The restaurant industry in Italy is as tough, cutthroat and unforgiving as anywhere else in the world --- sometimes even colluding with the shady world of organized crime. Leonardo Lucarelli is a professional chef who has been roaming Italy opening restaurants, training underpaid, sometimes hopelessly incompetent sous-chefs, courting waitresses, working long hours, riding high on drugs, and cursing a culinary passion he inherited as a teenager from his hippie father. In MINCEMEAT, Lucarelli teaches us that even among rogues and misfits, there is a moral code in the kitchen that must, above all else, always be upheld.

The restaurant industry in Italy is as tough, cutthroat and unforgiving as anywhere else in the world --- sometimes even colluding with the shady world of organized crime. Leonardo Lucarelli is a professional chef who has been roaming Italy opening restaurants, training underpaid, sometimes hopelessly incompetent sous-chefs, courting waitresses, working long hours, riding high on drugs, and cursing a culinary passion he inherited as a teenager from his hippie father. In MINCEMEAT, Lucarelli teaches us that even among rogues and misfits, there is a moral code in the kitchen that must, above all else, always be upheld.

Audiobook available, read by Will Damron

In the spring of 1944, Ernest Hemingway traveled to London and then to France to cover World War II for Collier's magazine. Obviously he was a little late in arriving. Why did he go? He had resisted this kind of journalism for much of the early period of the war, but when he finally decided to go, he threw himself into the thick of events and so became a conduit to understanding some of the major events and characters of the war. HEMINGWAY AT WAR is also an investigation into Hemingway’s subsequent work --- much of it stemming from his wartime experience --- which shaped the latter stages of his career in dramatic fashion.

In the spring of 1944, Ernest Hemingway traveled to London and then to France to cover World War II for Colliers magazine. Obviously he was a little late in arriving. Why did he go? He had resisted this kind of journalism for much of the early period of the war, but when he finally decided to go, he threw himself into the thick of events and so became a conduit to understanding some of the major events and characters of the war. HEMINGWAY AT WAR is also an investigation into Hemingway’s subsequent work --- much of it stemming from his wartime experience --- which shaped the latter stages of his career in dramatic fashion.

From Omaha Beach on D-Day and the French Resistance to the tragedy of Huertgen Forest and the Liberation of Paris, this is the story of Ernest Hemingway's adventures in journalism during World War II.

In the spring of 1944, Hemingway traveled to London and then to France to cover World War II for Collier's magazine.

Obviously he was a little late in arriving. Why did he go? He had resisted this kind of journalism for much of the early period of the war, but when he finally decided to go, he threw himself into the thick of events and so became a conduit to understanding some of the major events and characters of the war.

He flew missions with the RAF (in part to gather material for a novel); he went on a landing craft on Omaha Beach on D-Day; he went on to involve himself in the French Resistance forces in France and famously rode into the still dangerous streets of liberated Paris. And he was at the German Siegfried line for the horrendous killing ground of the Huertgen Forest, in which his favored 22nd Regiment lost nearly man they sent into the fight. After that tragedy, it came to be argued, he was never the same.

This invigorating narrative is also, in a parallel fashion, an investigation into Hemingway’s subsequent work --- much of it stemming from his wartime experience --- which shaped the latter stages of his career in dramatic fashion.

After being diagnosed with a terminal brain tumor, Ted McKay finds himself with a gun to his temple, ready to pull the trigger. Then the doorbell rings. A stranger makes him a proposition: Why not kill two deserving men before dying? The first target is a criminal, and the second is a man with terminal cancer who, like Ted, wants to die. After executing these kills, he will become someone else's next target. As Ted commits the murders, the crime scenes strike him as odd. The targets know him by name and possess familiar mementos. Even more bizarrely, Ted recognizes locations and men he shouldn't know. As Ted's mind begins to crack, dark secrets from his past seep through the fissures.

After being diagnosed with a terminal brain tumor, Ted McKay finds himself with a gun to his temple, ready to pull the trigger. Then the doorbell rings. A stranger makes him a proposition: Why not kill two deserving men before dying? The first target is a criminal, and the second is a man with terminal cancer who, like Ted, wants to die. After executing these kills, he will become someone else's next target. As Ted commits the murders, the crime scenes strike him as odd. The targets know him by name and possess familiar mementos. Even more bizarrely, Ted recognizes locations and men he shouldn't know. As Ted's mind begins to crack, dark secrets from his past seep through the fissures.

An audacious psychological thriller where nothing is what it seems.

Ted McKay had it all: a beautiful wife, two daughters, a high-paying job. But after being diagnosed with a terminal brain tumor he finds himself with a gun to his temple, ready to pull the trigger. Then the doorbell rings.

