Adult

Mia and Cricket have always been close. The gifted daughters of a young single mother, the “Lowe girls” are well-known in the small Maine town they call home. The responsible and academically minded Mia assumes the position of caregiver far too young, while Cricket, a bouncing ball of energy and talent, seems born for soccer stardom. But the cost of achieving athletic greatness comes at a steep price. As Mia and Cricket grow up, they must grapple with the legacy of their mother’s secret past while navigating their own precarious future. Can Mia allow herself to fall in love at the risk of repeating a terrible history? Will Cricket’s relentless chase of a lifelong goal drive her sister away? When does loyalty become self-sabotage?

Alice Storm hasn't been welcome at her family's magnificent private island off the Rhode Island coast in five years --- not since she was cast out and built her life beyond the Storm name, influence and untold billions. But the shocking death of her larger-than-life father changes everything. Alice plans to keep her head down, pay her final respects (such as they are), and leave the minute the funeral is over. Unfortunately, her father had other plans. The eccentric, manipulative patriarch left his family a final challenge --- an inheritance game designed to upend their world. The rules are clear: spend one week on the island, complete their assigned tasks, and receive the inheritance. But a whole week on Storm Island is no easy task for Alice. It will be a miracle if she manages to escape unscathed.

The Bradford-Shmulkin family is falling apart as the pressures of life in an unstable America are fraying their bonds. There's Daddy, a struggling, cash-thirsty editor whose Russian heritage gives him a surprising new currency in the upside-down world of 21st-century geopolitics; his wife, Anne Mom, a progressive, underfunded blue blood from Boston who's barely holding the household together; their son, Dylan, whose blond hair and Mayflower lineage provide him pride of place in the newly forming American political order; and young Vera, half-Jewish, half-Korean and wholly original. Vera wants only three things in life: to make a friend at school; for Daddy and Anne Mom to stay together; and to meet her birth mother, Mom Mom, who at last will tell Vera the secret of who she really is and how to ensure love's survival in this great, mad, imploding world.

“Back then, when I was a young woman, there were still witches”: That was how Nana Alba always began the stories she told her great-granddaughter, Minerva, who is now researching the life of Beatrice Tremblay, an obscure author of macabre tales. In the course of assembling her thesis, Minerva uncovers information that reveals that Tremblay’s most famous novel, The Vanishing, was inspired by a true story. Decades earlier, during the Great Depression, Tremblay attended the same university where Minerva is now studying and became obsessed with her beautiful and otherworldly roommate, who then disappeared under mysterious circumstances. As Minerva descends ever deeper into Tremblay’s manuscript, she begins to sense that the malign force that stalked Tremblay and the missing girl might still walk the halls of the campus.

Grace has developed unusual predilections: for painting, particularly forgery; for deception; for other girls. As Grace cultivates her talent as a copyist, she realizes that her uncanny ability to recreate paintings might offer her a means of escape. Secretly, she puts this skill to use as an art forger, creating fake masterpieces in candlelit corners of her uncle’s decaying Oxfordshire estate. Saving the money she makes from her sales, she plans a new life far from the family that has never seemed to want her. Then a letter arrives from the South Atlantic. The writer claims to be her cousin Charles, long presumed dead at sea, who wishes to reconnect with his family. When Charles returns, Grace’s aunt welcomes him with open arms, yet fractures appear in the household. Some believe he is who he says he is. Others are convinced he’s an impostor.

Best friends Joni and Ren have been inseparable since childhood. So when Joni moves across the country for her job, the two devise a creative way to stay in touch: they’ll be each other’s plus-ones every year for wedding season, no matter what else is happening in their lives. It’s a tradition that works, until a line is crossed and the friendship they once thought was forever is ruined. Now Joni is back at their families’ shared summer home for her sister’s wedding, and she’s determined to make the week perfect, even if it means faking a friendship with Ren. How hard can it be to pretend to be friends with the person who once knew you best? But as sunny beach days together turn into starry nights, Joni begins to question what her life is without Ren in it.

Marissa, Jeannie, Samira and Nicole are beginning to grapple with their own identities. As their children become more independent, they struggle to find purpose. But when they meet at a bowling night fundraiser for their kids’ school, they discover a shared interest in true crime that crystalizes around a mysterious double homicide that took place in their hometown a decade earlier. A couple in their 60s vanished overnight from their home and mysteriously shuttered their family business, leaving millions of dollars unaccounted for. Initially believed to have absconded with the money, they went from suspects to victims when their bodies were discovered in their car at the bottom of a steep ravine. And then the case turned cold. But what if the moms could solve it? What if they could bring a killer to justice and give closure to a grieving family?

In “Machine City” a college student’s chance role in a friend’s movie blurs the line between his character and his true self. (Is he a robot?) In “Slide to Unlock” a man comes to terms with his life via the passwords he struggles to remember in extremis. (What’s his mom’s name backward?) And in “Weird Menace” a director and faded movie star gab about science fiction, bad costume choices and lost loves on a commentary track for a B-film from the ’80s that neither remembers all that well. In Ed Park’s utterly original collection, characters bemoan their fleeting youth, focus on their breathing, meet cute, break up, write book reviews, translate ancient glyphs, bid on stuff online, whale watch, and once in a while find solace in the sublime.

As a newly minted junior professor, Daphne Ouverture spends her days giving lectures on French colonialism, working on her next academic book, and going on atrocious dates. Her small world suits her just fine. Until Sam Taylor dies. The rising star of Harrison University’s anthropology department was never one of Daphne’s favorites, despite his popularity. But that doesn’t prevent Sam’s killer from believing Daphne has something that belonged to Sam --- something the killer will stop at nothing to get. Between grading papers and navigating her disastrous love life, Daphne embarks on her own investigation to find out what connects her to Sam’s murder. With the help of an alluring former-detective-turned-bookseller, she unravels a deadly cover-up on campus.

When the ashes from an Ash Wednesday service in the prairie town of Andwhen, Minnesota, refuse to wash off, members of a small congregation are left wondering if they’ve been blessed or cursed. For Basil --- a “gentle giant” of a teen reeling from a farming accident that shattered his family and haunted by his mother’s decade-long confinement in a state mental hospital --- the ashes become a sign. He embarks on a secret ritual of fasting and prayer, seeking meaning in his unraveling world. Meanwhile, Basil and his friends, Lukas and Morgan (who self-identify as “a gay, a goth and a giant”), stumble upon what may be the centuries-old remains of a Viking explorer in a local meadow, a find that brings its own complications. As Basil’s relentless fasting warps his grip on reality, the danger he poses to himself and his family escalates.