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Hid from Our Eyes: A Clare Fergusson/Russ Van Alstyne Mystery



He had parked his cruiser in the muddy verge of the county highway, a little way from the circus that was going on up the road. The thunderstorms that had crested over the mountains and crashed over the valleys had paused; the night’s pounding rain had lightened to a drizzle. The Millers Kill chief of police splashed into a puddle as he exited the car, twisting and cracking his back and flexing his knees. He felt every one of his fifty-odd years after being hauled out of bed at 4 A.M. He never could have survived being a dairy farmer, that was for damn sure.

He checked around to make sure no one had seen his display and settled his broad-brimmed rain cap in place. His own, not his MKPD flat. He was here on courtesy, not on right, and he had tried to parse the difference with his clothing: his uniform blouse and departmental rain jacket over his own twill pants and rubber boots.

The state police had cordoned off the road coming and going and had two enormous lamps illuminating the crime scene. The dull roar of the generator sounded like a jet engine. He splashed up the side of the road, past the other cop cars and the mortuary van, wondering why none of the bad ones ever happened on a clear, temperate afternoon. Or maybe some had, and his memory was playing tricks on him, turning everything bright into darkness and heavy weather.

He ducked beneath the tape and approached the scene. Two evidence officers: one the camera man, the other bent over searching for anything that might prove useful in the investigation. Which, even when a battering rain hadn’t washed everything away, wasn’t ever much. Ninety-nine out of a hundred crimes were solved by knocking on doors until someone talked, in Harry’s experience. Two detectives in trench coats that made them look like they were headed for the executive offices at General Electric, smoking and talking. One uniform, almost anonymous in rain cap and full sou’wester, the first man on the scene.

“Hey!” A detective spotted him. He recognized the man; Stan Carruthers, a hotshot from downstate who was disgruntled by his exile, as he saw it, to the hinterlands of Troop G. “What’re you doing here?” Carruthers glared at the uniform, whose charge was securing the scene and who should have stopped anyone from crossing the line. The trooper tried to appear innocent, and mostly got it right, since he was so young he looked as if he ought to be home sleeping in his mother’s house, not guarding a corpse.

“Who’s this?” the second detective asked.

“Harry McNeil, Millers Kill chief of police.” Harry held out his hand and the other man shook it automatically. “Pleasure to meet you.”

“There’s no need for you to be here, McNeil.” Carruthers sounded more bored than upset. “We’re almost finished up.”

Harry got his first good look at the body. A young woman, barely more than a girl, sprawled face-forward in a tangle of wet limbs and hair. Night-black hair shone slick in the state police lights. She was wearing a fancy dress, a party dress in pale green, with petticoats plastered over her legs and back, the flattened ruffles like waves frothing around her knees. Bare feet. No stockings. His mother had had a picture book of famous ballets she would read to him as a child; the name Ondine, or The Water Nymph surfaced after a fifty-year sleep.

“Any idea as to the cause of death?” Harry directed his question to the evidence officer.

The man shook his head. “No signs of violence from here, although the rain could have washed any blood away. We’re about to move her, though, so maybe we’ll see something from the front.”

“It’s obvious,” Carruthers said. “Some good-time girl, got liquored up and passed out and died of exposure. I’ve seen it before.”

“In August?” Harry looked around. “In the middle of McEachron Hill Road?” On either side of the two-lane road, wide fields disappeared into the mist. To the west, the first Adirondack hills that would gather and crest a hundred miles away in the High Peaks were shrouded kettledrums, echoing distant thunder. Not a single farmhouse light relieved the gloom.

Carruthers waved his cigarette. “Maybe her john wouldn’t pay up. They had a fight, she stumbled out of the car to show him what’s what, he took off.”

“In the pouring rain. Without her shoes and stockings. Or wrap.”

Carruthers frowned. “Drunks do stupid things, McNeil.”

The mortuary men had left the cover of their wagon and were placing their stretcher next to the body. “Okay, boys,” the evidence officer said. “Nice and easy.”

