Adult

The murder victim is a self-declared Tinder addict. Two days later, there’s a second murder: a woman of the same age, a Tinder user, an eerily similar scene. The chief of police knows there’s only one man for this case. But Harry Hole is no longer with the force. He promised the woman he loves --- and himself --- that he’d never go back: not after his last case, which put the people closest to him in grave danger. But there’s something about these murders that catches his attention, something in the details that the investigators have missed. Now, despite his promises, despite everything he risks, Harry throws himself back into the hunt for a figure who haunts him, the monster who got away.

“Have to keep that smile,” Booker Wright said in the 1966 NBC documentary “Mississippi: A Self-Portrait.” The ripple effect from his remarks would cement Booker as a civil rights icon because he did the unthinkable: before a national audience, Wright described what life truly was like for the Black people of Greenwood, Mississippi. Four decades later, Yvette Johnson, Wright’s granddaughter, finds footage of the controversial documentary. Compelled to learn more about her roots, she travels to Greenwood, Mississippi. As she uncovers her grandfather’s compelling story and gets closer to the truth behind his murder, she also confronts her own conflicted feelings surrounding race, family and forgiveness.

Nora and Theresa Flynn are 21 and 17 when they leave their small village in Ireland and journey to America. But when Theresa ends up pregnant, Nora is forced to come up with a plan --- a decision with repercussions they are both far too young to understand. Fifty years later, Nora is the matriarch of a big Catholic family with four grown children. Estranged from her sister, Theresa is a cloistered nun, living in an abbey in rural Vermont. Until, after decades of silence, a sudden death forces Nora and Theresa to confront the choices they made so long ago.

Claire Dederer is a happily married mother of two when she suddenly finds herself totally despondent and, simultaneously, suffering through a kind of erotic reawakening. LOVE AND TROUBLE shifts between her present experience as a middle-aged mom in the grip of mysterious new hungers and herself as a teenager --- when she last experienced life with such heightened sensitivity and longing. She exposes herself utterly, and in doing so captures something universal about the experience of being a woman, a daughter, a wife.

Lucy and Gabe meet as seniors at Columbia University on a day that changes both of their lives forever. Together, they decide they want their lives to mean something. When they meet again a year later, it seems fated --- perhaps they’ll find life’s meaning in each other. But then Gabe becomes a photojournalist assigned to the Middle East, and Lucy pursues a career in New York. What follows is a 13-year journey of dreams, desires, jealousies, betrayals and, ultimately, love. Was it fate that brought them together? Is it choice that has kept them away? Their journey takes Lucy and Gabe continents apart, but never out of each other’s hearts.

Lucas Ray is shocked when an adorable puppy jumps out of an abandoned building and into his arms. Though the apartment he shares with his mother, a disabled veteran, doesn’t allow dogs, Lucas can’t resist taking Bella home. After Bella is picked up by Animal Control because pit bulls are banned in Denver, Lucas has no choice but to send her to a foster home until he can figure out what to do. But Bella, distraught over the separation, doesn’t plan to wait. With 400 miles of dangerous Colorado wilderness between her and her person, Bella sets off on a seemingly impossible and completely unforgettable adventure home.

The characters in these four expansive stories are a departure from the blue-collar denizens that populate so many of Richard Russo’s novels, and all are bound together by parallel moments of reckoning with their pasts. In “Horseman,” a young professor confronts an undergraduate plagiarist --- as well as her own regrets. In “Intervention,” a realtor facing a serious medical prognosis finds himself in his late father’s shadow. “Voice” gives us a semiretired academic who is conned by his estranged brother into joining a group tour of the Venice Biennale. And “Milton and Marcus” takes us into a lapsed novelist’s attempt to rekindle his screenwriting career --- a career that depends wholly on two Hollywood icons (one living, one dead).

Lauren Marks was 27, touring a show in Scotland with her friends, when an aneurysm ruptured in her brain and left her fighting for her life. She woke up in a hospital soon after with serious deficiencies to her reading, speaking and writing abilities, and an unfamiliar diagnosis: aphasia. The way she perceived her environment and herself had profoundly changed, her entire identity seemed crafted around a language she could no longer access. She returned to her childhood home to recover, grappling with a muted inner monologue and fractured sense of self. Soon after, Lauren began a journal, to chronicle her year following the rupture. A STITCH OF TIME is the remarkable result.

"My father proposed to my mother at gunpoint when she was nineteen, and knowing that she was already pregnant with a dead man’s child, she accepted." Thus begins this riveting story of a woman's quest to understand her recently deceased mother, a glamorous, cruel narcissist who left her only child, Elsie, an inheritance of debts and mysteries. While coping with threats that she suspects are coming from the cult-like spiritual program her mother belonged to, Elsie works to unravel the message her dying mother left for her, a quest that ultimately takes her to the South African family homestead she never knew existed.

In the spring of 1939, with the Second World War looming, two determined 24-year-olds, Heather Jenner and Mary Oliver, decided to open a marriage bureau. They found a tiny office on London’s Bond Street and set about the delicate business of matchmaking. Drawing on the bureau’s extensive archives, Penrose Halson --- who many years later found herself the proprietor of the bureau --- tells their story, and those of their clients. From shop girls to debutantes, widowers to war veterans, clients came in search of security, social acceptance or simply love. And thanks to the meticulous organization and astute intuition of the Bureau’s matchmakers, most found what they were looking for.