At the end of the Second World War Gershom Scholem, the magisterial scholar of Jewish mysticism, is commissioned by the Hebrew University in what was then British-ruled Palestine to retrieve a lost world. He is sent to sift through the rubble of Europe in search of precious Jewish books stolen by the Nazis or hidden by the Jews themselves in secret places throughout the ravaged continent. The search takes him into ruined cities and alien wastelands. The terrible irony of salvaging books that had outlasted the people for whom they’d been written leaves Dr. Scholem longing for the kind of magic that had been the merely theoretical subject of his lamplit studies.

THE VILLAGE IDIOT begins on a glorious spring day in Paris 1917. Amid the carnage of World War I, some of the foremost artists of the age have chosen to stage a boat race. At the head of the regatta is Amedeo Modigliani, seated regally in a bathtub pulled by a flock of canvasback ducks. But unbeknownst to the competition, he has a secret advantage: his young friend, the immigrant painter Chaim Soutine, is hauling the tub from underwater. Soutine, an unwashed, misfit artist (who incidentally can’t swim), has been persuaded by the Italian to don a ponderous diving suit and trudge along the floor of the river Seine. Disoriented and confused by the artificial air in his helmet, Chaim stumbles through the events of his past and future life.