It’s 1918. The war in Europe grinds on, and the Spanish flu seems to be on an insatiable killing spree. But in the small fishing village of Parrsboro, Nova Scotia, a more confined drama slowly unfolds. It begins when Elizabeth Frame murders her husband hours after their wedding and thrusts the revolver into the blowhole of a beached whale. Crime reporter Toby Havenshaw covers the hearing, and his diary subsequently follows the surprising twists and turns of Elizabeth Frame’s flight from the law, accompanied as she is by a love-besotted court stenographer. But Toby’s diary also paints a vivid and deeply affecting portrait of his marriage to Amelia, a surgeon just returned from the front lines in France and Belgium. When a child is born to Elizabeth Frame on the lam, Amelia is drawn into events in ways she never could have imagined. And then everything changes.

It’s been several months since Simon Inescort keeled over the rail of a Nova Scotia–bound ferry, a massive heart attack to blame. Simon's widow, Lorca Pell, has sold their farmhouse to newlyweds Zachary and Muriel --- after revealing that the deed contains a “ghost clause,” an actual legal clause allowing for reimbursement if a recently purchased home turns out to be haunted. In fact, Simon finds himself still at home. He spends time replaying his marriage in his own mind, as if in poignant reel-to-reel, while also engaging in occasionally intimate observation of the new homeowners. But soon the crisis of a missing child threatens the tenuous domestic equilibrium, as the weight of the case falls to a rookie private detective.

Sam Lattimore meets Elizabeth Church in 1970s Halifax, in an art gallery. The sparks are immediate, leading quickly to a marriage that is dear, erotically charged and brief. In Howard Norman’s new novel, the gleam of the marriage and the circumstances of Elizabeth’s murder are revealed in heart-stopping increments.