Los Angeles, August 1965. Anger and pent-up frustrations boil over in the Watts neighborhood after a traffic stop of two Black motorists. As the Watts riots explode, crime photographer Harry Ingram snaps photos at the scene. When he captures the image of an unarmed activist being shot down by the cops, he winds up in the hospital, beaten, his camera missing. Proof of the unjust killing seems lost --- until Ingram’s girlfriend, Anita Claire, retrieves the hidden film in a daring rescue. A recuperating Ingram is approached by Betty Payton, a comrade of Anita’s mother, who wants Ingram’s help tracking down her business associate, Moses “Mose” Tolbert, who was last seen during the riots. Ingram follows the investigation down a rabbit hole of burglary rings, bank robberies, looted cash and clandestine agendas.

Los Angeles, 1963. African American Korean War veteran Harry Ingram earns a living as a news photographer and occasional process server: chasing police radio calls and dodging baseball bats. With racial tensions running high on the eve of Martin Luther King’s Freedom Rally, Ingram risks becoming a victim at every crime scene he photographs. When Ingram hears about a deadly automobile accident on his police scanner, he recognizes the vehicle described as belonging to his good friend and old army buddy, a white jazz trumpeter. The LAPD declares the car crash an accident, but when Ingram develops his photos, he sees signs of foul play. Ingram feels compelled to play detective, even if it means putting his own life on the line.