Throughout Peter Kispert’s debut collection, we meet characters who have lied, who have sometimes created elaborate falsehoods, and who now must cope with the way that those deceptions eat at the very fabric of their lives and relationships. In the title story, the narrator, desperate to save a love affair on the rocks, hires an actor to play a friend he invented in order to seem less lonely. In "Aim for the Heart," a man's lies about a hunting habit leave him with an unexpected deer carcass and the need to parse unsettling high school memories. And in "Rorschach," a theater producer runs a show in which death row inmates are crucified in an on-stage rendering of the New Testament, while being haunted daily by an unrequited love and nightly by ghosts of his own creation.