A semi-famous artist announces her plan to drive cross-country, from Los Angeles to New York. Thirty minutes after leaving her husband and child at home, she spontaneously exits the freeway, checks into a nondescript motel, and immerses herself in an entirely different journey. With Miranda July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, ALL FOURS tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic and domestic life of a 45-year-old female artist, the book transcends expectation while excavating our beliefs about life lived as a woman.

Cheryl is haunted by a baby boy she met when she was six, who sometimes recurs as other people’s babies. She is also obsessed with Phillip, a philandering board member at the women’s self-defense nonprofit where she works. She believes they’ve been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl’s bosses ask if their 21-year-old daughter, Clee, can move into her house for a little while, Cheryl’s eccentrically ordered world explodes.

Cheryl is haunted by a baby boy she met when she was six, who sometimes recurs as other people’s babies. She is also obsessed with Phillip, a philandering board member at the women’s self-defense nonprofit where she works. She believes they’ve been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl’s bosses ask if their 21-year-old daughter, Clee, can move into her house for a little while, Cheryl’s eccentrically ordered world explodes.