In THE END OF THE WORLD IS A CUL DE SAC, women’s lives are etched by poverty --- material, emotional, sexual --- but also splashed by beauty, sometimes even joy, as they search for the good in the cards they’ve been dealt. A wife is abandoned by her new husband in a derelict housing estate, with blood on her hands. An expectant mother’s worst fears about her husband’s entanglement with a teenage girl are confirmed. A sister is tormented by visions of the man her brother murdered during the Troubles. A woman struggles to forgive herself after an abortion threatens to destroy her marriage.

Amid daily reports of violence, Cushla lives a quiet life with her mother in a small town near Belfast, teaching at a parochial school and moonlighting at her family’s pub. There she meets Michael Agnew, a Protestant barrister who has made a name for himself defending IRA members. Against her better judgment, Cushla lets herself get drawn in by him and his sophisticated world, and an affair ignites. Then the father of a student is savagely beaten, setting in motion a chain reaction that will threaten everything, and everyone, Cushla most wants to protect.