Adult

Two parents stand by powerlessly as their only child seems intent on destroying herself. As the mother --- a novelist --- attempts to understand her daughter, she finds herself revisiting her own uneasy, unresolved relationship with her mother. Weaving between childhoods past and present, laced with temptation and betrayal, NONFICTION is an unflinching account of a mother, daughter, wife and author reckoning with the world around her. But can a writer ever be trusted with the truth of her own story?

In 1977, in an Ohio Amish community, pregnant wife and mother Ida Stutzman perished during a barn fire. The coroner’s report: natural causes. Ida’s husband, Eli, was never considered a suspect. But when he eventually rejected the faith and took his son, Danny, with him, murder followed. The dubious circumstances of the tragic blaze were willfully ignored and Eli’s shifting narratives disregarded. Could Eli’s subsequent cross-country journey of death --- including that of his own son --- have been prevented if just one person came forward with what they knew about the real Eli Stutzman? With the help of aging witnesses and shocking long-buried letters, Gregg Olsen finally uncovers the disturbing truth --- about Ida’s murder and the conspiracy of silence and secrets that kept it hidden for 45 years.

When Esmé Foster left the Boston suburbs to become a professional ballerina, the future shimmered with promise. Eleven years later, her career has been derailed by an injury, and she knows it’s time to come back to Graybridge to help her brother care for their ailing father. But her return coincides with an unthinkable crime. Kara Cunningham, one of Esmé’s high school friends, is found dead in the woods behind the Fosters’ house. Esmé is shocked and grieving, but also uneasy. In her dreams, she still sees the man who showed up at the scene of the car accident that killed her mother --- and told Esmé he was going to kill her too. Family and friends insisted the figure was a product of Esmé’s imagination, that she was concussed after the crash. But she and Kara looked alike. Could Kara’s murder have been a case of mistaken identity?

Anthologized here for the first time, A HITCH IN TIME is a choice selection of Christopher Hitchens’ finest reviews, diary entries and essays --- along with a smattering of ferocious letters. Familiar bêtes noires --- Kennedy, Nixon, Kissinger and Clinton --- rub shoulders with lesser-known preoccupations: P.G. Wodehouse, Princess Margaret and, magisterially, Isaiah Berlin. Here is a banquet of entertaining stories ranging from his thoughts on Salman Rushdie to being spanked by Margaret Thatcher in The House of Lords and the night he took his son to the Oscars. The broad scope and high caliber of Hitchens’ essays allows his work to transcend the occasion for which it was written and continues to be essential reading.

Anna Ogilvy was a budding 25-year-old writer with a bright future. Then, one night, she stabbed two people to death with no apparent motive --- and hasn’t woken up since. Dubbed “Sleeping Beauty” by the tabloids, Anna’s condition is a rare psychosomatic disorder known to neurologists as “resignation syndrome.” Dr. Benedict Prince is a forensic psychologist and an expert in the field of sleep-related homicides. His methods are the last hope of solving the infamous “Anna O” case and waking Anna up so she can stand trial. But he must be careful treating such a high-profile suspect --- he has career secrets and a complicated personal life of his own. As Anna shows the first signs of stirring, Benedict must determine what really happened and if Anna should be held responsible for her crimes.

Leah has been living with akinetopsia, or motion blindness, since she was a child. For the last 20 years, she hasn’t been able to see movement. But she does see a good deal, and with her acute senses of smell and hearing, very little escapes her notice. When Alice moves into the apartment next door, Leah can immediately smell the anxiety wafting off her. Worse, she can’t help but hear Alice and a late-night visitor engage in a violent fight. Then one night, Leah wakes up to someone in her apartment. She blacks out and in the morning is left wondering if she dreamt the episode. Yet the scent of the intruder follows her everywhere. And when she hears Alice through the wall pleading for her help, Leah makes a decision that will test her courage, her strength and ultimately her sanity.

It is 1977, and the anti-shah protests at Tehran University are intensifying, but Amineh is not like her peers who want a say in the future of their country. Her thoughts are on the beautiful literature of another era and her past of rose harvests and Rumi poetry evenings under the desert sky. A chance encounter with Farzad, an opposition leader and disarmament activist, will thrust her into a life she didn’t ask for and didn’t want. Nobody wanted the tyranny that is quickly turning worse than the tyranny it replaced. But maybe Amineh has been looking at her life all wrong. Maybe the thing she is seeking is not in the past at all.

Eve has a good life. She gets up each day, gets a kiss from her husband Nate, and heads off to teach math at the local high school. All is as it should be. Last year, though, Caseham High was rocked by a scandal involving a student-teacher affair, with one student, Addie, at its center. But Eve knows there is far more to these ugly rumors than meets the eye. Addie can't be trusted. She lies. She hurts people. She destroys lives. At least, that's what everyone says. But nobody knows the real Addie. Nobody knows the secrets that could destroy her. And Addie will do anything to keep it quiet.

For years, there have been whispers that, before his death, Van Gogh completed a final self-portrait. Curators and art historians have savored this rumor, hoping it could illuminate some of the troubled artist's many secrets, but even they have to concede that the missing painting is likely lost forever. But when Luke Perrone, artist and great-grandson of the man who stole the Mona Lisa, and Alexis Verde, daughter of a notorious art thief, discover what may be the missing portrait, they are drawn into a most epic art puzzle. When only days later the painting disappears again, they are reunited with INTERPOL agent John Washington Smith in a dangerous and deadly search that will not only expose secrets of the artist's last days but draw them into one of history's darkest eras.

“Let no one ignorant of geometry enter here,” Plato warned would-be philosophers. Mathematician Karl Sigmund agrees. In THE WALTZ OF REASON, he shows how mathematics and philosophy together have shaped our understanding of space, chance, logic, cooperation, voting and the social contract. Sigmund shows how game theory is integral to moral philosophy, how statistics shaped the meaning of reason, and how the search for a logical basis for math leads to deep questions about the nature of truth itself. But this is no dry tome: Sigmund’s wit and humor shine as brightly as his erudition.