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Katy Sweeney is looking for her sister. A year earlier, her free-spirited younger sister, Phoebe, vanished without a trace on the remote, achingly beautiful coastal highway in Western Australia. With no witnesses, no leads and no DNA evidence, the case has gone cold. But Katy refuses to give up on her. Using Phoebe’s social media accounts as a map, Katy retraces her sister’s steps, searching for any clues the police may have missed. Was Phoebe being followed? Who had she met along the way, and how dangerous were they? And then Katy’s path collides with that of Beth, who is on the run from her own dark past. Katy realizes that Beth might be her best --- and only --- chance of finding the truth, and the two women form an uneasy alliance to find out what really happened to Phoebe.
It is the summer of 1921, and a group of Bolsheviks have taken over Irina and Lili Goliteva’s ancestral home in Moscow. The remaining members of their family are ordered to move into the cramped attic, while the officials take over an entire wing of grand rooms downstairs. The sisters know they must forget their noble upbringing to make their way in this new Soviet Russia. But the house begins to whisper of a traumatic past not as dead as they thought. Eager to escape it and their unwelcome new landlords, Irina and Lili find jobs with the recently arrived American Relief Administration. But at home, the spirits of their deceased family awaken, desperate to impart what really happened to them during the Revolution. Soon one of the officials living in the house is found dead. Was his death caused by something supernatural, or by someone all too human?
A violent storm washes a mysterious house onto a rural Pacific Northwest beach, stopping the heart of the only woman who knows what it means. Her grandson, Simon Culpepper, vanishes in the aftermath, leaving two of his childhood friends to comb the small, isolated island for answers. But decades have passed since Melissa and Leo were close, if they were ever close at all. Now they'll have to put aside old rivalries and grudges if they want to find or save the man who brought them together in the first place. And on the way they'll learn a great deal about the sinister house on the beach, the man who built it, and the evil he's bringing back to Marrowstone Island.
Agnes Corey, a junior editor at a small independent publisher, has been hired by enigmatic author Veronica St. Clair to transcribe the sequel to her 1993 hit phenomenon, The Secret of Wyldcliffe Heights. St. Clair has been a recluse since the publication of the JANE EYRE-esque book, which coincided with a terrible fire that blinded and scarred her. Agnes arrives in the Hudson Valley at her crumbling estate, which was once a psychiatric hospital for “wayward women.” As St. Clair dictates, Agnes realizes there are clues in the story that reveal the true --- and terrifying --- events three decades ago that inspired the original novel. The line between fact and fiction becomes increasingly blurred, and Agnes discovers terrible secrets about an unresolved murder from long ago, which have startling connections to her own life.
Agnes, Charlie, Marshall and the other elderly residents of Sunset Hall are going stir-crazy at home. And to top it all off, another series of murders is rocking the hamlet of Duck End. So when Edwina manages to slip onto Marshall’s computer in an unobserved moment and promptly wins a stay in an exclusive coastal hotel in Cornwall, the Sunset Hall crew waste no time in joining her. But Agnes sees something unsettling from the terrace of the hotel: two figures in hoods walk away from the hotel along the cliffs, but only one returns. Worried she’s witnessed a murder, Agnes tells the others. At first nobody really believes her. But when the hotel ends up isolated from the outside world after a storm, it becomes clear that a murderer really is on the loose --- and they’re trapped, just like all of the other guests.
Is there such a thing as a good sociopath? Newly minted private investigator Annalisa Vega is skeptical, but her first client, Mara Delaney, insists that some sociopaths are beneficial to society. Mara has even written a book titled The Good Sociopath centered on Chicago neurosurgeon Craig Canning. Dr. Canning has saved hundreds of lives, so it shouldn’t matter that he doesn’t actually care about his patients, should it? But Mara has a more urgent problem. She is now concerned that Canning might not be such a good sociopath after all. A young woman in Canning’s apartment building mysteriously plunged to her death from a balcony, and Mara fears Canning could be responsible. She needs to uncover the truth about Canning before the book comes out, so Annalisa has little time to search for answers.
Twenty-five years ago, DCI Harry Rhimes arrested Andrew Streeter for the brutal murders of five young people. Streeter’s "kill list" of victims was found in his home, and he was convicted of all five crimes. Now, Streeter’s convictions are being overturned, as new evidence implies the original investigation was corrupt. No one is more shocked than DI Anjelica Henley. Because this case is personal; Rhimes was her old boss, and he’s no longer alive to defend himself. But when the killings start up again, Henley must face the truth: Rhimes got it wrong 25 years ago. Henley and her team reopen the original murder cases, but they must put their personal feelings to one side. Because the real killer is still out there, and he’s working his way through a new kill list.
STORIES I LIVED TO TELL is more than a selection of stories from revered mountain storyteller Gary Carden. It is a testimony of a distinguished culture, sense of place and spirit of community that connects the Appalachian past to its present. This memoir-in-stories invites the reader to move beyond stereotypes to experience the scenes, characters and community of the author's childhood and formative years, intersecting with the regional folktales and mythologies that fired his imagination. It is not only a fascinating window into an Appalachian community in the middle of the 20th century but also an insightful reminder of who that community is today, in spite of the external changes.
After a brutal breakup on the transatlantic flight to their dream European food and wine tour, Theo and Kit exited each other's lives once and for all. Theo has found confidence as a hustling bartender by night and aspiring sommelier by day, with a long roster of casual lovers. Kit, who never returned to America, graduated as the reigning sex god of his pastry school class and now bakes at one of the finest restaurants in Paris. All that remains is the unused voucher for the European tour that never happened, good for 48 months after its original date and about to expire. Four years later, it seems like a great idea to finally take the trip. Separately. It's not until they board the tour bus that they discover they've both accidentally had the exact same idea, and now they're trapped with each other for three weeks.
In the ancient city of Nineveh, on the bank of the River Tigris, King Ashurbanipal of Mesopotamia --- erudite but ruthless --- built a great library that would crumble with the end of his reign. From its ruins, however, emerged a poem, the Epic of Gilgamesh, that would infuse the existence of two rivers and bind together three lives. THERE ARE RIVERS IN THE SKY entwines these outsiders with a single drop of water, a drop that remanifests across the centuries. Both a source of life and a harbinger of death, rivers --- the Tigris and the Thames --- transcend history, transcend fate: “Water remembers. It is humans who forget.”