A stranger makes him a proposition: why not kill two deserving men before dying? The first target is a criminal, and the second is a man with terminal cancer who, like Ted, wants to die. After executing these kills, Ted will become someone else's next target, like a kind of suicidal daisy chain. Ted understands the stranger's logic: it's easier for a victim's family to deal with a murder than with a suicide.

However, as Ted commits the murders, the crime scenes strike him as odd. The targets know him by name and possess familiar mementos. Even more bizarrely, Ted recognizes locations and men he shouldn't know. As Ted's mind begins to crack, dark secrets from his past seep through the fissures.

KILL THE NEXT ONE is an immersive psychological thriller from an exciting new voice.

Audiobook available, read by Maxwell Hamilton

Shortly before Christmas, four people are found shot dead at the home of the Stahlbergs, a wealthy family of shipping merchants notorious for their miserliness and infighting. Three of the victims are members of the family, and the fourth is an outsider, seemingly out of place. As Hanne Wilhelmsen investigates the case alongside her longtime police partner, Billy T., motives for the murders emerge in abundance; each surviving member of the Stahlberg family had good reason to want the victims dead. As she searches for the killer, Hanne will once again risk everything to find out the truth. But this time, will she go too far?

Shortly before Christmas, four people are found shot dead at the home of the Stahlbergs, a wealthy family of shipping merchants notorious for their miserliness and infighting. Three of the victims are members of the family, and the fourth is an outsider, seemingly out of place. As Hanne Wilhelmsen investigates the case alongside her longtime police partner, Billy T., motives for the murders emerge in abundance; each surviving member of the Stahlberg family had good reason to want the victims dead. As she searches for the killer, Hanne will once again risk everything to find out the truth. But this time, will she go too far?

In the seventh installment of the Hanne Wilhelmsen series, the brilliant female detective must untangle the complex and bitter history of one of Oslo’s wealthiest families after a celebratory get together at their home ends in a multi-victim homicide.

Shortly before Christmas, four people are found shot dead at the home of the Stahlbergs, a wealthy family of shipping merchants notorious for their miserliness and infighting. Three of the victims are members of the family, and the fourth is an outsider, seemingly out of place. Cake had been set out in the living room and a bottle of champagne had been opened but not yet poured. Yes, family gatherings during the holidays can be difficult, but why did this one become a bloodbath?

As Hanne Wilhelmsen investigates the case alongside her longtime police partner, Billy T., motives for the murders emerge in abundance; each surviving member of the Stahlberg family had good reason to want the victims dead. As she searches for the killer, Hanne will once again risk everything to find out the truth. But this time, will she go too far?

On a cold winter’s day, a pre-school teacher is shot to death in front of parents and children at the Jewish Congregation in Stockholm. Just a few hours later, two Jewish boys go missing on their way to tennis practice, and an unexpected blizzard destroys any trace of the perpetrator. As investigative analyst Fredrika Bergman and police superintendent Alex Recht struggle to pin down a lead, someone or something called the Paper Boy --- a mysterious old Israeli legend of a nighttime killer --- keeps popping up in the police investigation. But who was the Paper Boy really? And how could he have resurfaced in Stockholm?

On a cold winter’s day, a pre-school teacher is shot to death in front of parents and children at the Jewish Congregation in Stockholm. Just a few hours later, two Jewish boys go missing on their way to tennis practice, and an unexpected blizzard destroys any trace of the perpetrator. As investigative analyst Fredrika Bergman and police superintendent Alex Recht struggle to pin down a lead, someone or something called the Paper Boy --- a mysterious old Israeli legend of a nighttime killer --- keeps popping up in the police investigation. But who was the Paper Boy really? And how could he have resurfaced in Stockholm?

In her phenomenal #1 international bestseller --- fifth in the critically acclaimed and award-winning Fredrika Bergman series --- “one of Sweden’s best younger writers” (Los Angeles Times Magazine) delivers a tense, atmospheric mystery featuring an enigmatic killer rooted in folklore.

On a cold winter’s day, a pre-school teacher is shot to death in front of parents and children at the Jewish Congregation in Stockholm. Just a few hours later, two Jewish boys go missing on their way to tennis practice, and an unexpected blizzard destroys any trace of the perpetrator.

Investigative analyst Fredrika Bergman and police superintendent Alex Recht face their toughest challenge ever on the hunt for a killer as merciless as he is effective. As they struggle to pin down a lead, someone or something called the Paper Boy --- a mysterious old Israeli legend of a nighttime killer --- keeps popping up in the police investigation. But who was the Paper Boy really? And how could he have resurfaced in Stockholm? It is up to Fredrika to track down the elusive murderer before he claims his next victim.

