. A theater teacher at an exclusive private school receives an unsettling letter. With her job at risk and her past clawing at her carefully constructed present, what will she do to protect the life she has made?

In this ambitious and groundbreaking book, Philippa Gregory tells the story of England over 900 years, for the very first time placing women --- some 50 percent of the population --- center stage. Using research skills honed in her work as one of our foremost historical novelists, Gregory trawled through court records, newspapers and journals to find highwaywomen and beggars, murderers and brides, housewives and pirates, female husbands and hermits. The “normal women” you will meet in these pages went to war, plowed the fields, campaigned, wrote and loved. They rode in jousts, flew Spitfires, issued their own currency, and built ships, corn mills and houses. They committed crimes or treason, worshipped many gods, cooked and nursed, invented things and rioted. A lot.

From the moment Portia Kendall read her first revolutionary pamphlet beneath her bedcovers at Miss Prentice’s School for Girls, she realized that her true calling was to make the world a fairer place for the masses downtrodden by the aristocracy. This led her to Equitas, a radical newspaper that champions reform. But as Portia discovers, writing doesn’t pay the bills. To make a living, she must push aside her principles and serve the very people she criticizes weekly in her column. A temporary position as a chaperone in the home of a pompous duke seems like the perfect way to earn enough to follow her heart. Unfortunately, Leopold Sloane, the 11th Duke of Debden, seems to be more dashing and noble than pompous and soon begins to call to her heart. But dare she risk her principles for love, or will her pride always come before a fall?

When prize-winning reporter Sybilla Sumner checks into a monastery for a silent retreat, romance is the last thing on her mind. She plans to spend five meditative days surrounded by the beauty of the Shenandoah Valley --- and apart from her famous husband and their crumbling marriage. James Fitzmaurice-Kelly isn’t looking for romance either. He is the Archbishop of Dublin and has maintained a vow of celibacy for decades --- even as he has publicly questioned the church’s teachings. But as Sybilla and Fitz continue silently crossing paths, an undeniable charge builds between them, one that could see them abandoning their vows.

Halla unexpectedly has inherited the estate of a wealthy uncle. Unfortunately, she also is saddled with money-hungry relatives full of devious plans for how to wrest the inheritance away from her. While locked in her bedroom, Halla inspects the ancient sword that's been collecting dust on the wall since before she moved in. Out of desperation, she unsheathes it --- and suddenly a man appears. His name is Sarkis, he tells her, and he is an immortal warrior trapped in a prison of enchanted steel. Sarkis is sworn to protect whoever wields the sword. And for Halla, a most unusual wielder, he finds himself fending off not grand armies and deadly assassins but instead everything from kindly-seeming bandits to roving inquisitors to her own in-laws. But as Halla and Sarkis grow closer, they overlook the biggest threat of all --- the sword itself.

Sweden’s far north is growing colder; even in springtime, the town of Gasskas is buried under a relentless snow. As temperatures drop, tensions rise between a global corporation shamelessly exploiting the area's natural resources and wary locals who have scores to settle. A bomb blasts apart a crucial bridge. Soon after, a young journalist is found murdered. Meanwhile, Lisbeth Salander is at home in Stockholm, looking to fill the void her last lover left behind. When she discovers that fellow hacker Plague has been kidnapped and taken up north, and finds her niece, Svala, on her doorstep, she has no choice but to return to Gasskas --- with Mikael Blomkvist at her side. Blomkvist takes the helm at Gasskas' newspaper, and Lisbeth tries to locate Plague. But then Svala goes missing, and Lisbeth's worst fears come to haunt her.

As a highly sought-after portrait artist, Devon Darcy seems to have the ability to peer into the souls of her subjects and then capture them on canvas. But the world doesn’t know about the devastating losses she has endured. When entrepreneur Charles Mackenzie Taylor sees her at a New York gallery event, he is instantly haunted by her beauty and her talent. Having lost his mother when he was 13, Charlie has given up on love. But Devon awakens something in him across that crowded gallery, and she is in turn intrigued by Charlie. When they encounter each other over the summer in the Hamptons, their connection deepens as they each release years of pent-up emotions and unfulfilled longing. But the ghosts of their pasts are not easily put to rest. And after an accident endangers Devon’s career, they must decide together what their future holds.

California, Southern Humboldt County, 1985. Renata Drake steps off a Greyhound bus and into small-town Garberville, hoping to disappear. But she’s made a mistake. The FBI has the cannabis-producing “Emerald Triangle” town --- and its corrupt residents --- in their sights. Even worse, a teenage girl is missing. And when she turns up dead, the third in three years, it’s clear a serial killer is living among them. Renata knows about murdered girls and the burning desire for justice --- and for revenge. Her younger sister, Josie, is gone, and now so is the man who killed her. Renata didn’t stay in Washington, D.C. to be arrested for executing a murderer, and she shouldn’t stay here either. But Renata decides to investigate, and what she uncovers will trigger a final reckoning: for herself, for a killer, and for all of Southern Humboldt.