Herb’s charmed life with his dear wife, Susan, in their Key West house is coming undone. Susan now needs constant care, and Herb is in denial about his own ailing health. The one bright spot is the arrival of an endlessly optimistic manicurist calling herself Renee. But then Herb and Susan’s adult children arrive to stage an intervention with their stubborn, independent father. As a consequence, Renee’s gig with Susan --- and her grand plans for her own life --- start to unravel as well. Herb isn't ready to let go of all that he has ever had, and it turns out that Renee is not the happy, uncomplicated girl she pretends to be. She is not even Renee; she is really Dee Dee, and she, too, has reasons of her own to hit the road. So when Herb suggests one last joy ride in his Porsche with Dee Dee riding shotgun, they take off for parts north, setting off a Silver Alert.

Set deep in the mountains of Virginia, the Grundy of Lee Smith’s youth was a place of coal miners, tent revivals, mountain music, drive-in theaters and her daddy’s dimestore. It was in that dimestore --- listening to customers and inventing adventures for the store’s dolls --- that she became a storyteller. Even when she was sent off to college to earn some “culture,” she understood that perhaps the richest culture she might ever know was the one she was driving away from --- and it’s a place that she never left behind.

It’s 1936 when orphaned 13-year-old Evalina Toussaint is admitted to Highland Hospital, a mental institution in Asheville, North Carolina, known for its innovative treatments for nervous disorders and addictions. Taken under the wing of the hospital’s most notable patient, Zelda Fitzgerald, Evalina witnesses cascading events that lead up to the tragic fire of 1948 that killed nine women in a locked ward, Zelda among them.

A dusty box discovered in the wreckage of a once prosperous plantation on Agate Hill in North Carolina contains the remnants of an extraordinary life: diaries, letters, poems, songs, newspaper clippings, court records, marbles, rocks, dolls, and bones. It's through these treasured mementos that we meet Molly Petree, a refugee who has no interest in self-pity.