Audiobook available, read by Justine Eyre

Christine Steinmeyer thought the anonymous suicide note she found in her mailbox on Christmas Eve wasn’t meant for her. But the man calling in to her radio show seems convinced otherwise. Bit by bit, her life is turned upside down. Martin Servaz is on leave in a clinic for depressed cops, haunted by his childhood sweetheart’s kidnapping by his psychopathic nemesis. One day, he receives a key card to a hotel room --- the room where an artist committed suicide a year earlier. Servaz soon uncovers evidence of a truly terrifying crime. Could someone really be cruelly, consciously hounding women to death?

Christine Steinmeyer thought the anonymous suicide note she found in her mailbox on Christmas Eve wasn’t meant for her. But the man calling in to her radio show seems convinced otherwise. Bit by bit, her life is turned upside down. Martin Servaz is on leave in a clinic for depressed cops, haunted by his childhood sweetheart’s kidnapping by his psychopathic nemesis. One day, he receives a key card to a hotel room --- the room where an artist committed suicide a year earlier. Servaz soon uncovers evidence of a truly terrifying crime. Could someone really be cruelly, consciously hounding women to death?

“You did nothing.”

Christine Steinmeyer thought the anonymous suicide note she found in her mailbox on Christmas Eve wasn’t meant for her. But the man calling in to her radio show seems convinced otherwise.

“You let her die...”

That’s only the beginning. Bit by bit, her life is turned upside down. But who among her friends and family hates her enough to want to destroy her? And why?It’s as if someone has taken over her life, and everything holding it together starts to crumble. Soon all that is left is an unimaginable nightmare. Martin Servaz is on leave in a clinic for depressed cops, haunted by his childhood sweetheart Marianne’s kidnapping by his nemesis, the psychopath Julian Hirtmann. One day, he receives a key card to a hotel room in the mail --- the room where an artist committed suicide a year earlier. Someone wants him to get back to work, which he’s more than ready to do, despite his mandatory sick leave. Servaz soon uncovers evidence of a truly terrifying crime. Could someone really be cruelly, consciously hounding women to death?

What if the people closest to us are not what they seem? What happens when someone takes control of your life and your relationships? And what is hiding in the darkness? Don’t turn out the lights...or you won’t see who’s coming after you.

With direct threats from Australia’s warring Right and the Left having quieted, wealthy Rowland Sinclair and his group of bohemian friends are on their way home to Sydney via New York after a lengthy stay in Europe. The wealthy Sinclair scion has treated his artist friends to first-class accommodations on the Cunard ship, the luxury liner of the day. Also on board are some members of the Theosophical Society, as well as an aggressively conservative Irish Catholic Bishop and his cohorts. Their clash ups the tensions in first class and presents the liner’s captain with a tricky situation when bodies start to drop.

With direct threats from Australia’s warring Right and the Left having quieted, wealthy Rowland Sinclair and his group of bohemian friends are on their way home to Sydney via New York after a lengthy stay in Europe. The wealthy Sinclair scion has treated his artist friends to first-class accommodations on the Cunard ship, the luxury liner of the day. Also on board are some members of the Theosophical Society, as well as an aggressively conservative Irish Catholic Bishop and his cohorts. Their clash ups the tensions in first class and presents the liner’s captain with a tricky situation when bodies start to drop.

Travel back in time to 1932 and book a first-class suite on the passenger liner RMS Aquitania, but take care, for among your fellow passengers is a ruthless killer. 

Direct threats from Australia’s warring Right and the Left having quieted, wealthy Rowland Sinclair and his group of bohemian friends are their way home to Sydney via New York after a lengthy stay in Europe. The wealthy Sinclair scion has treated his artist friends to first-class accommodations on the Cunard ship, the luxury liner of the day. Also on board are some members of the Theosophical Society, one of those spiritualism movements that had a heyday in the early twentieth century, as well as an aggressively conservative Irish Catholic Bishop and his cohorts. Their clash ups the tensions in first class and presents the liner’s captain with a tricky situation when bodies start to drop.

It is Sinclair’s bad luck that he becomes a suspect in the first death, that of the Bishop’s beautiful young niece. But before the ship docks, he is cleared and the investigation, and further crimes, are taken ashore to the Australian capital and into some of its grand country houses.

Weaving historical fact, events and people with fiction, Sulari Gentill has created a delightful and spirited crime story, the second in the Rowland Sinclair Mysteries, set against the public unraveling of the Theosophist Society. There’s an Evelyn-Waugh-meets-Agatha-Christie feel about this series and an extra treat in the New York scenes of A DECLINE IN PROPHETS where one of Rowly’s boho friends, in fact the sculptress whom he loves, is romanced by the not well-known English actor Archie Leach.

