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Ten strangers wake up inside an old, locked house. They have no recollection of how they got there. In order to escape, they have to solve the disappearance of a young woman. But a killer also stalks the halls of the house, and soon the body count starts to rise. Who are these strangers? Why were they chosen? Why would someone want to kill them? And who --- or what --- lurks in the cellar?
Black Harbor is a tinderbox. Temperatures and violent crime have both risen to all-time highs, a new drug razes the city, and the scene to which Sergeant Nikolai Kole responds is anything but a rote homicide. In the back of a clubhouse lies a body wrapped in garbage bags and doused in bleach. Tommy Greenlee, the ex-husband of Kole’s former lover, Hazel, has been shot several times and left for dead. What’s more, the killer left what appears to be a calling card. Elsewhere, Hazel is haunted by her memories of Black Harbor. Lured there after eight years, she returns to find out who killed Tommy and why. Now back in Kole’s orbit, their love affair can hardly pick up where it left off. As they work together to solve this murder, not only will they unearth Black Harbor’s deepest, darkest secrets, they each will have to face their own.
Torn between her girlfriend, Magdu, and her best friend, Daphne, Finn is looking forward to a day of rock climbing and bonding for the three women on the soaring cliffs near their Australian town. But nothing goes as she planned, and in a horrific accident, Magdu falls to her death. Rocked by grief, Finn tries to pinpoint where it all went wrong. Did Magdu die because of Finn’s friendship with overbearing Daphne, who has never wanted Finn to change or leave her? Can Finn trace it all the way back to the tragic childhood loss of her sister? What about Magdu’s family, who never would have accepted their relationship? When the police suspect foul play in Magdu’s death, Finn begins to search for the shocking truth about her relationships and what has been in front of her all along.
When a minor criminal is murdered in the smallest residential square in London, elderly heiress and landlady Celeste van Duren recruits two of her tenants to investigate. Her cleaner, Audrey, knows everyone and is liked by all, while failed writer Lewis is known by no one. He hates his job and his life, and he’s not that fond of Audrey either --- but Celeste is persuasive. As they hunt for clues in and around the Square, they discover everyone has something to hide, including their fellow residents. Audrey and Lewis must find a way to work together if they’re to find the killer in their midst. Assuming, of course, there’s just the one.
NYPD Detective Declan Shaw gets a call: How fast can you get to the Beresford building on Central Park West? In the tower apartment, Shaw finds a woman waiting for him. She’s covered in blood. A body is lying dead on the floor of the luxurious living room. Every book in the apartment’s floor-to-ceiling shelves is by the same author: bestselling true-crime writer Denise Morrow. "This is you?" Shaw asks the woman. "You're a writer?" Only one person knows the ending to this story. Is it the victim or the killer?
After the unexpected death of her father, college student Jane Sharp longs for a distraction from her grief. She becomes obsessed with true crime, befriending armchair detectives who teach her how to hunt killers from afar. So when news of the shocking deaths of three college girls in Delphine, Idaho, takes the world by storm, and sleuths everywhere race to solve the crimes, Jane and her friends are determined to beat them. But the case turns out to be stranger than anyone expected, and they begin to suspect that the killer may be smarter and more prolific than any they've faced before. Told one year after the astounding events that concluded the case, when Jane has finally decided to break her silence about what really happened, she tells the true story of the Delphine Massacres. And what she has to confess will shock even the most seasoned true crime fans.
Tony Malik, a half-Irish, half-Arab FBI agent based in New York, specializes in tracking money from drug and arms deals. His life takes a dramatic turn when a long-term relationship ends and his job hangs in the balance. Amid personal turmoil, Malik becomes intrigued by his Palestinian father's past. He decides to visit his ancestral homeland for his niece's wedding, accepting a seemingly simple FBI assignment along the way. Upon arrival in Gaza, Malik's world is upended when the Israeli police chief is murdered. Initially a suspect, Malik's investigative prowess soon earns him a place in the Israeli investigation. At the heart of the story is Malik's complex relationship with Yossi, the hardline anti-Arab Israeli police officer leading the case.
Long before the Moneyball Era, the Earl of Baltimore reigned over baseball. History’s feistiest and most colorful manager, Earl Weaver transformed the sport by collecting and analyzing data in visionary ways, ultimately winning more games than anybody else during his time running the Orioles from 1968 to 1982. Beyond being a great baseball mind, Weaver was a rare baseball character. Major League Baseball is show business, and Weaver understood how much of his job was entertainment. THE LAST MANAGER uncovers the story of Weaver’s St. Louis childhood with a mobster uncle, his years of minor-league heartbreak, and his unlikely road to becoming a big-league manager, while tracing the evolution of the game from the old-time baseball of cross-country trains and “desk contracts” to the modern era of free agency, video analysis and powerful player agents.
Joannie hadn’t been on a date in seven years when Johnny invites Joannie and her daughter to dinner. His house is beautiful, his son is sweet, and their first kiss is, well, it’s not the best, but Joannie could convince herself it was nice enough. But when Joannie’s childhood crush, a summer-camp fling turned famous billionaire, crash-lands his hot-air balloon in Johnny’s swimming pool, Joannie dives in. Soon she finds herself alighting on a lost weekend with Johnny the bad kisser, Jonathan the billionaire, and Julia, his smart, stunning wife. Does Joannie want Jonathan? Does Julia want her husband? Or Joannie? Or Joannie’s beautiful little girl? Does Johnny want Julia? Does Jonathan want Joannie, or Julia, or maybe his much younger personal assistant, Vivian, who is tasked to fix it all?
A former resident of the ultra-elite Manhattan upper class, Ruby Johnson now works as a maid in the type of houses she used to live in. Unassuming, she sees everyone’s dirty secrets from the inside of their beautiful, renovated brownstones. But when Ruby witnesses a murder, she has wicked plans in mind that don’t involve telling the authorities the truth. Eddie Flynn, a streetwise ex-con-artist-turned-defense attorney, is the only lawyer in New York City willing to take on hopeless cases. And none is more hopeless than John Jackson’s --- the gun that killed his neighbor was found, with Jackson’s DNA, in his own home. Flynn and his unconventional team will need to use every trick they know to keep an innocent man from being locked up. But to save his client’s life, Eddie must first protect his own, as the scariest organized criminals in the city are out for his head.