They rolled the corpse over, depositing her neatly on her back. Everyone moved closer to get a look. Pretty, despite the mascara that had run across her cheeks. Her lipstick was still vividly red. No blood, no bruises, no scratches or ripped fabric or anything to indicate she might have been attacked. A detailed crucifix still hung from a delicate chain around her neck. Carruthers’s partner pointed to it. “Catholic.” He took out his handkerchief and turned the figure over, shining his flashlight on the silver. “Nothing engraved. No mark.” He straightened. “She sure ain’t Polish. Maybe Italian.” He pronounced it Eye-talian. “Maybe French?”

“Not from around here, anyway.” Carruthers took a last drag and flicked his stub away, a sure sign that he no longer considered this a crime scene. If he ever had. “She passed out and died of exposure. Or maybe alcohol poisoning. She could have thrown up a couple fifths of Four Roses and we wouldn’t find a trace after all the rain.”

Harry looked at the evidence man again. “Have you found anything? Shoes and stockings? Handbag?”

The officer shook his head. “Nothing. And I did a thorough search, up and down the road.” His tone was bland, but his eyes shifted to the detectives for a moment. Harry could picture Carruthers yelling at the man to stop wasting his time and for God’s sake just get the body bagged already. “Either side of the road as well, although we ought to go back over it in daylight to make sure.”

“Oh, for Christ’s sake. Can one of you geniuses give me any other reason she’d be here like this?”

There was a pause as Harry turned the picture over in his head.

“Murdered and dumped.” Everyone turned toward the speaker. It was the responding trooper.

“Oh, great,” Carruthers said. “Now even the traffic cops are detectives. What’s your theory of the crime, Sherlock?”

“She could have been poisoned by chloroform or ether. Suffocated after she passed out from drinking. There might be an injury not visible yet.” The officer was young, but his voice was firm.

Harry nodded. “Why do you think so, son?”

“First off, if she were drunk, where’d she get the liquor? Here and Millers Kill are dry towns. The nearest bar’s in Fort Henry, thirty minutes away. Second, if she’s a prostitute, where’s her purse? Working girls carry rubbers and lipstick and powder and lots of cash. Maybe she was drunk enough to get out of a car in the middle of a storm without her shoes, but without her purse? Finally, why would a john bring her here unless it was to get rid of her body? There’s not a hotel or motor inn within thirty miles of this spot. Any farmer out for a good time would’ve headed for Glens Falls or Lake George and taken care of business there.”

Harry tilted his head toward the trooper. Exactly his reasoning, laid out cleanly and logically.

“Never attribute to malice what you can pin on stupidity, kid.” Carruthers gestured to the mortuary men. The pair lifted the stretcher and began a swaying march back to their van. “A couple drunks going from point A to point B, they screw in the backseat, they fight, or maybe she just stumbles away to pee in the bushes, he skips out without paying and here we all are. Death by misadventure.” He nodded toward his partner. “Let’s go.”

“Detective—” Harry began.

“It’s not your case, McNeil. Cossayuharie is Troop G’s concern, not yours.” He shot a look at the young officer. “Keep that in mind the next time you’re tempted to call in the locals, Trooper Liddle.”

The evidence officer and the cameraman began to break down the lights. Harry waited until he heard the slamming of the detectives’ car doors before he spoke. “Thanks for letting me know, Jack.”

The trooper shook his head. “I’m sorry I wasted your time. It’s just…” He glanced toward where Carruthers was pulling out. “It gets so frustrating. He doesn’t take anything that happens up here seriously. He thinks it’s all tipping over outhouses and hiding illegal stills because we’re in the hills.” He looked back at Harry. “What do you think, sir?”

Harry studied the young man. Jack Liddle’s people had lived in this area for more than two hundred years. Harry had never dealt with Jack personally—he’d been a good kid, not the sort who drew police attention—but he knew his parents. Jack favored his mother’s Dutch blood: blond and square-set, with bright blue eyes that stood out even beneath the shade of his trooper’s lid.

“I think I agree with your reasoning, son. I’d sure like to see any evidence reports they come up with, if there’s any way you can lay hands on them for me. And I think you should stop with the ‘sir.’” He smiled a bit. “Call me Chief.”

Copyright © 2020 by Julia Spencer-Fleming

Hid from Our Eyes: A Clare Fergusson/Russ Van Alstyne Mystery
by by Julia Spencer-Fleming

  • Genres: Fiction, Mystery
  • paperback: 352 pages
  • Publisher: Minotaur Books
  • ISBN-10: 0312606885
  • ISBN-13: 9780312606886