Jonathan Santlofer is a writer and an artist. So it makes sense that his novels, such as THE LOST VAN GOGH and THE LAST MONA LISA, focus on the art world.

“Attendance required or forfeit your inheritance.”

These words, which appear on the invitation for the weekend memorial of celebrated artist Victor D’Arcangelo, both frighten and prompt each recipient. Most of them might otherwise have skipped the service, each having their own reasons for doing so. However, the promise of potentially making a windfall is too good to pass up. That is the premise of Santlofer’s latest book, TEN PERFECT GUESTS, which plays out like a modern-day thriller filled with elements of a classic Agatha Christie novel.

"There are more than a few twists here, including the biggest that is saved for the finale, which is the most enjoyable part of the novel."

The celebration of D’Arcangelo’s life and art would have been enough for the curious mind, even those who were closest to him. However, everyone from his agent to his ex-wife to various friends and family members are invited, and none of them can pass it up with the threat that goes with it. They are taken on a fancy luxury boat to the Caribbean island where the memorial will take place.

However, it isn’t long before this tropical paradise begins to feel like a prison for these 10 “perfect guests.” That is because D’Arcangelo has something planned for each of them. They all have secrets, and it appears that someone knows about them and intends to use this opportunity to twist things around by enacting one final taste of dark revenge.

It is easy to see why something like this might have happened, as none of these people are particularly likable. Once they are trapped in the spider’s web, any chance at escape or redemption seems impossible, and each must face the highest price for having done wrong an individual with the means and ability to have the last laugh. When they begin to get victimized by their absent host, it is done so in immensely creative and disturbing ways.

The brooding start of the novel is bookended nicely by the fast-paced and chaotic second half as the body count rises. Of course, being a Jonathan Santlofer book, each death incorporates famous works of art in some manner, making it sing in his own signature way. It certainly wasn’t by chance that readers aren't intended to like any of these characters. This makes it easier to be drawn into their lives and actually root for the next one to perish in some fantastic manner. 

Being able to figure out everything that is going on seems secondary to the fact that what is taking place is inevitable. So it is best to just strap in and go along for the ride. There are more than a few twists here, including the biggest that is saved for the finale, which is the most enjoyable part of the novel. This diabolical tale will appeal especially to those who enjoy a good, slow burn of a revenge plot that will keep you guessing throughout.