Penny, an artist, has lived in the same apartment for decades. She is resigned to the mundane rituals of old age, until things begin to slip. Before her longtime partner passed away years earlier, provisions were made for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.” Initially, surrounded by peers, conversing, eating, sleeping and looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny begins to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling?

Junior and Henrietta live a comfortable, solitary life on their farm, far from the city lights, but in close quarters with each other. One day, a stranger from the city arrives with alarming news: Junior has been randomly selected to travel far away from the farm...very far away. The most unusual part? Arrangements already have been made so that when he leaves, Henrietta won't have a chance to miss him, because she won't be left alone --- not even for a moment. Henrietta will have company. Familiar company.

Debut novelist Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic UNDER THE SKIN and Lionel Shriver’s WE NEED TO TALK ABOUT KEVIN, I’M THINKING OF ENDING THINGS is an edgy, haunting debut. Tense, gripping and atmospheric, it pulls you in from the very first page and never lets you go.