Adult

Alejandra Campoverdi has been a child on welfare, a White House aide to President Obama, a Harvard graduate, a gang member’s girlfriend, and a candidate for U.S. Congress. She’s ridden on Air Force One and in G-rides. She’s been featured in Maxim magazine and had a double mastectomy. Living a life of contradictory extremes often comes with the territory when you’re a “First and Only.” It also comes at a price. With candor and heart, Alejandra retraces her trajectory as a Mexican American woman raised by an immigrant single mother in Los Angeles. Foregoing the tidy bullet points of her resume and instead shining a light on the spaces between them, what emerges is a powerful testimony that shatters the one-dimensional glossy narrative we are often sold of what it takes to achieve the American Dream.

Before A League of Their Own, few American girls could imagine themselves playing professional ball (and doing it better than the boys). But Penny Marshall's genre outlier became an instant classic and significant aha moment for countless young women who saw that throwing like a girl was far from an insult. Part fly-on-the-wall narrative, part immersive pop nostalgia, NO CRYING IN BASEBALL is for readers who love stories about subverting gender roles, as well as fans of the film who remain passionate 30 years after its release. With key anecdotes from the cast, crew and diehard fanatics, Erin Carlson presents the definitive, first-ever history of the making of the treasured film that inspired generations of Dottie Hinsons to dream bigger and aim for the sky.

When NASA sent astronauts to the moon in the 1960s and 1970s, the agency excluded women from the corps, arguing that only military test pilots --- a group then made up exclusively of men --- had the right stuff. Eventually, though, NASA recognized its blunder and opened the application process to a wider array of hopefuls, regardless of race or gender. From a candidate pool of 8,000, six elite women were selected in 1978: Sally Ride, Judy Resnik, Anna Fisher, Kathy Sullivan, Shannon Lucid and Rhea Seddon. In THE SIX, acclaimed journalist Loren Grush shows these brilliant and courageous women enduring claustrophobic --- and sometimes deeply sexist --- media attention, undergoing rigorous survival training, and preparing for years to take multi-million-dollar payloads into orbit.

Following the murderous events of SERPENT OF HEAVEN, Lizbeth Rose is awaiting the arrival of her sister, Felicia, and her husband’s younger brother, Eli, in Texoma. Both needed to leave the seat of the Holy Russian Empire in San Diego after Felicia’s burgeoning wizardly power in death magic became the reason for kidnapping and assassination attempts from her mother’s family of high-powered wizards in Mexico. Yet bad news has traveled ahead of them, as Eli is called back to San Diego, taking Peter along with him, splitting them apart in more ways than one as their enemies’ plans for revenge come to fruition.

Maria Bamford is a comedian’s comedian (an outsider among outsiders) and has forever fought to find a place to belong. From struggling with an eating disorder as a child of the 1980s, to navigating a career in the arts (and medical debt and psychiatric institutionalization), she has tried just about every method possible to not only be a part of the world, but to want to be a part of it. In Bamford’s signature voice, SURE, I’LL JOIN YOUR CULT brings us on a quest to participate in something. It explores what it means to keep going and to be a member of society (or any group she’s invited to), despite not being very good at it.

When Penny Dahl calls the Finders Keepers detective agency hoping for help locating her missing daughter, Holly Gibney is reluctant to accept the case. Her partner, Pete, has COVID. Her (very complicated) mother has just died. And Holly is meant to be on leave. But something in Penny Dahl’s desperate voice makes it impossible for Holly to turn her down. Mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. They are the picture of bourgeois respectability, but they are harboring an unholy secret in the basement of their well-kept, book-lined home, one that may be related to Bonnie’s disappearance. And it will prove nearly impossible to discover what they are up to: they are savvy, they are patient, and they are ruthless.

A creep can be a singular figure, a villain who makes things go bump in the night. Yet creep is also what the fog does --- it lurks into place to do its dirty work, muffling screams, obscuring the truth, and providing cover for those prowling within it. CREEP is Myriam Gurba’s informal sociology of creeps, a deep dive into the dark recesses of the toxic traditions that plague the United States and create the abusers who haunt our books, schools and homes. Gurba studies the ways in which oppression is collectively enacted, sustaining ecosystems that unfairly distribute suffering and premature death to our most vulnerable. She also examines how we as individuals, communities and institutions can challenge creeps and rid ourselves of the fog that seeks to blind us.

On Memorial Day, as the people of Jewel, Minnesota, gather to remember and honor the sacrifice of so many sons in the wars of the past, the half-clothed body of wealthy landowner Jimmy Quinn is found floating in the Alabaster River, dead from a shotgun blast. The investigation of the murder falls to Sheriff Brody Dern, a highly decorated war hero who still carries the physical and emotional scars from his military service. Even before Dern has the results of the autopsy, vicious rumors begin to circulate that the killer must be Noah Bluestone, a Native American WWII veteran who recently has returned to Jewel with a Japanese wife. As suspicions and accusations mount and the town teeters on the edge of more violence, Dern struggles not only to find the truth of Quinn’s murder but also to put to rest the demons from his own past.

Meet Otto and Cecil. Two brothers growing up privileged in the Welsh countryside. They enjoy watching nature shows, playing with their pet pony, impersonating their Grandfather...and killing the help. Murder is the family business after all. “Downton Abbey,” this is not. However, it’s not so easy to continue the family legacy with the constant stream of threats and distractions seemingly leaping from the hedgerow. With Grandfather putting pressure on Otto to step up, it becomes clear that this will all end in only two ways: a nuclear apocalypse or just another day among the creeping thistle and tree peonies. And in a novel written by Chuck Palahniuk, either is equally possible.

The Spinning Jenny was invented in 1770, and with that, a new era of manufacturing and industry changed lives everywhere within a generation. A world filled with unrest wrestles for control over this new world order: A mother’s husband is killed in a work accident due to negligence; a young woman fights to fund her school for impoverished children; a well-intentioned young man unexpectedly inherits a failing business; one man ruthlessly protects his wealth no matter the cost, all the while war cries are heard from France, as Napoleon sets forth a violent master plan to become emperor of the world. As institutions are challenged and toppled in unprecedented fashion, ripples of change ricochet through our characters’ lives as they are left to reckon with the future and a world they must rebuild from the ashes of war.