Adult

The Heights is a tall, slender apartment building among warehouses in London. Its roof terrace is so discreet, you wouldn’t know it existed if you weren’t standing at the window of the flat directly opposite. But you are. And that’s when you see a man up there --- a man you’d recognize anywhere. He may be older now, but it’s definitely him. But that can’t be because he’s been dead for over two years. You know this for a fact. Because you’re the one who killed him.

Valerie “Val” Chesterfield is a linguist trained in the most esoteric of disciplines: dead Nordic languages. Despite her successful career, she leads a sheltered life and languishes in the shadow of her twin brother, Andy, an accomplished climate scientist stationed on a remote island off Greenland’s barren coast. But Andy is gone: a victim of suicide, having willfully ventured unprotected into 50 degree below zero weather. Val suspects foul play. When Wyatt, Andy’s fellow researcher in the Arctic, discovers a scientific impossibility --- a young girl frozen in the ice who thaws out alive, speaking a language no one understands --- Val is his first call. Under the auspices of helping Wyatt interpret the girl’s speech, Val journeys to the Arctic to solve the mystery of her brother’s death.

When Katy’s mother dies, she is left reeling. To make matters worse, their planned mother-daughter trip of a lifetime looms: to Positano, the magical town where Carol spent the summer right before she met Katy’s father. Katy has been waiting years for Carol to take her, and now she is faced with embarking on the adventure alone. But as soon as she steps foot on the Amalfi Coast, Katy begins to feel her mother’s spirit. And then Carol appears --- in the flesh, healthy, sun-tanned and 30 years old. Over the course of one Italian summer, Katy gets to know Carol, not as her mother, but as the young woman before her. Soon Katy must reconcile the mother who knew everything with the young lady who does not yet have a clue.

Right after the sudden death of her mother and just before the launch of her high-stakes sophomore album, Greta James falls apart on stage. The footage quickly goes viral and she stops playing, her career suddenly in jeopardy --- the kind of jeopardy her father, Conrad, has always predicted. Months later, Greta reluctantly agrees to accompany Conrad on the Alaskan cruise her parents had booked to celebrate their 40th anniversary. It could be their last chance to heal old wounds in the wake of shared loss. But the trip will also prove to be a voyage of discovery for them both, and for Ben Wilder, a charming historian, onboard to lecture about THE CALL OF THE WILD, who is struggling with a major upheaval in his own life.

Harvey Fierstein’s legendary career has transported him from community theater in Brooklyn, to the lights of Broadway, to the absurd excesses of Hollywood and back. He’s received accolades and awards for acting in and/or writing an incredible string of hit plays, films and TV shows: "Hairspray," "Fiddler on the Roof," Mrs. Doubtfire, Independence Day, "Cheers," "La Cage Aux Folles," "Torch Song Trilogy," "Newsies" and "Kinky Boots." While he has never shied away from the spotlight, Mr. Fierstein says that even those closest to him have never heard most of the tales --- of personal struggles and conflict, of sex and romance, of his fabled career --- revealed in these wildly entertaining pages.

In more than 50 pieces, Margaret Atwood aims her prodigious intellect and impish humor at the world, and reports back to us on what she finds. This rollercoaster period brought the end of history, a financial crash, the rise of Trump and a pandemic. From when to dispense advice to the young (answer: only when asked) to Atwood’s views on the climate crisis, we have no better guide to the many and varied mysteries of our universe.

The seven Shaw siblings have long been haunted by two early and profoundly consequential events. Told in turns from the early 20th century through the 1950s, each sibling relays their own version of the memories that surround both their mother’s mysterious death and the circumstances of one sister’s scandalous teenage pregnancy. As they move into adulthood, the siblings assume new roles: caretaker to their aging father, addict, enabler, academic, decorated veteran, widow, and mothers and fathers to the next generation. Entangled in a family knot, the Shaw siblings face divorce, drama and death while haunted by a mother who was never truly there.

In a working-class town in a county west of London, a schoolgirl scribbles stories in the back pages of her exercise book, intoxicated by the first sparks of her imagination. As she grows, everything and everyone she encounters become fuel for a burning talent. The large Russian man in the ancient maroon car who careens around the grocery store where she works as a checkout clerk, and slips her a copy of BEYOND GOOD AND EVIL. The growing heaps of other books in which she loses --- and finds --- herself. Even the derailing of a friendship, in a devastating violation. The thrill of learning to conjure characters and scenarios in her head is matched by the exhilaration of forging her own way in the world.

Emma loves her husband, Leo, and their young daughter, Ruby. But almost everything she's told them about herself is a lie. And she just might have gotten away with it if it weren’t for her husband’s job. Leo is an obituary writer; Emma is a well-known marine biologist. When she suffers a serious illness, Leo copes by doing what he knows best --- researching and writing about his wife’s life. But as he starts to unravel the truth, he discovers that the woman he loves doesn’t really exist. Even her name isn’t real. When the very darkest moments of Emma’s past finally emerge, she must somehow prove to Leo that she really is the woman he always thought she was. But first, she must tell him about the other love of her life.

Beginning in 1915 with D. W. Griffith's The Birth of a Nation --- which glorified the Ku Klux Klan and became Hollywood's first blockbuster --- Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen. He considers the films themselves, including Imitation of Life, Gone with the Wind and Do The Right Thing. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Sidney Poitier, Alex Haley, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay and Jordan Peele, among many others.