Pru Everwood brings on Astrid Parker to be the designer for the Everwood Inn’s renovation, which will be featured on a popular HGTV show, “Innside America.” However, Astrid never planned on Jordan Everwood, Pru’s granddaughter and the lead carpenter for the renovation, who despises every modern design decision Astrid makes. Jordan is determined to preserve the history of her family’s inn, particularly as the rest of her life is in shambles. When that determination turns into some light sabotage to ruffle Astrid’s perfect little feathers, the showrunners ask them to play up the tension. But somewhere along the way, their dislike for each other evolves into something quite different, and Astrid must decide what success truly means.

In an unnamed British city, a deadly global virus is spreading, and like everyone else, the celebrated sculptor Edith Harkness retreats inside. She isolates herself in her immense studio, Burntcoat, with Halit, the lover she barely knows. As life outside changes irreparably, inside Burntcoat, Edith and Halit find themselves changed as well: by the histories and responsibilities each carries and bears, by the fears and dangers of the world outside, and by the progressions of their new relationship. And Burntcoat will be transformed, too, into a new and feverish world, a place in which Edith comes to an understanding of how we survive the impossible --- and what is left after we have.

Bright, attractive and well-connected, in any other family the Churchill girls --- Diana, Sarah, Marigold and Mary --- would have shone. But they were not in another family, they were Churchills, and neither they nor anyone else could ever forget it. From their father --- “the greatest Englishman” --- to their brother, golden boy Randolph, to their eccentric and exciting cousins, the Mitford Girls, they were surrounded by a clan of larger-than-life characters that often saw them overlooked. While Marigold died too young to achieve her potential, the other daughters lived lives full of passion, drama and tragedy. This intimate saga sheds light on the complex dynamics of family set against the backdrop of a tumultuous century.

In LOOK FOR ME AND I'LL BE GONE, his sixth collection of stories, John Edgar Wideman imbues with energy and life the concerns that have consistently infused his fiction and nonfiction. How does it feel to grow up in America, a nation that encourages (sometimes unwittingly, but often on purpose) its citizens to see themselves as colored or white, as inferior or superior? The story “Separation” begins with a boy afraid to stand alone beside his grandfather’s coffin, then wends its way back and forth from Pittsburgh to ancient Sumer. “Atlanta Murders” starts with two chickens crossing a road and becomes a dark riff, contemplating “Evidence of Things Not Seen,” James Baldwin’s report on the 1979-1981 child murders in Atlanta, Georgia.

One spring morning, Kathryn Schulz went to lunch with a stranger and fell in love. Having spent years looking for the right relationship, she was dazzled by how swiftly everything changed when she finally met her future wife. But as the two of them began building a life together, Schulz’s beloved father --- a charming, brilliant, absentminded Jewish refugee --- went into the hospital with a minor heart condition and never came out. Newly in love yet also newly bereft, Schulz was left contending simultaneously with wild joy and terrible grief. Those twin experiences form the heart of LOST & FOUND, a profound meditation on the families that make us and the families we make. But Schulz’s book also explores how disappearance and discovery shape us all.

In 2008, a cheerful ambulance-chasing lawyer named Jay Shenk persuades the grieving Keener family to sue a private LA hospital. Their son, Wesley, has been transformed by a routine surgery into a kind of golem, absent all normal functioning or personality, walking in endless empty circles around his hospital room. In 2019, Shenk --- still in practice but a shell of his former self --- is hired to defend Wesley Keener’s father when he is charged with murdering the expert witness from the 2008 hospital case. Shenk’s adopted son, a fragile teenager in 2008, is a wayward adult, though he may find his purpose when he investigates what really happened to the murdered witness.

Eighteen-year-old Niri and his family live a modest but secure life working in the villa of the wealthy Benzes. But when the pandemic comes, they are all let go and left staring into the abyss of abject poverty. As their situation grows increasingly desperate, the once rule-abiding monastery student decides he won’t wait at the mercy of a corrupt, indifferent government and rebels against his father’s resigned acceptance. Sneaking through the locked-down city at night, past the military patrols, Niri returns to the villa to take what his family needs to survive. Waiting for him there is his childhood friend --- and the Benzes’ daughter --- Mary, who has a bigger plan that will change their lives forever.

Beautiful, wild and strange, Meroe Island is a desolate spot in the middle of the Pacific Ocean with a mysterious history of shipwrecks, cannibalism and even rumors of murder. Six stunning twentysomethings are about to embark on a blissful, free-spirited journey --- one filled with sun-drenched days and intoxicating nights. But as it becomes clear that the group is even more cut off from civilization than they initially thought, it starts to feel like the island itself is closing in, sending them on a dangerous spiral of discovery. When one person goes missing and another turns up dead, the remaining friends wonder what dark currents lie beneath this impenetrable paradise --- and who else will be swept under its secluded chaos.

In 1910, Dr. John Watson travels to Egypt with his wife, Juliet. Her tuberculosis has returned, and her doctor recommends a stay at a sanitarium in a dry climate. But while his wife undergoes treatment, Dr. Watson bumps into an old friend --- Sherlock Holmes. An English Duke with a penchant for Egyptology has disappeared, leading to enquiries from his wife and the Home Office. Holmes has discovered that the missing duke has indeed vanished from his lavish rooms in Cairo and that he was on the trail of a previous undiscovered and unopened tomb. With the help of Howard Carter, Holmes and Watson are on the trail of something much bigger, more important and more sinister than an errant lord.

Jamie Westenberg and Bea Wilmot have nothing in common except a meet-disaster and the mutual understanding that they couldn't be more wrong for each other. But when the people closest to them play Cupid and trick them into going on a date, Jamie and Bea realize they have something else in common after all --- an undeniable need for revenge. Soon their plan is in place: Fake date obnoxiously and convince the meddlers they’re madly in love. Then break up spectacularly and dash everyone's hopes, putting an end to the matchmaking madness once and for all. But as their final act nears and playing lovers becomes easier than not, they begin to wonder: What if Cupid’s arrow wasn’t so off the mark? And what if two wrongs do make a right?