The wicked, bawdy Restoration court is no place for a child princess. Ten-year-old Anne cuts an odd figure: a sickly child, she is drawn towards improper pursuits. Cards, sweetmeats, scandal and gossip with her Ladies of the Bedchamber figure large in her life. But as King Charles' niece, Anne is also a political pawn, who will be forced to play her part in the troubled Stuart dynasty. Transformed from overlooked princess to the heiress of England, she will be compelled to overcome grief for her lost children, the political maneuverings of her sister and her closest friends, and her own betrayal of her father, before the fullness of her destiny is revealed.

The wicked, bawdy Restoration court is no place for a child princess. Ten-year-old Anne cuts an odd figure: a sickly child, she is drawn towards improper pursuits. Cards, sweetmeats, scandal and gossip with her Ladies of the Bedchamber figure large in her life. But as King Charles' niece, Anne is also a political pawn, who will be forced to play her part in the troubled Stuart dynasty. Transformed from overlooked princess to the heiress of England, she will be compelled to overcome grief for her lost children, the political maneuverings of her sister and her closest friends, and her own betrayal of her father, before the fullness of her destiny is revealed.

Unfolding in the heady world of the glittering Restoration court, A WANT OF KINDNESS follows an expendable princess on her unlikely progress to becoming queen, through the religion, politics, disease, deceit and treachery of the time.

The wicked, bawdy Restoration court is no place for a child princess. Ten-year-old Anne cuts an odd figure: a sickly child, she is drawn towards improper pursuits. Cards, sweetmeats, scandal and gossip with her Ladies of the Bedchamber figure large in her life. But as King Charles' niece, Anne is also a political pawn, who will be forced to play her part in the troubled Stuart dynasty.

Transformed from overlooked princess to the heiress of England, she will be forced to overcome grief for her lost children, the political maneuverings of her sister and her closest friends, and her own betrayal of her father, before the fullness of her destiny is revealed. In A WANT OF KINDNESS, Limburg has created a richly realized time and world, and in Anne, a complex and all-too-human protagonist.

Orvieto. Its very name brings to mind priceless art, colorful ceramics, straw-colored wine, and the most famous cathedral façade in Italy, a structure of gothic spires, arches, statues and mosaics. When Rick Montoya moved to Italy to work as a freelance translator using his dual heritage, he didn’t expect to be helping the Italian police. During his fourth investigation, his language skills draw him into the brutal murder of an American visitor. Strong suspects, tantalizing secrets, concealed motives and risky behaviors tie to a fascinating landscape and layers of Orvieto’s past.

Orvieto. Its very name brings to mind priceless art, colorful ceramics, straw-colored wine, and the most famous cathedral façade in Italy, a structure of gothic spires, arches, statues and mosaics. When Rick Montoya moved to Italy to work as a freelance translator using his dual heritage, he didn’t expect to be helping the Italian police. During his fourth investigation, his language skills draw him into the brutal murder of an American visitor. Strong suspects, tantalizing secrets, concealed motives and risky behaviors tie to a fascinating landscape and layers of Orvieto’s past.

Orvieto --- its very name brings to mind priceless art, colorful ceramics, straw-colored wine and the most famous cathedral façade in Italy, a structure of gothic spires, arches, statues and mosaics. But as Rick Montoya discovers, this jewel of Umbria can have an ugly side as well.

When Rick Montoya moved to his mother’s Italy from his father’s Santa Fe, New Mexico, to work as a freelance translator using his dual heritage, he didn’t expect to be helping the Italian police. His maternal uncle, a high-level commissioner in Rome, however, sees no reason not to use the resources at hand.

Rick’s fourth investigation should not have involved crime. It begins when Rick is asked by his uncle to go to Orvieto to talk some sense into his cousin Fabrizio, whose fling with an older married woman is embarrassing the family. Rick agrees to give it a try, and plans a short but romantic weekend in Orvieto with Betta Innocenti, the woman he met in Bassano. What could go wrong?

Less than a day after their arrival, his language skills draw him into the brutal murder of an American visitor. He finds that he knows the policeman in charge, but Inspector LoGuercio has changed since the time they met in Volterra. The murdered woman had studied art in Italy decades earlier --- why has she returned now? And why was she dumped at night on a dusty road? Through her traveling companions, her devastated daughter and best friend, as well as a growing list of those who knew her from her student days, they realize she had come to Orvieto to face the past. And then a second murder occurs in a public park, with Montoya so close that he wonders if he could have been the intended target. Is all this connected to Fabrizio and his affair, or to the American’s death? More violence erupts, some of it definitely directed at Rick himself.

Strong suspects, tantalizing secrets, concealed motives and risky behaviors tie to a fascinating landscape and layers of Orvieto’s past.

Audiobook available, read by David Colacci