Zelda Fitzgerald is bored. Although she’s newly married to the hottest writer in America, Zelda is at loose ends while Scott works on his next novel, The Beautiful and the Damned. Meanwhile, Atlanta journalist Morris Markey has arrived in New York and is lost in every way possible. When notorious man-about-town Joseph Elwell is found shot through the head, the fortunes of the two southerners collide when they realize they were both among the last to see him alive. Zelda encountered Elwell at the scandalous Midnight Frolic revue on the night of his death, and Markey saw him just hours before with a ravishing mystery woman dressed in green. Markey has his story. Zelda has her next adventure. Zelda sweeps Markey into her New York, the heady, gaudy Jazz Age of excess and abandon, as the lost generation takes its first giddy steps.

New York City, 1911. Finding herself at a crossroads with both her marriage and her writing, Edith Wharton makes the decision to leave America, her publisher and her loveless marriage. And then, dashing novelist David Graham Phillips --- a writer with often notorious ideas about society and women’s place in it --- is shot to death outside the Princeton Club. Edith herself met the man only once, when the two formed a mutual distaste over tea in the Palm Court of the Belmont hotel. When Phillips is killed, Edith's life takes another turn. His sister is convinced Graham was killed by someone determined to stop the publication of his next book, which promised to uncover secrets that powerful people rather would have stayed hidden. Though unconvinced, Edith is curious. What kind of book could push someone to kill?

When Charles Lindbergh, Jr. is kidnapped from his family home in New Jersey in 1932, the case makes international headlines. Already celebrated for his flight across the Atlantic, his father, Charles, Sr., is the country’s golden boy, with his wealthy, lovely wife, Anne Morrow Lindbergh, by his side. But there’s someone else in their household --- Betty Gow, a Scottish immigrant now known around the world as the Lindbergh Nanny. Far from home and bruised from a love affair gone horribly wrong, Betty finds comfort in caring for Charlie and warms to the attentions of handsome sailor Henrik. Then Charlie disappears. Suddenly a suspect in the eyes of both the media and the public, Betty must find the truth about what really happened that night.

Lady’s maid Jane Prescott is back in New York with the Tylers after a glittering society wedding in Europe. On their return, Jane learns that her old dancing partner, Leo Hirschfeld, has married a chorus girl in his new Broadway musical. Jane and Louise Tyler are pulled into the sparkling and scandalous world of Broadway, as a starstruck Louise invests in Leo's show, and Jane chaperones her at rehearsals. But when the show's abusive producer, Sidney Warburton, is murdered, the list of suspects is long. Was it the comedic star or her gambler boyfriend? The disgruntled costume designer? The beautiful, blond dancer, her jealous husband? Or was it Leo himself, who had more reason than anyone to hate Sidney Warburton?

Jane Prescott attends the hottest and most scandalous show in town: the opening of an art exhibition, showcasing the cubists, that is shocking New York City. 1913 is also the 50th anniversary of Lincoln’s Emancipation Proclamation speech, and the city's great and good are determined to celebrate in style. Dolly Rutherford, heiress to the glamorous Rutherford’s department store empire, has gathered her coterie of society ladies to put on a play --- with Jane’s employer, Louise Tyler, in the starring role as Lincoln himself. But then a woman is found murdered outside Jane’s childhood home --- a refuge for women run by her uncle. Deeply troubled as her uncle falls under suspicion, Jane is determined to discover who is making death into their own twisted art form.

In 1912, as New York reels from the news of the Titanic disaster, ladies’ maid Jane Prescott travels to Long Island with the Benchley family. Their daughter, Louise, is to marry William Tyler at their uncle and aunt’s mansion. Jane quickly befriends the Tyler children’s nanny, Sofia, a young Italian-American woman, who ends up being a murder victim. She is asked to help with the investigation by her friend, journalist Michael Behan, who knows that she is uniquely placed to see what other tensions may simmer just below the surface in this wealthy, secretive household. Was Sofia’s murder fallout from the social tensions rife in New York, or could it be a much more personal crime?

New York City, 1910. Invisible until she’s needed, Jane Prescott has perfected the art of serving as a ladies’ maid to the city’s upper echelons. When she takes up a position with the Benchley family, dismissed by the city’s elite as “new money,” Jane realizes that while she may not have financial privilege, she has a power they do not --- she understands the rules of high society. The Benchleys cause further outrage when their daughter Charlotte becomes engaged to notorious playboy Norrie, the son of the eminent Newsome family. But when Norrie is found murdered at a party, Jane discovers she is uniquely positioned and therefore has the tools to solve his murder.