Adult

In these pages, Backderf tries to make sense of Jeffery Dahmer, the future serial killer with whom he shared classrooms, hallways, libraries and car rides. What emerges is a surprisingly sympathetic portrait of a young man struggling helplessly against the urges, some ghastly, bubbling up from the deep recesses of his psyche.

In A SEASON OF LOVE, the fifth and final novel of Amy Clipston’s bestselling Kauffman Amish Bakery series, three young friends enter the most important season of their lives. But relationships have changed, and only time will tell if Lindsay, Katie and Lizzie Anne have made the right choices.

Shortly before her thirtieth birthday, Forney was diagnosed with bipolar disorder. Flagrantly manic and terrified that medications would cause her to lose creativity, she began a years-long struggle to find mental stability while retaining her passions and creativity.

THE GRAPHIC CANON (Seven Stories Press) is a gorgeous, one-of-a-kind trilogy that brings classic literatures of the world together with legendary graphic artists and illustrators. There are more than 130 illustrators represented and 190 literary works over three volumes --- many newly commissioned, some hard to find --- reinterpreted here for readers and collectors of all ages.

Have you ever wondered what goes on in your life when you're looking the other way? Perhaps you're so drawn into what's going on with you that you fail to notice the events taking place in your periphery --- or even right under your nose? In EVERYTHING WE MISS, Luke Pearson explores the dying days of a failing relationship through the infinitesimal unseen moments that surround it --- and us.

With clear, witty writing and quirky, accessible art, this important and timely graphic novel transforms “the dismal science” of economics into a fun, fact-filled story about human nature and our attempts to make the most of what we’ve got...and sometimes what our neighbors have got.

Part personal history, part biography, DOTTER OF HER FATHER'S EYES contrasts two coming-of-age narratives: that of Lucia, the daughter of James Joyce, and that of author Mary Talbot, daughter of the eminent Joycean scholar James S. Atherton. Social expectations and gender politics, thwarted ambitions and personal tragedy are played out against two contrasting historical backgrounds.

With so many pieces combining to form one long-form story, it’s easy to get lost inside Building Stories. Where does it begin? Where does it end? That’s all up to you, and that’s just the beginning of its brilliance.