In 1940s and ’50s America, polio is as dreaded as the atomic bomb. Some of the world’s best minds are engaged in the race to find a vaccine. The man who succeeds will be a god. But Dorothy Horstmann is not focused on beating her colleagues to the vaccine. She just wants the world to have a cure. Applying the same determination that lifted her from a humble background as the daughter of immigrants, to becoming a doctor, she hunts down the monster where it lurks: in the blood. This discovery of hers, and an error by a competitor, catapults her closest colleague to a lead in the race. When his chance to win comes on a worldwide scale, she is asked to sink or validate his vaccine --- and to decide what is forgivable, and how much should be sacrificed, in pursuit of the cure.

1934. Ruth has been single-handedly raising four young daughters and running her family’s Indiana farm for eight long years, ever since her husband, John, was infected by the infamous “sleeping sickness” devastating families across the country. If only Ruth could trade places with her older sister, June, who is the envy of everyone she meets. But these gilded trappings hide sorrows: June has borne no children. And the man she loves more than anything belongs to Ruth. When the two sisters reluctantly reunite after a long estrangement, June’s bitterness about her sister’s betrayal sets into motion a confrontation that’s been years in the making. And their mother, Dorothy, has her own dark secrets, which might blow up the fragile peace she hopes to restore between her daughters.

In TWAIN'S END, Lynn Cullen reimagines the tangled relationships between Mark Twain, his private secretary Isabel V. Lyon, and his business manager Ralph Ashcroft, as well as the little-known love triangle between Helen Keller, her teacher Anne Sullivan Macy, and Anne’s husband John Macy, which comes to light during their visit to Twain’s Connecticut home in 1909. Add to the party a furious Clara Clemens, smarting from her own failed love affair, and carefully kept veneers shatter.

Frances Osgood’s life is already complicated when she meets Edgar Allan Poe. Admiration, quickly followed by deep attraction, sends the two on a strange journey. Knowing they can’t have what their hearts both want, they deny their love and yet find themselves in a very complicated relationship that neither knows how to get out of --- or if they even want out.

Princess Juana of Castile knows she may never inherit the Spanish crown, but she also is aware of her royal duty --- to marry and produce heirs. She begins her arranged marriage not knowing what to expect. But when circumstances change dramatically, Juana finds herself queen, and rumors of madness begin to circulate.