Adult

As the COVID-19 pandemic raged around the world, and kept Chimamanda Ngozi Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure. Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year, the familial and cultural dimensions of grief, and the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page --- and never without touches of rich, honest humor --- Adichie weaves together her own experience of her father’s death with threads of his life story.

Strange dealings are afoot in the Apostolic Palace --- a nun leapt to her death shortly after participating in a seemingly routine exorcism. But when a priest clad in Gammarelli and a Vatican commissario with an almost unholy level of sex appeal turn up at her door, Auntie Poldi is shocked to hear that she’s a suspect in their case. She will need all the help she can get to clear her name, but her nephew has been distracted by a love affair gone sour, someone in the town has been spraying graffiti death threats on her front door, and her local friends seem to be avoiding her. And even Vito Montana balks when Poldi discovers that the case hinges on a lost Madonna statue, stolen years ago from the pope himself.

When Emma Lawson, the youngest lead government ethics investigator in California's capital, takes a day off to help her best friend, Kate, prepare for the opening of her new business, Rainbow Alley Preschool, the morning takes a shocking turn. The school's most high-profile enrollee --- Vivian Lange, the governor's granddaughter --- is kidnapped, at the same time Kate's teenage son, Luke, goes missing. Emma is quickly drawn to a web of clues that point toward sordid secrets and a cold-case murder in a shadow world of bigotry and hate. Over a desperate and harrowing 48 hours, Emma races against the clock to solve the most important investigation of her life.

The Briscoe family is once again the talk of their small town when March returns to East Texas two years after he was caught having an affair with his brother's wife. His mother, June, hardly welcomes him back with open arms. Her husband's own past affairs have made her tired of being the long-suffering spouse. Is it, perhaps, time for a change? Within days of March's arrival, someone is dead, marriages are upended, and even the strongest of alliances are shattered. In the end, the ties that hold them together might be exactly what drag them all down.

In TINY TALES, Alexander McCall Smith explores romance, ambition, kindness and happiness in 30 short stories accompanied by 30 witty cartoons designed by Iain McIntosh. Here we meet the first Australian pope, who hopes to finally find some peace and quiet back home in Perth; a psychotherapist turned motorcycle racetrack manager; and an aspiring opera singer who gets her unlikely break onstage. And, of course, we spend time in McCall Smith’s beloved Scotland, where we are introduced to progressive Vikings, a group of housemates with complex romantic entanglements, and a couple of globe-trotting dentists. These tales and illustrations depict the full scope of human experience and reveal the rich tapestry of life --- painted in miniature.

Brian Broome’s early years growing up in Ohio as a dark-skinned Black boy harboring crushes on other boys propel forward PUNCH ME UP TO THE GODS. Brian’s recounting of his experiences --- in all their cringe-worthy, hilarious and heartbreaking glory --- reveal a perpetual outsider awkwardly squirming to find his way in. Indiscriminate sex and escalating drug use help to soothe his hurt, young psyche, usually to uproarious and devastating effect. A no-nonsense mother and broken father play crucial roles in our misfit’s origin story. But it is Brian’s voice in the retelling that shows the true depth of vulnerability for young Black boys that is often quietly near to bursting at the seams.

After being rescued as infants from a sinking ocean liner in 1914, Marian and Jamie Graves are raised by their dissolute uncle in Missoula, Montana. There, Marian commences her lifelong love affair with flight. At 14, she drops out of school and finds an unexpected and dangerous patron in a wealthy bootlegger who provides a plane and subsidizes her lessons, an arrangement that will haunt her for the rest of her life, even as it allows her to fulfill her destiny: circumnavigating the globe by flying over the North and South Poles. A century later, Hadley Baxter is cast to play Marian in a film that centers on Marian's disappearance in Antarctica. Her immersion into the character of Marian unfolds alongside Marian's own story, as the two women's fates collide.

In MONKEY BOY, Francisco Goldman’s “brilliantly constructed auto-fiction” (NPR), we meet Francisco Goldberg, a middle-aged writer grappling with the challenges of family and love, legacies of violence and war, and growing up as the son of immigrants --- a Guatemalan Catholic mother and a Russian Jewish father --- in a predominantly white, working-class Boston suburb. Told in an irresistibly funny, tender and passionate voice, this extraordinary portrait of family explores the pressures of living between worlds.

In this collection of new and previously published essays, Aminatta Forna writes intimately about displacement, trauma and memory, love, and how we coexist and encroach on the non-human world. Movement is a constant here. In the title piece, “The Window Seat,” she reveals the unexpected enchantments of commercial air travel. In “The Last Vet,” time spent shadowing Dr. Jalloh, the only veterinarian in Sierra Leone, as he works with the street dogs of Freetown, becomes a meditation on what a society’s treatment of animals tells us about its principles. In “Crossroads,” Forna examines race in America from an African perspective, and in “Power Walking,” she describes what it means to walk in the world in a Black woman’s body.

It’s 1960, and the world teeters on the edge of cultural, political, sexual and artistic revolution. On the Greek island of Hydra, a proto-commune of poets, painters and musicians revel in dreams at the feet of their unofficial leaders, the writers Charmian Clift and George Johnston, troubled queen and king of bohemia. At the center of this circle of misfit artists are the captivating and inscrutable Axel Jensen, his magnetic wife Marianne Ihlen, and a young Canadian ingenue poet named Leonard Cohen. When 18-year-old Erica stumbles into their world, she’s fresh off the boat from London. Among these artists, she will find an unraveling utopia where everything is tested --- the nature of art, relationships and her own innocence.