Latest Reviews
At 25 years old, Michael Stewart was a young Black aspiring artist, deejay and model, looking to make a name for himself in the vibrant downtown art scene of the early 1980s New York City. On September 15, 1983, he was brutally beaten by New York City Transit Authority police for allegedly tagging a 14th Street subway station wall. Witnesses reported officers beating him with billy clubs and choking him with a nightstick. Stewart arrived at Bellevue Hospital hog-tied with no heartbeat and died after 13 days in a coma. This was, at that point, the most widely noticed act of police brutality in the city's history. THE MAN NOBODY KILLED recounts the cultural impact of Michael Stewart’s life and death.
Olivia Becente was never supposed to have the gift. The ability to commune with the dead was the specialty of her sister, Naiche. But when Naiche dies unexpectedly and under strange circumstances, somehow Olivia suddenly can’t stop seeing and hearing from spirits. A few years later, she’s the most in-demand paranormal investigator in Denver. She’s good at her job, but the loss of Naiche haunts her. That’s when she hears from the Brown Palace, a landmark Denver hotel. The owner can’t explain it, but every few years, a girl is found dead in room 904, no matter what room she checked into the night before. Olivia’s investigation forces her to confront a mysterious and possibly dangerous cult, a vindictive journalist, betrayal by her friends, and shocking revelations about her sister’s secret life.
It’s 2024, and Tobey Harlan steals from the wall of his father’s house three paintings by the venerated and controversial artist Di Stiegl. Tobey has just lost everything he owns to a Northern California wildfire, and if he can sell the paintings (albeit in a shady way to a notorious tech bro), he can start life anew in a place no one will ever find him. A hundred years before, German-Jewish immigrant Klaus Aaronsohn inveigles his way into a film studio in Astoria, Queens. He will restyle himself Klaus von Stiegl, a mysterious aristocratic German film director, and end his career directing “Brackett,” a radical, notorious ’60s-era detective show. Weaving between Tobey and Klaus is the story of Diane “Di” Stiegl, Klaus’ granddaughter, raised in Palm Springs, who claws out a career as an artist in gritty 1980s NYC.
Faruq Zaidi, a young journalist processing the recent death of his father, who was a devout Muslim, takes the opportunity to embed himself in a cult called “the nameless.” Based in the California redwoods and shepherded by an enigmatic Vietnam War veteran named Odo, the nameless adhere to the 18 Utterances, including teachings such as “all suffering is distortion” and “see only beauty.” Faruq, skeptical but committed to unraveling the mystery of the nameless, extends his stay over months, as he gets deeper into the cult’s inner workings and alluring teachings. But as he gets closer to Odo, Faruq himself begins to unravel, forced to come to terms with the memories he has been running from while trying to resist Odo’s spell.
Bunny Simpson grew up poor in Grand Junction, Colorado. Now in his 20s and working in Denver, he has simple dreams: He wants to help his uncle pay rent, save a little money, and maybe start a business one day. His best friend, Jerry LeClair, fantasizes about moving to California. The problem is they don’t have any prospects. Enter Helen McCalla, an attorney with an ax to grind against her ex-husband, who happens to be a judge in the local court. She offers the boys a deal: scare the man, rough him up a little, and she’ll give them a few thousand dollars. It’s simple --- just friends helping friends, right?
Lilian Estrada is part of a family of fiercely loyal and exceptional women, all bound together by an extraordinary secret. The Estrada women each possess a unique power, and Lily shines with the rare gift to manipulate memories. Yet not even her mystical abilities can shield her from a harrowing event at the hospital, one that sends her powers --- and her confidence --- spiraling out of control. Seeking solace, Lily retreats to her family's ancestral home in Mexico, only to find herself face to face with a ghost from her past --- Sam, the first love she never forgot. Nearly a decade since she last saw him, Sam is hardly the boy she once knew. As old flames spark to life, Lily must navigate the mysteries of their shared history and the depths of her own heart if she hopes to control her unpredictable magic.
In ACCIDENTS HAPPEN, F.H. Batacan explores the darkest corners of human experience, depicting with pitch-black humor the systems of class and politics that her characters are trapped in and the moments of violence that can shatter their lives. In particular, Batacan shines an unsparing light on the epidemic of violence against women in the Philippines. When a wealthy politician’s 12-year-old son disappears, the family’s driver witnesses the aftermath. A field investigator for the World Health Organization travels the globe giving presentations about a biomedical enzyme that will lead to the extinction of the human race. And Father Augusto Saenz, the Jesuit priest and forensic anthropologist from SMALLER AND SMALLER CIRCLES, returns to investigate the murder of a woman whose secretive life holds the key to her death.
Dublin, 1969: Maura has just married Dr. Christy Davenport, and they look forward to growing their family. But as her husband’s vicious temper emerges, Maura worries that her home might never be safe for a child. Meanwhile, her close friend Bernie, a mother of three, learns the devastating news that if she conceives again, her health complications could prove fatal. Dublin, 2023: A close call makes Saoirse realize that she may never want to be a mother. Little does she know that only a few decades ago, a group of women made this option possible for her. And she’s about to meet one of them.
I had it all: a fantastic husband, two great kids, an exciting career. And then, at the age of 43, I found out I would be dead before my next birthday. My mother also died at 43. I was 17, and she warned me that women would flock to my suddenly single father like stray cats to an overturned milk truck. They did. And one absolutely evil woman practically destroyed his life, mine and my sister’s. I am not letting that happen to my family. I have three months, and I plan to spend every waking minute searching for the perfect woman to take my place as Alex’s wife, and mother to Kevin and Katie. You’re probably thinking that I’ll never do it. Did I mention that in high school I was voted “Most Likely to Kill Someone to Get What She Wants”?
Joan Didion opened THE WHITE ALBUM (1979) with what would become one of the most iconic lines in American literature: “We tell ourselves stories in order to live.” Today, this phrase is deployed inspirationally, printed on T-shirts and posters, used as a battle cry for artists and writers. In truth, Didion was describing something much less rosy: our human tendency to manufacture delusions that might ward away our anxieties when society seems to spin off its axis. Nowhere was this collective hallucination more effectively crafted than in Hollywood. In this riveting cultural biography, New York Times film critic Alissa Wilkinson examines Joan Didion’s influence through the lens of American mythmaking.
